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Buddhadeb Dasgupta’s ‘Swapner Din’ and the Politics of Vanishing IdentitiesNovember 30, 2025 Gourab Saha
Radical Solidarities in Dan Trachtenberg’s ‘Predator: Badlands’: Posthuman Bonds at the Edge of the GalaxyNovember 26, 2025 Sourav Chatterjee
Essay Into the Heart of Darkness: A Trio of Hollywood’s Beautiful Catastrophes Adam Page November 24, 2025November 25, 2025
Column The Physics of Grief in Clint Bentley’s ‘Train Dreams’ Ben Bogdan November 21, 2025November 24, 2025
Column Creating an Ashoke Ganguli of his Own: Irrfan Khan in “The Namesake” Ahendrila Goswami November 20, 2025November 23, 2025
Column The Existential Horror Hidden in Eternity’s Rom-Com Glow Christopher Rhoten December 3, 2025December 3, 2025
Column Stitched Souls: Identity and Emotion in Guillermo del Toro’s ‘Frankenstein’ (2025) Shivangi Thakur December 1, 2025December 2, 2025
Column Blood in Eden: The Ideological Origins of Ryan Coogler’s ‘Sinners’ Dan Flattery December 1, 2025December 2, 2025
EssayThe Art Vs. Artist Discourse: Reassesssing The “separation” Paradigm In FilmApril 4, 2025 Anju Devadas
ColumnCinema as a Path to Transformation: The Power of Film to Shape Identity April 4, 2025 Emily Christine
ColumnRachel Zegler’s ‘Free Palestine’ Tweet Didn’t Kill ‘Snow White’—But Disney Wants You to Think It DidApril 4, 2025 Arghya Dattagupta
ColumnImmigration, Belonging, and the Search for Acceptance in ‘Flow’ (2024) April 2, 2025 Ajay Rahul Raja
ColumnThe Art of Awkwardness: Discomfort as a Storytelling Tool in Jim Jarmusch’s ‘Coffee and Cigarettes’ April 2, 2025 Tapolabdha Dey
ColumnSisterhood on Screen: How ‘Little Women’ Adaptations Capture the Bonds Among WomenApril 2, 2025 Sanjida Samrin Rahman
ColumnBeyond Representation: Genuine Storytelling in Contemporary Coming-of-Age CinemaMarch 30, 2025 Tapolabdha Dey
ColumnIndian Adaptations of ‘Romeo and Juliet’: Fidelity, Creativity, and Cultural TransformationMarch 22, 2025 Vasundhara Parashar
EssayWhy Women Centric Films in Hindi Cinema are not Necessarily Feminist Films?March 20, 2025 Santosh Kumar Mamgain
Column · Netflix · Streaming NowA Bold New Vision: Why the 2022 ‘Persuasion’ Needs More Love?March 18, 2025 Sanjida Samrin Rahman
ColumnHow “Paterson” and His Major Moment of Synchronicity Became My OwnMarch 17, 2025 Bobbi Campbell
ColumnThe Eternal Cycle: Samsara and Symbolism in ‘Spring, Summer, Fall, Winter… and Spring’ March 17, 2025 Srimayee Gangopadhyay
EssayI Speak in Three Languages, Write in Two, Love in One: ‘Lootera’ and Romance in Vernacular March 15, 2025 Damayanti Ghosh
ColumnWim Wenders: The Journeys through Solitude and the Search for Meaning March 6, 2025 Srilekha Mitra
Essay When Auteurism meets Mythology: How Effective is The Killing of a Sacred Deer’s Rendition of Greek Allegory? Aadesh Gupta July 10, 2024
Essay Adulthood is Learning Vulnerability: An Analysis of Kiki’s Delivery Service (1989) Beatrice Gangi October 7, 2023
Essay Concept, Rhythm, and Horror: Oppenheimer as an Accumulation of Nolan’s Filmography Aadesh Gupta August 21, 2024
Essay Why is ‘The Black Cauldron’ Disney’s Missed Horror Masterpiece? Beatrice Gangi September 5, 2023
Essay Revelation as Paradox: Oppenheimer and the Criticality of Scientific Reason Shaswata Ray August 21, 2024
Essay Where the Crawdads Sing (2022): Embark On A Scenic Trip Into The Marshland With Kya Poonam Vaze August 31, 2023
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