When Violence Becomes the Hero: Inside India’s New Wave of Adult-Rated FilmsDecember 21, 2025 Santosh Kumar Mamgain
Where Monsters Become Human: Identity and Otherness in ‘Nimona’ and ‘K-Pop Demon Hunters’December 20, 2025 Nileena Sunil
The Cheesecake Dilemma at the Heart of the Fellini-esque ‘Jay Kelly’December 18, 2025 Akash Deshpande
‘Sentimental Value’ and Art’s Interjection into Life as a Mode of CatharsisDecember 18, 2025 Akash Deshpande
Column Beyond Empathy: Homayoun Ershadi and the Radical Minimalism of ‘Taste of Cherry’ Shefali Khan December 12, 2025December 21, 2025
Essay Harmony as Auteurism: Understanding the Impact of Director-Composer Collaborations Eshiv Garg December 12, 2025December 21, 2025
Column Shared Guilt and Divergent Fates: Why ‘Dies Irae’ Feels Like Psycho’s Distant Cousin Gourab Saha December 11, 2025December 21, 2025
Column When Violence Becomes the Hero: Inside India’s New Wave of Adult-Rated Films Santosh Kumar Mamgain December 21, 2025December 21, 2025
Column · Netflix · Streaming Now The Cheesecake Dilemma at the Heart of the Fellini-esque ‘Jay Kelly’ Akash Deshpande December 18, 2025December 21, 2025
Column · Featured ‘Sentimental Value’ and Art’s Interjection into Life as a Mode of Catharsis Akash Deshpande December 18, 2025December 18, 2025
ColumnCan HOPE Survive Between TWO INDIAS? Karan Tejpal’s ‘Stolen’ Brilliantly Attempts To Find OutJune 15, 2025 Ayan Dawn
ColumnCharacterising the Space: The Cinematic Space as the Protagonist in ‘Laila Aur Satt Geet’ (2020)June 15, 2025 Sahil
EssayPopular Cinema in India: A Socio-Cultural Analysis of the Indian Cinema and Its Cinematic TropesJune 7, 2025 Santosh Kumar Mamgain
ColumnDreams on a Train: Psychoanalysis and the Subconscious Journey in Satyajit Ray’s ‘Nayak’ (1966)June 7, 2025 Shivani Muralikrishna
ColumnAnatomy of ‘A War’: Tobias Lindholm’s Unflinching Dissection of WarJune 4, 2025 Soumalya Chatterjee
ColumnQueering the Routes and Roots in the ‘Sancharram’ (The Journey, 2004)June 4, 2025 Dr. Aparna Ajith
ColumnChris Sanders’ The Wild Robot (2024) Tenderly Explores The Power Of Found FamilyMay 27, 2025 Sakshi Salil Chavan
ColumnHow Wag the Dog (1997) Predicted Our Age of Manufactured Wars and Media Spectacle?May 23, 2025 Arijit Paul
EssayPaul Thomas Anderson’s Psychological Prowess through the Lens of his Most Problematic PictureMay 15, 2025 Hector Levya
ColumnThe Birth of the Blonde Femme Fatale of Cinema in Billy Wilder’s ‘Double Indemnity’May 11, 2025 Bharat Bhoite
ColumnThe Pearl Necklace in ‘When Life Gives You Tangerines’: An Ode to the Enduring Spirit of Mothers, Seen Through the Eyes of a Daughter —and One Day, a Mother HerselfMay 6, 2025 Sanjida Samrin Rahman
Article · Essay [Watch] Video Essay draws parallel between the works of Wes Anderson & Roy Andersson High on Films February 9, 2024
Essay Decoding ‘The Batman’ (2022) Through the Lens of Classism, Vigilantes, and the Quest for Justice Sourajit Dey February 16, 2024
Essay There Will Be Blood (2007): The Fundamentals of Business From Daniel Plainview Balaganesh Kothapalli January 29, 2024
Essay Comparing the Characters of ‘Omkara’ to the Dramatis Personae of Shakespeare’s ‘Othello’ Vaani Udasi January 23, 2024
Essay Seeing Beyond the Sores: Unmasking Leprosy in the Malayalam Films Ashwamedham and Sarasayya Dr. Aparna Ajith January 23, 2024
Essay Transcendental Style as An Idea Of Being in the Filmography of Carlos Reygadas Maria Vatcharadze August 20, 2024
![[Watch] Video Essay draws parallel between the works of Wes Anderson & Roy Andersson](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2017/02/Screenshot-from-2017-02-09-200324-768x392.png)
High On Films
