Arun Kumar is the Chief Editor of High on Films. He is an ardent cinebuff who likes to analyze movies down to their minute details. He believes in the transformative power and the shared-dream experience of cinema. Arun has been a film journalist since 2011.
![Notes on Displacement [2022] ‘IDFA’ Review – A Firsthand Account of the Dreadful Refugee Experience](https://www.highonfilms.com/wp-content/uploads/2022/11/nod-768x432.jpg)
![Racist Trees [2022] ‘IDFA’ Review – The Complicated History of Institutional Racism in an Urban Paradise](https://www.highonfilms.com/wp-content/uploads/2022/11/Racist-Trees-2022-768x432.jpg)
![Paradise [2022] ‘IDFA’ Review – A Gorgeously Shot Documentary on Climate Change Induced Wildfires in Siberia](https://www.highonfilms.com/wp-content/uploads/2022/11/Paradise-2022-768x432.jpg)
![Sex, Lies and the College Cult [2022] Explained: How A Creepy Dad Formed an Abusive Cult-Like Group?](https://www.highonfilms.com/wp-content/uploads/2022/09/cc-768x432.jpg)
![Anhell69 [2022]: ‘Venice’ Review – A Intimate and Melancholic Portrait of the Young Queer Scene in Medellin](https://www.highonfilms.com/wp-content/uploads/2022/09/A69_02-768x432.jpg)
![Victim [2022] ‘Venice’ Review – A Mother’s Unexpected Encounter with Politics of Polarization](https://www.highonfilms.com/wp-content/uploads/2022/09/Victim-2022-768x432.jpg)
![The Last Queen [2022]: ‘Venice’ Review – A Highly Engrossing Period Drama from Algiers](https://www.highonfilms.com/wp-content/uploads/2022/09/The-Last-Queen-2022-1-768x416.jpg)