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Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak” September 14, 2025 Subhankar Das
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Column The North–South Divide in Indian Cinema: Tropes, Stereotypes, and Cultural Missteps Santosh Kumar Mamgain September 6, 2025September 7, 2025
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Column How Quentin Tarantino Subverts World War II Narratives through a Postmodern Lens in ‘Inglourious Basterds’? Abirbhab Maitra September 3, 2025September 3, 2025
Column The Soundtrack of Privilege: Here’s How Highest 2 Lowest Uses Music to Divide Class and Culture Naveed Zahir September 14, 2025
Column Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak” Subhankar Das September 14, 2025September 14, 2025
Column Our Girlhood Deserves Better Than ‘The Summer I Turned Pretty’ Prerna Chatterjee September 14, 2025September 14, 2025
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Article · EssayIl Maestro By Martin Scorsese: Federico Fellini and the Lost Magic of CinemaFebruary 18, 2021 Manisha Singh
Confluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak”
Article · Essay Here’s why the cynical re-examination of Fight Club (1999) is lame David Morgan Brown August 20, 2024
Article · Essay 25 years of The Shawshank Redemption: A Film About ‘Hanging In There’ Reubyn Coutinho May 21, 2023
Article · Essay How the Burden of Dreams can take man deep into the Heart of Darkness Jeremie Richards February 22, 2021
Article · Essay A Lookback at The Unofficial Oliver Stone US Presidents Trilogy Lakshmi Muthiah August 1, 2021
Article · Essay Waterland (1992) Analysis: A Subtle Apocalyptical Critique of the Episteme Called Human High on Films February 22, 2021
Article · Essay How Noah Baumbach’s Kicking and Screaming explores Post Academia Tedium and Meaning of Life High on Films February 22, 2021
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