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The Woman in the House Across the Street from the Girl in the Window [2022] ‘Netflix’ Review: It Goes Downhill Rapidly
Netflix · Review · Streaming Now · TV

The Woman in the House Across the Street from the Girl in the Window [2022] ‘Netflix’ Review: It Goes Downhill Rapidly

Reubyn Coutinho January 31, 2022

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Hawk’s Muffin [2022]: ‘IFFR’ Review – A Metaphor for Perpetual Human Conflict Enveloped in Dystopian Science-Fiction
Film Festivals · Review · Rotterdam

Hawk’s Muffin [2022]: ‘IFFR’ Review – A Metaphor for Perpetual Human Conflict Enveloped in Dystopian Science-Fiction

Ashwani Kumar February 16, 2024

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La Soga Salvation [2022] Review: A Confusing Film, Violent for No Good Reason
Review · VOD

La Soga Salvation [2022] Review: A Confusing Film, Violent for No Good Reason

Ahendrila Goswami January 30, 2022

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Hannah Ha Ha [2022]: ‘Slamdance’ Review : A quietly observant film on living off the grid never really takes off
Film Festivals · Review · Slamdance

Hannah Ha Ha [2022]: ‘Slamdance’ Review : A quietly observant film on living off the grid never really takes off

Santanu Das February 7, 2022

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Neymar: The Perfect Chaos [2022] ‘Netflix’ Review: It Will Come Across as The Perfect Disappointment
Netflix · Review

Neymar: The Perfect Chaos [2022] ‘Netflix’ Review: It Will Come Across as The Perfect Disappointment

Reubyn Coutinho January 29, 2022

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We are Living Things [2022]: ‘Slamdance’ Review – Aliens searching for Aliens while dealing with existential alienation
Film Festivals · Review · Slamdance

We are Living Things [2022]: ‘Slamdance’ Review – Aliens searching for Aliens while dealing with existential alienation

Amartya Acharya January 29, 2022

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Therapy Dogs [2022] ‘Slamdance’ Review- A dull blur of Energy & Chaos that is ultimately feeble
Film Festivals · Review · Slamdance

Therapy Dogs [2022] ‘Slamdance’ Review- A dull blur of Energy & Chaos that is ultimately feeble

Debanjan Dhar July 14, 2023

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Be Right Back [2022]: ‘Slamdance’ Review – Lost amidst its Cryptic posturing
Film Festivals · Review · Slamdance

Be Right Back [2022]: ‘Slamdance’ Review – Lost amidst its Cryptic posturing

Debanjan Dhar November 10, 2022

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Dual [2022]: ‘Sundance’ Review – A pitch-black dark comedy where capitalism is the killer
Film Festivals · Review · Sundance

Dual [2022]: ‘Sundance’ Review – A pitch-black dark comedy where capitalism is the killer

Shikhar Verma January 28, 2022

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  • Film Festivals
    • Cannes
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