Diane [2019] Review: A carefully observed character drama of a woman who understands need
In writer/director Kent Jones’s first narrative feature film, a woman is shown running around town in her car doing errands….
Shazam! [2019] Review: Say The Word This Weekend!
Think back to when you were 15 years old. Imagine your life at the time and your state of mind….
Jordan Peele’s Us (2019): A Hall of Mirrors
If Get Out (2017) and Us (2019) belong to the same universe, the Untethering is then perhaps a desire to…
10 Reasons Why Godless is the Best Netflix Original Series
Netflix is full of original content and is primarily well-regarded for its TV series. Whilst you might be familiar with…
How Anurag Kashyap’s Gangs of Wasseypur Portrays Clumsiness of People
“Sometimes we need to look at something different, something that is closer to reality. We need to see a hero…
Hotel Mumbai [2019] Review: Go Check In
It’s been 11 years since I had my exams cancelled and was instructed to not leave the house. At age 12,…
Why Alfonso Cuarón’s ROMA Is Essential for Young Filmmakers
“Apart from all the technicalities that Alfonso Cuarón’s Roma teaches, it should inspire a young filmmaker to be brave and…
Us (2019) Review: A Metaphorical Horror Masterpiece with Guaranteed Plot-twist
It has been an immense pleasure to watch the new imaginative and inventive horror films made in the last few years. Films like “Get Out” and “Hereditary” have completely outbound the fact that horror films can’t be scary without brutal makeup or a visual illusion. Jordan Peele’s second film “Us” is a masterful diversion from the path of old fashioned horror films. In fact, it is the only film came this year which has been…