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Column How ‘Father Mother Sister Brother’ Finds Intimacy in Distance Bipasha Bhattacharyya March 24, 2026March 24, 2026
Essay Apu’s Women: Reading the Novels and the Film Trilogy Against their Historical Canvas Sree March 23, 2026March 24, 2026
Column What Lady Bird Teaches Us About the Cost of Economic Class and Independence? Puja Sinha March 20, 2026March 23, 2026
Column ‘Marty Supreme’ and ‘The Smashing Machine’: Dreaming Big and Learning To Fail Shivam Pota March 31, 2026April 1, 2026
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Column ‘Didn’t Die’ and the Anatomy and Tone of a Modern Zombie Horror Film Akash Deshpande March 28, 2026March 28, 2026
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EssayDiscovering Steven Spielberg’s Magic: Why The Fabelmans and Close Encounters of the Third Kind Should be a Double BillFebruary 22, 2023 Rob Jones
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EssayThe Seasons of Time: An Introduction To Post-Love Era, Based on Spike Jonze’s HerFebruary 12, 2023 High on Films
Horror, Commitment Phobia, and Marriage Walk into a Bar: How ‘Something Very Bad Is Going to Happen’ When Love Demands Certainty
Column Wim Wenders: The Journeys through Solitude and the Search for Meaning Srilekha Mitra March 9, 2025
Article · News Mickey 17: Bong Joon Ho’s Dark Sci-Fi Exposes the Terrifying Reality of Replaceable Workers Deepshikha Deb January 7, 2026
Essay Sexual Violence and the Objectification of Women in Hindi Cinema Santosh Kumar Mamgain March 8, 2025
Column Who is the Mysterious Janitor? Unraveling Identity and Loneliness in ‘I’m Thinking of Ending Things’ (2020) Abirbhab Maitra February 17, 2025
Column ‘Wicked’ and the Jim Crow Era: Unmasking the Parallels of Prejudice and Power Aja Haymore February 16, 2025
Column Neo-Kolkata Triptych? A Cinematic Inquiry into a Decaying Metropolis Soumalya Chatterjee February 13, 2025
