Raw (2016) – Julia’s fascination with Human body and Cannibalism
“Are you your body or is your body you? ” This is the central philosophy of French filmmaker Julia Ducournau…
Shershaah and Why the Formulaic Biopic Works
Given the Indian Prime Minister Narendra Modi’s viral selfie with top-tier Bollywood celebrities, including Karan Johar, Shershaah (2021) clearly seems to be strengthening the nationalist fabric of the Hindi film industry.
Logan Review | The Story of Wolverine
Logan is a Fox film based on the X-Men universe and the third solo of Wolverine, a character played by…
The Bad Man [2021]: ‘Locarno’ Review – How the Brutality of War Changes a Man
Many films have documented the regret and deep sorrow engulfing unwilling perpetrators of violence. The representation mostly consists of a…
Too Late [2021] Review: Uninspired horror-comedy lazily presents a showbiz metaphor
Bosses can be real monsters. They can suck the life out of you and do their best to not lead…
Shadows [2021]: ‘NYAFF’ Review – An Uninventive Thriller that barely flares
Shadows traverses difficult thematic terrain; director Glenn Chan is primarily playing with the suggestion of the essential and intrinsic depravity…
20 Best Black and White Movies of the 21st Century
Black and white movies eschew colors to their advantage. It is a conscious choice, deliberated upon stubbornly, that the filmmaker…
We Are Little Zombies (2019): The Absurdity of Coming-of-Age
We Are Little Zombies, which won accolades across several film festivals in 2019, including the Special Jury Award for Originality at Sundance in the same year, plays out like a psychedelic dream in some parts while mostly being a wry but humorous social commentary, dipped in dark humor.