High Notes and Low Notes: How ‘Highest 2 Lowest’ Honors Generations of Black Music August 28, 2025 Aja Haymore
Long Story Short: Jewish Identity, Pandemic, and the Frame of Grief in Netflix Animated ComedyAugust 23, 2025 Naveed Zahir
Fractured Mirrors: Andrei Tarkovsky’s ‘Mirror’ (Zerkalo, 1975) Through a Lacanian Lens in Post-COVID TimesAugust 20, 2025 Ishani Routh
Column Emancipation and Labour: An Existentialist Analysis of ‘Mrs.’ (2023) as a Tale of Labour Exploitation Santosh Kumar Mamgain August 20, 2025August 20, 2025
Column Understanding the Post-Partition Riverscape of Padma in Ghatak’s ‘Komal Gandhar’ (1961) Keshab Ray August 18, 2025August 18, 2025
Essay Beyond The Vamp: Silk Smitha, Stardom, And The Politics Of Desire Anju Devadas August 18, 2025August 18, 2025
Column High Notes and Low Notes: How ‘Highest 2 Lowest’ Honors Generations of Black Music Aja Haymore August 28, 2025August 28, 2025
Column Guru Dutt’s Bombay Noir and Anguish Regarding the Emergent Urbanity Damayanti Ghosh August 25, 2025August 25, 2025
Column Long Story Short: Jewish Identity, Pandemic, and the Frame of Grief in Netflix Animated Comedy Naveed Zahir August 23, 2025August 23, 2025
Column‘All We Imagine as Light’ (2024) and the Poetic Deconstruction of the ‘Indomitable Mumbai Spirit’ October 23, 2024 Akash Deshpande
ColumnFairy Folk is a Magical Realist Film that Explores Gender Roles, Sexuality, and MarriageOctober 22, 2024 Shivani Muralikrishna
ColumnWhy the Cult British Heist Film ‘The Italian Job’ is Still Worth Watching?October 15, 2024 Joséphine des Aulnois
ColumnWomen in an Unforgiving World: Exploring Body Horror and Identity in Coralie Fargeat’s ‘The Substance’October 8, 2024 Sakshi Salil Chavan
Essay‘Melancholia’ (2011) and the End of Everything: Exploring Depression, Despair, and the Human ConditionOctober 1, 2024 Mohan Kumar
ColumnThe Tragedy of Selina Kyle: Michelle Pfeiffer’s Powerful Performance in ‘Batman Returns’September 25, 2024 Megan Fisher
EssayMaddening Ambiguity & ‘The Heiress’ (1949): An Inspiration for Scorsese’s ‘Killers of the Flower Moon’ September 24, 2024 Emily Holland
ColumnHow the 1978 Existential Drama ‘Arvind Desai KI Ajeeb Dastaan’ Examines the Struggle to Understand the Meaning of LifeSeptember 17, 2024 Shikhar Verma
EssayAnatomy of a Fall: Confronting Ethics as a Consequence of a Decision-MakingSeptember 16, 2024 Avantika Tewari
Essay Why is ‘The Black Cauldron’ Disney’s Missed Horror Masterpiece? Beatrice Gangi September 5, 2023
Essay Revelation as Paradox: Oppenheimer and the Criticality of Scientific Reason Shaswata Ray August 21, 2024
Essay Where the Crawdads Sing (2022): Embark On A Scenic Trip Into The Marshland With Kya Poonam Vaze August 31, 2023
Essay American Prometheus: The Triumph of Oppenheimer’s (2023) Screenplay is in Exposing the Failure of Dr. Oppenheimer Ashwani Kumar March 11, 2024
![Taxi Driver [1976] : An Existential Ride](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2019/06/Taxi-Driver-An-Existential-ride-High-on-Films-1976-768x433.jpg)
High On Films
