How Dwayne ‘The Rock’ Johnson’s Professional Wrestling Career Can Inform the Future of His Acting Days February 2, 2026 Hayyan Khawaja
Beyond the Binary of Disclosure: A Materialist Becoming of Intimacy in the Male-Male Dynamic of Sanjay Nag’s Memories in March (2010)January 29, 2026 Sohini Dasgupta
Why “The Hitchhiker’s Guide to the Galaxy” Is an Unlikely Comfort Movie?January 23, 2026 Oleksandra Kolosovska
Column ‘Titli’ and the Fragile Dream of Becoming Free in Contemporary India Bipasha Bhattacharyya January 19, 2026January 19, 2026
Column Sartorial Storytelling and Bacchanalian Rites: Intertextuality and Social Stratification in Luhrmann’s ‘The Great Gatsby’ Vasundhara Parashar January 16, 2026January 17, 2026
Column Bound By Obsession: The Mutually Assured Destruction of Mozart and Salieri in ‘Amadeus’ Bella Madge January 16, 2026January 17, 2026
Column How Dwayne ‘The Rock’ Johnson’s Professional Wrestling Career Can Inform the Future of His Acting Days Hayyan Khawaja February 2, 2026February 3, 2026
Column Beyond the Binary of Disclosure: A Materialist Becoming of Intimacy in the Male-Male Dynamic of Sanjay Nag’s Memories in March (2010) Sohini Dasgupta January 29, 2026January 29, 2026
Column Why “The Hitchhiker’s Guide to the Galaxy” Is an Unlikely Comfort Movie? Oleksandra Kolosovska January 23, 2026January 23, 2026
ColumnMemory as Resistance: How ‘Hirak Rajar Deshe’ and ‘Chorus’ Speak for the SilencedJune 17, 2025 Ishani Routh
ColumnWhen Grief Haunts More than Ghosts: Exploring Loss in ‘The Devil’s Backbone,’ ‘The Three Burials of Melquiades Estrada,’ & ‘Don’t Look Now’June 17, 2025 Ajay Rahul Raja
EssayThe Crime Behind The Curtain: Looking Back at ‘Yavanika,’ a Cinematic Masterpiece June 16, 2025 Vaishnavi S
ColumnCan HOPE Survive Between TWO INDIAS? Karan Tejpal’s ‘Stolen’ Brilliantly Attempts To Find OutJune 15, 2025 Ayan Dawn
ColumnCharacterising the Space: The Cinematic Space as the Protagonist in ‘Laila Aur Satt Geet’ (2020)June 15, 2025 Sahil
EssayPopular Cinema in India: A Socio-Cultural Analysis of the Indian Cinema and Its Cinematic TropesJune 7, 2025 Santosh Kumar Mamgain
ColumnDreams on a Train: Psychoanalysis and the Subconscious Journey in Satyajit Ray’s ‘Nayak’ (1966)June 7, 2025 Shivani Muralikrishna
ColumnAnatomy of ‘A War’: Tobias Lindholm’s Unflinching Dissection of WarJune 4, 2025 Soumalya Chatterjee
ColumnQueering the Routes and Roots in the ‘Sancharram’ (The Journey, 2004)June 4, 2025 Dr. Aparna Ajith
ColumnChris Sanders’ The Wild Robot (2024) Tenderly Explores The Power Of Found FamilyMay 27, 2025 Sakshi Salil Chavan
ColumnHow Wag the Dog (1997) Predicted Our Age of Manufactured Wars and Media Spectacle?May 23, 2025 Arijit Paul
How Dwayne ‘The Rock’ Johnson’s Professional Wrestling Career Can Inform the Future of His Acting Days
Beyond the Binary of Disclosure: A Materialist Becoming of Intimacy in the Male-Male Dynamic of Sanjay Nag’s Memories in March (2010)
Essay One Battle After Another’s Fight in the Graveyard of the Western Charlie Gaskell October 22, 2025
Essay Control, Possession and Murder: The Power-Dynamics in Hitchcock’s Rope (1948) Bella Madge October 22, 2025
Column Hong Kong in Transit: Love, Loss, and Belonging in ‘Chungking Express’ Sayantani Datta October 29, 2025
Column Dehumanization, Fear, and Power: Unpacking Xenophobia in Scorsese’s ‘Gangs of New York’ Subhankar Das November 14, 2025
Article · Netflix · Streaming Now Formula 1: Drive to Survive 2026 – Everything You Can Expect Behind the F1 Paddock Rhea Raj Shinde October 20, 2025
Article Diane Keaton Dead at 79: How She Quietly Changed Hollywood and Lived on Her Own Terms Khushi Verma October 19, 2025