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Column ‘Didn’t Die’ and the Anatomy and Tone of a Modern Zombie Horror Film Akash Deshpande March 28, 2026March 28, 2026
Column Treasure Planet, or the Refusal to Give Up on the Lost Guilherme Quireza March 26, 2026March 26, 2026
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ColumnThe Art, the Artist, and the Astaire: How ‘The Band Wagon’ (1953) Deconstructs Cinema’s Greatest DancerAugust 18, 2025 Jack Keating
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ColumnCinema through the Lens of ‘Breathless’ (1960): Girls, Guns, and the Ghosts of Paris August 7, 2025 Naman Kumar
ColumnThe Return of ‘Chaotic Women’ in Indian Independent Cinema August 6, 2025 Bipasha Bhattacharyya
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ColumnThe Mockery of National Awards: The Fiasco of the 71st National Awards and What it Holds for the FutureAugust 3, 2025 Santosh Kumar Mamgain
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Column Blood in Eden: The Ideological Origins of Ryan Coogler’s ‘Sinners’ Dan Flattery December 2, 2025
Column · JioHotstar · Streaming Now Buddhadeb Dasgupta’s ‘Swapner Din’ and the Politics of Vanishing Identities Gourab Saha December 1, 2025
Article The Forgotten Dharmendra: Revisiting the Beloved Star at His Most Forgotten and Fierce Moments Aman Basha November 30, 2025
Column Radical Solidarities in Dan Trachtenberg’s ‘Predator: Badlands’: Posthuman Bonds at the Edge of the Galaxy Sourav Chatterjee December 23, 2025
Article Hollywood’s Frequent Fallen: The 10 Leading Men with the Most On-Screen Deaths & Why We Mourn Their Characters Kay A. Oliver December 23, 2025
Essay Into the Heart of Darkness: A Trio of Hollywood’s Beautiful Catastrophes Adam Page November 25, 2025
Column Creating an Ashoke Ganguli of his Own: Irrfan Khan in “The Namesake” Ahendrila Goswami November 23, 2025
Essay Revisiting ‘Taare Zameen Par’ after reading Carl Honoré’s ‘In Praise of Slowness’ Ayan Dawn November 23, 2025
