High Life [2019] Review: Sci-fi high
This is a cosmic journey from beginning to end, and though messy in the middle, it manages to come to a conclusion of galactic proportions that I’m sure very few other films of this year will aspire to.Â
Photograph [2019] ‘NYIFF’ Review: A minuscule love story containing multitudes of suppressed emotions
There’s only so much one can say when there’s no one to listen. In Ritesh Batra’s Photograph, Miloni (Sanya Malhotra)…
Assassinaut [2019] ‘BUFF’ Review – A cheap knockoff
Inspirations are good, but if the enthusiastic urge to overplay on it does not get curbed, it runs the danger…
Happy Face [2019]: ‘BUFF’ Review – A Part-Autobiographical Coming-of-Age Odyssey
Beauty! How does one define the term, and who gets to decide what it means? Is beauty only synonymous with…
A Spike Lee Joint: Da Sweet Blood of Jesus [2014]
The end result is a fairly laborious and not particularly intriguing or involving piece of fiction, though the nicest thing you can say is that it at least feels like an original entry in this vampire sub-genre.
Ghosts of the Abyss [2003] Review: An Unscripted Adventure Back to Titanic
After dazzling the entire world with his 1997 epic romance & disaster film that went on to become the first…
Relaxer [2019] Review: Survival of the Unfittest
Relaxer is fucking nuts man! That’s my review. All of it.
2018: Revising the Revisionist Western – The Sisters Brothers, The Ballad of Buster Scruggs & Damsel
To really understand the Western genre, one needs to trail back to the lands of how usual westerns were made….