Mary Queen Of Scotts [2018] Review: Far from Royalty
I had high expectations going into Mary Queen of Scotts. Two of last years stand out performers coming together to…
The Favourite [2018] Review: Lives Up To Its Name
If someone had told me that “The Favourite”, a period piece dramedy, would be among the most outlandish and yet…
Museo [2018] Review – A Quirky and Challenging Exploration of History and Self-Identity
Mexican film-maker Alonso Ruizpalacios’ debut feature Gueros (2014) portrayed the disintegration of a society and the ennui of suburban life…
Jonaki [2018] Review – A Bewitching Experimental Cinematic Endeavor
Indian writer/director Aditya Vikram Sengupta follows his mesmerizingly poetic debut-feature, Labour of Love (‘Asha Jaoar Majhe’, 2014) with a stately,…
Ralph Breaks the Internet [2018] Review: A Worthy Successor To Wreck-It Ralph
Wreck-It Ralph was a surprising but welcome change from Disney that took us on a nostalgic trip down the lane…
If Beale Street Could Talk [2018] Review: Go Listen To This Film
Barry Jenkins is back after winning the best picture Oscar with Moonlight. This time, with an adaptation of the popular…
Best of Yesteryear: Top 10 Films of 2017
It’s that time once again this year – the Best Films of Yesteryear. To combat the often short-sightedness of Best…
Aquaman [2018] Review: Into The Deep End
Aquaman is the sixth entry in the DC extended universe and the big year-end fantasy film of 2018. It follows…