Gonjiam: Haunted Asylum [2018] – A Welcome Entry in Found-Footage Horror
A terrifying found-footage horror from the South Korean film industry, Gonjiam: Haunted Asylum travels a well-worn path, packs the expected…
Eldorado [2018]: ‘BFI-LFF’ Review – A Potent and Unflinching Look at the Economics of the Refugee Crisis
Eldorado [2018] – A Potent and Unflinching Look at the Economics of the Refugee Crisis Swiss film-maker and opera director…
The State of Modern Comedies – Solution IV: So bad, it’s good
What the world of comedy films today can learn from these accidental comedy films is not so much the technical issues, but the more unsettling stench that permeates a ‘so-bad-it’s-good film’. To watch one of these kinds of films is to be a voyeur to a strange and unthinkable worldview that will make you question who it belongs to.
Apostle [2018] Review: Has All the Hallmarks of a Cult Classic
For the first hour or so, “Apostle” appears to be slow, meandering & headed nowhere. Gareth Evans takes too long…
25 Must-See Films at the JIO MAMI Mumbai Film Festival, 2018
25 Must-See Films at the JIO MAMI Mumbai Film Festival, 2018 Fueled by every possible genre of cinematic independence, the…
Dogman [2018]: ‘BFI-LFF’ Review – A Story of Love and Tragedy
Matteo Garrone’s ‘Dogman’ is a story of love and tragedy in the life of an ordinary man. The ordinary man…
Vada Chennai [2018] Review – A Gripping Slow-Burn Crime Drama
Vada Chennai [2018] – A Gripping Slow-Burn Crime Drama Tamil film-maker Vetrimaaran is interested in portraying the downtrodden, their social…
First Man [2018] Review: An Exhilarting Experience
Damien Chazelle is just four films old, and he has already carved a niche for himself. First Man is a…