The Cathedral [2022]: ‘Sundance’ Review – An experimental and meditative family portrait that looks at the ever-changing American landscape
An unknown and unseen narrator voices the opening moments of Ricky D’Ambrose’s extremely personal “The Cathedral.” This voice introduces us…
Sirens [2021]: ‘Sundance’ Review- A necessary but thinly developed anthem of resistance
Beneath its plea for free expression in a country choked by repressions, Rita Baghdadi’s film Sirens, premiering in the World…
Emergency [2022]: ‘Sundance’ Review – An Intense, first-hand look at the black-experience
There are movies that talk of racism and then there are some that just shut the door on your face…
A Hero (2021) Prime Video Review: A Heart-Rending Tale of a ‘Good Man’ Weighed Down by a ‘Good’ Deed
When the two-time Oscar winner Asghar Farhadi comes out with a new film, it is bound to stir a storm…
All That Breathes [2022]: ‘Sundance’ Review – Mapping Delhi’s streets & skies into a Stirring, Stunning Miniature
“As Delhi’s air changed, so did its metabolism”, one of the brother’s remarks in voiceover early on in Shaunak Sen’s All That…
Riotsville, USA [2022] ‘Sundance’ Review- Engaging but never takes truly exciting Leaps
Riotsville USA, premiering at Sundance in the ‘Next’ section this year, relies on archival footage drawn from the broadcast television…
Tantura [2022] ‘Sundance’ Review: A Well-Crafted Documentary of Brutality Gone Unpunished
The Israel-Palestine conflict is one of the most perpetually gruelling conflicts in the whole wide world. The degree might vary,…
The Dog Who Wouldn’t Be Quiet [2021] ‘MUBI’ Review: A tonally Diverse Narrative attempting to Normalize the Absurd
The Dog Who Wouldn’t Be Quiet by Ana Katz possess an atypicality that makes it immune to a hostile opinion….








