The Soundtrack of Privilege: Here’s How Highest 2 Lowest Uses Music to Divide Class and CultureSeptember 14, 2025 Naveed Zahir
Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak” September 14, 2025 Subhankar Das
Lost and Found: Revisiting ‘Kismet’ and the Roots of Indian Social MelodramaSeptember 14, 2025 Manas Banik
Column The North–South Divide in Indian Cinema: Tropes, Stereotypes, and Cultural Missteps Santosh Kumar Mamgain September 6, 2025September 7, 2025
Column How Does Tarantino’s ‘Pulp Fiction’ (1994) Condemn American Nihilism? Georgia May September 5, 2025September 6, 2025
Column How Quentin Tarantino Subverts World War II Narratives through a Postmodern Lens in ‘Inglourious Basterds’? Abirbhab Maitra September 3, 2025September 3, 2025
Column The Soundtrack of Privilege: Here’s How Highest 2 Lowest Uses Music to Divide Class and Culture Naveed Zahir September 14, 2025
Column Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak” Subhankar Das September 14, 2025September 14, 2025
Column Our Girlhood Deserves Better Than ‘The Summer I Turned Pretty’ Prerna Chatterjee September 14, 2025September 14, 2025
Article · EssayThe Portrayal of the Subaltern in Sachy’s Ayyappanum Koshiyum (2020)June 9, 2021 Krishnanunni Padinjassery
Article · EssayThe Handmaid’s Tale [2017- ]: A Reflection of Both the Past and the FutureMay 27, 2021 High on Films
Article · EssayThe Performance of Toiletry : Two Bollywood Female Protagonists and Self-ExpressionMay 26, 2021 Ahendrila Goswami
Article · EssayHow Haneke plays with the audience expectations in ‘Funny Games’May 24, 2021 Shikhar Verma
Article · EssayMagnolia (1999) : An Epic Melodrama Somewhere Between Ingenuity And InsanityMay 21, 2021 Shahim Sheikh
Article · EssayHow “The 400 Blows” Deviates From Classical Conventions of Narration?May 19, 2021 High on Films
Article · EssayThe Night Comes For Us (2018): Elevating the Indonesian Extreme Action GenreMay 17, 2021 High on Films
Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak”
Article · Essay How Olivia Wilde’s 2019 debut film ‘Booksmart’ breaks stereotypes Tirna Chatterjee February 24, 2021
Article · Essay National Identity In The Romantic Aesthetic of Michael Powell Malu Barroso February 24, 2021
Article · Essay Bong Joon-ho – Cinema of modest Prestige and Everlasting Regrets Jai Bhatt July 15, 2024
Article · Essay Women in a Man’s World: A Close Look at Aditya Kripalani’s Filmography Ashwani Kumar February 23, 2021