Stitched Souls: Identity and Emotion in Guillermo del Toro’s ‘Frankenstein’ (2025)December 1, 2025 Shivangi Thakur
Buddhadeb Dasgupta’s ‘Swapner Din’ and the Politics of Vanishing IdentitiesNovember 30, 2025 Gourab Saha
Radical Solidarities in Dan Trachtenberg’s ‘Predator: Badlands’: Posthuman Bonds at the Edge of the GalaxyNovember 26, 2025 Sourav Chatterjee
Essay Into the Heart of Darkness: A Trio of Hollywood’s Beautiful Catastrophes Adam Page November 24, 2025November 25, 2025
Column The Physics of Grief in Clint Bentley’s ‘Train Dreams’ Ben Bogdan November 21, 2025November 24, 2025
Column Creating an Ashoke Ganguli of his Own: Irrfan Khan in “The Namesake” Ahendrila Goswami November 20, 2025November 23, 2025
Column The Existential Horror Hidden in Eternity’s Rom-Com Glow Christopher Rhoten December 3, 2025December 3, 2025
Column Stitched Souls: Identity and Emotion in Guillermo del Toro’s ‘Frankenstein’ (2025) Shivangi Thakur December 1, 2025December 2, 2025
Column Blood in Eden: The Ideological Origins of Ryan Coogler’s ‘Sinners’ Dan Flattery December 1, 2025December 2, 2025
ColumnMemory as Resistance: How ‘Hirak Rajar Deshe’ and ‘Chorus’ Speak for the SilencedJune 17, 2025 Ishani Routh
ColumnWhen Grief Haunts More than Ghosts: Exploring Loss in ‘The Devil’s Backbone,’ ‘The Three Burials of Melquiades Estrada,’ & ‘Don’t Look Now’June 17, 2025 Ajay Rahul Raja
EssayThe Crime Behind The Curtain: Looking Back at ‘Yavanika,’ a Cinematic Masterpiece June 16, 2025 Vaishnavi S
ColumnCan HOPE Survive Between TWO INDIAS? Karan Tejpal’s ‘Stolen’ Brilliantly Attempts To Find OutJune 15, 2025 Ayan Dawn
ColumnCharacterising the Space: The Cinematic Space as the Protagonist in ‘Laila Aur Satt Geet’ (2020)June 15, 2025 Sahil
EssayPopular Cinema in India: A Socio-Cultural Analysis of the Indian Cinema and Its Cinematic TropesJune 7, 2025 Santosh Kumar Mamgain
ColumnDreams on a Train: Psychoanalysis and the Subconscious Journey in Satyajit Ray’s ‘Nayak’ (1966)June 7, 2025 Shivani Muralikrishna
ColumnAnatomy of ‘A War’: Tobias Lindholm’s Unflinching Dissection of WarJune 4, 2025 Soumalya Chatterjee
ColumnQueering the Routes and Roots in the ‘Sancharram’ (The Journey, 2004)June 4, 2025 Dr. Aparna Ajith
ColumnChris Sanders’ The Wild Robot (2024) Tenderly Explores The Power Of Found FamilyMay 27, 2025 Sakshi Salil Chavan
ColumnHow Wag the Dog (1997) Predicted Our Age of Manufactured Wars and Media Spectacle?May 23, 2025 Arijit Paul
Essay · Streaming Now · The Criterion Channel The Critical Re-reading of Alfred Hitchcock’s Vertigo (1958) Santanu Das March 4, 2024
Essay Objectification or Empowerment: Exploring the Male Gaze in Yorgos Lanthimos’ ‘Poor Things’ Jacob Barton March 13, 2024
Article · Essay [Watch] Video Essay draws parallel between the works of Wes Anderson & Roy Andersson High on Films February 9, 2024
Essay Decoding ‘The Batman’ (2022) Through the Lens of Classism, Vigilantes, and the Quest for Justice Sourajit Dey February 16, 2024
Essay There Will Be Blood (2007): The Fundamentals of Business From Daniel Plainview Balaganesh Kothapalli January 29, 2024
Essay Comparing the Characters of ‘Omkara’ to the Dramatis Personae of Shakespeare’s ‘Othello’ Vaani Udasi January 23, 2024
![[Watch] Video Essay draws parallel between the works of Wes Anderson & Roy Andersson](https://www.highonfilms.com/wp-content/uploads/2017/02/Screenshot-from-2017-02-09-200324-768x392.png)
High On Films