The Soundtrack of Privilege: Here’s How Highest 2 Lowest Uses Music to Divide Class and CultureSeptember 14, 2025 Naveed Zahir
Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak” September 14, 2025 Subhankar Das
Lost and Found: Revisiting ‘Kismet’ and the Roots of Indian Social MelodramaSeptember 14, 2025 Manas Banik
Column The North–South Divide in Indian Cinema: Tropes, Stereotypes, and Cultural Missteps Santosh Kumar Mamgain September 6, 2025September 7, 2025
Column How Does Tarantino’s ‘Pulp Fiction’ (1994) Condemn American Nihilism? Georgia May September 5, 2025September 6, 2025
Column How Quentin Tarantino Subverts World War II Narratives through a Postmodern Lens in ‘Inglourious Basterds’? Abirbhab Maitra September 3, 2025September 3, 2025
Column The Soundtrack of Privilege: Here’s How Highest 2 Lowest Uses Music to Divide Class and Culture Naveed Zahir September 14, 2025
Column Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak” Subhankar Das September 14, 2025September 14, 2025
Column Our Girlhood Deserves Better Than ‘The Summer I Turned Pretty’ Prerna Chatterjee September 14, 2025September 14, 2025
ColumnWomen in an Unforgiving World: Exploring Body Horror and Identity in Coralie Fargeat’s ‘The Substance’October 8, 2024 Sakshi Salil Chavan
Essay‘Melancholia’ (2011) and the End of Everything: Exploring Depression, Despair, and the Human ConditionOctober 1, 2024 Mohan Kumar
ColumnThe Tragedy of Selina Kyle: Michelle Pfeiffer’s Powerful Performance in ‘Batman Returns’September 25, 2024 Megan Fisher
EssayMaddening Ambiguity & ‘The Heiress’ (1949): An Inspiration for Scorsese’s ‘Killers of the Flower Moon’ September 24, 2024 Emily Holland
ColumnHow the 1978 Existential Drama ‘Arvind Desai KI Ajeeb Dastaan’ Examines the Struggle to Understand the Meaning of LifeSeptember 17, 2024 Shikhar Verma
EssayAnatomy of a Fall: Confronting Ethics as a Consequence of a Decision-MakingSeptember 16, 2024 Avantika Tewari
ColumnThe Political Subtext of Govind Nihalani’s 1984 Satire ‘Party’ Is More Relevant Now Than EverSeptember 11, 2024 Shikhar Verma
Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak”
Essay ‘Elemental’ is a tender tale that cannot hide its Male Saviour Complex Deepshikha Deb August 17, 2023
Essay How ‘The Flash’ Resets DC Extended Universe To Make Way For Gunn’s DC Universe? Abhishek Sharma August 12, 2023
Essay Passages and the Cultural Problem of the Death of Sex Scenes in Film Virat Nehru August 7, 2023
Essay The Drive across “Mother-ing Up” & “Daughter-ing Down”: The Multitudinous Complexities of the Mother-Daughter Relationship in Lady Bird (2017) Sreetama Basu August 20, 2024
Essay How ‘Rocky Aur Rani Ki Prem Kahani’ Exudes Typical Grandiose of KJo’s Films While Subverting Societal Stereotypes Srilekha Mitra August 1, 2023
Essay A Long Time on the Epiphanic Road: Chihiro’s Coming of Age and Personal Growth in Spirited Away (2001) Sreetama Basu July 5, 2024
Essay Barbenheimer: How ‘Barbie’ and ‘Oppenheimer’ Critiques Our Flawed World In Their Own Ways Srilekha Mitra August 21, 2024
High On Films
