Sorry To Bother You [2018]: ‘MAMI’ Review – An Inventive and Original Screwball Comedy
“Sorry To Bother You” is the most inventive and original screwball comedy since Swiss Army Man. It’s a satire on…
Cold War [2018]: ‘MAMI’ Review – An ode to restless love
Cold war is a glorious tale of forbidden love set in 50’s and spanning over 15 years as well as…
The House That Jack Built [2018]: Astonishing Examination of Evil
A Lars von Trier film about a serial killer – what else are you going to expect from this? With The House that Jack Built, he is snugly in comfortable territories, working cinematic wonders with his filmic playfulness, this character study, and on-screen content that is deranged and disturbing to the maximum degree.
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Nancy [2018]: ‘MAMI’ Review – A troubled Girl finding herself
Nancy [2018]: A troubled Girl finding herself. Debutant Christina Choe takes inspiration from a real-life incident involving identity theft, reminiscent…
Gonjiam: Haunted Asylum [2018] – A Welcome Entry in Found-Footage Horror
A terrifying found-footage horror from the South Korean film industry, Gonjiam: Haunted Asylum travels a well-worn path, packs the expected…
Eldorado [2018]: ‘BFI-LFF’ Review – A Potent and Unflinching Look at the Economics of the Refugee Crisis
Eldorado [2018] – A Potent and Unflinching Look at the Economics of the Refugee Crisis Swiss film-maker and opera director…
The State of Modern Comedies – Solution IV: So bad, it’s good
What the world of comedy films today can learn from these accidental comedy films is not so much the technical issues, but the more unsettling stench that permeates a ‘so-bad-it’s-good film’. To watch one of these kinds of films is to be a voyeur to a strange and unthinkable worldview that will make you question who it belongs to.
Apostle [2018] Review: Has All the Hallmarks of a Cult Classic
For the first hour or so, “Apostle” appears to be slow, meandering & headed nowhere. Gareth Evans takes too long…