Take Back the Night [2022] Review: An effective #Metoo thriller with an infuriating monster
Take Back the Night deals with an extremely sensitive and important subject matter: sexual assault. Like The Invisible Man, the…
Ryusuke Hamaguchi Shares Criterion Top 10 Films
Ryusuke Hamaguchi optimally leverages the audio-visual medium of cinema and spun it delicately in a mystifying narrative to look at…
The Batman [2022] Review: A Delightfully Relentless Crime-Noir Saga Like No Other
Etching a grim, violent vision of Gotham in ways never done before, The Batman explores its core characters with remarkable nuance and depth, belting a three-hour extravaganza that highlights socio-political ills that plague the city, and the world at large.
The Weekend Away [2022] Review: Cheap Thrills that Come at a Huge Personal Cost
In its recent quarterly results, Netflix bemoaned the lack of penetration in the Indian market. The comments and laggard numbers…
Wheel Of Fortune and Fantasy [2021] – A Complex Dish of Desire, Identity & Self-exploration served piping hot
Wheel Of Fortune and Fantasy (2021) – A Complex Dish of Desire, Identity & Self-exploration served piping hot: It rarely…
Undekhi (Season 2) ‘SonyLIV’ Review: More of the Same but Blander, Duller, and Clumsier
Season 1 of Undekhi (2020-ongoing) offered a new look at the brazenness with which North Indians commit horrendous crimes and…
Star Trek: Picard (Season 2) Review – The Greatest Rivalry In Sci-fi History Is Reignited For A Time bending Rematch
Hot take time! Star Trek is better than Star Wars. Star Wars is more popular than Star Trek for a…
Against the Ice [2022] Netflix Review: A Flat Survivor Thriller that Never Quite Catches the Adventure Sprit
We are all suckers for atmospheric survivor thrillers. The enthralling magic of seeing men come up against nature in its…