Zana [2019]: ‘TIFF’ Review – Adriana Matoshi is Magnetic in this post-war tormentor
Kosovo-born, LA-based writer/director Antoneta Kastrati’s ‘Zana’ is her feature-length debut. After a decade long career in documentary filmmaking, Kastrati dives…
Henry Glassie: Field Work [2019]: ‘TIFF’ Review – A Wonderful Visual Diary of the World And Its Inhabitants
Henry Glassie: Field Work is more of an experience than a film really. An experience that is best described as…
Partenonas (Parthenon)[2019]: ‘Venice’ Review – A trance-like postmodern tracing of memory
Obfuscation is an understatement when it comes to Lithuanian filmmaker and academic, Mantas Kvedaraviฤiusโ feature film Partenonas (Parthenon). Following the…
Dream Girl [2019] Review: An Eminently forgettable Dream
Hindi film comedy scene has changed a lot but never quite reinvented itself. Somewhere or the other these films appear…
A Lookback at The Unofficial Oliver Stone US Presidents Trilogy
William Oliver Stone, the American filmmaker, turns 73 years old on 15th September. Oliver Stone is a household name in…
Unbelievable Netflix (2019) Review: The Truth Will Set Us Free
Unbelievable Netflix (2019) Review: The Truth Will Set Us Free. โEven with good people, even with people that you can…
How The Face of Another (1966) Finds Its Right Audience in 2019
Rarely, you find adaptations that do justice to the authorโs vision. The Face of Another (1966) is one such exception…
Drive (2011) Movie Review: A Fully Realised Arthouse Action
An impeccably rendered & thoroughly absorbing character study that relies more on images than words to convey its themes &…