Eternal Recurrence: Love and Memory in the Philosophy of Living through ‘Eternal Sunshine of the Spotless Mind’March 1, 2026 Bipasha Bhattacharyya
When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’February 26, 2026 Bipasha Bhattacharyya
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Column On The Functional Intimacy Of Shruti And Bittoo In ‘Band Baaja Baaraat’ (2010) Tanay Shrotriy February 22, 2026February 26, 2026
Column Black Honey (Molasses, 2010) and the Idea of Conditional Nostalgia in an Unequal Homeland Masa Awartani February 22, 2026February 26, 2026
Column Who Writes Reality? Narrative, Madness, and the Fragile Architecture of Truth in ‘In the Mouth of Madness’ Guilherme Quireza February 21, 2026February 24, 2026
Column Bruges as Purgatory: A Moral Landscape for the Damned Adam Page February 26, 2026March 1, 2026
Column Model Minority: How ‘America’s Next Top Model’ Policed Blackness Aja Haymore February 26, 2026March 1, 2026
Column When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’ Bipasha Bhattacharyya February 26, 2026March 1, 2026
Article · EssayRidley Scott’s Gladiator (2000): Hollywood and the Road Always TakenJuly 16, 2024 Shahim Sheikh
ColumnDepiction of Feminity, Othering, and Masculinity in the Iconic ‘Sex And the City’July 16, 2024 Srilekha Mitra
EssayBaba Yaga’s Bullet Ballet: John Wick and the Rebirth of Modern Action CinemaJuly 15, 2024 Aadesh Gupta
ColumnExploring Intersectionality in a Comedic World of ‘Tangerine’ (2015)July 15, 2024 Purusharth Chawla
ColumnSelling Out – How ‘American Fiction’ Recalls Spike Lee’s ‘Bamboozled’ While Sanitizing its Subversive EdgeJuly 13, 2024 Dorian Griffin
ColumnThe Count of Monte Cristo (2024): Action and Emotion – How to Find the Right Balance?July 10, 2024 Joséphine des Aulnois
EssayChandu Champion: Kartik Aaryan Transforms Himself in This Tale of Indian SisyphusJuly 8, 2024 Naina Rathi
Column“Less of a Man”: Why We Need More Narratives Like ‘Baby Reindeer’ and ‘May December’?June 28, 2024 Oishi Banerjee
EssayLost in Translation: How “Anatomy of a Fall” Captures the Difficulty of Representing RealityJune 22, 2024 David Lobzhanidze
ColumnParis is Burning: The Search for Freedom in Overlapping Systems of OppressionsJune 19, 2024 Purusharth Chawla
ColumnThe Next Big Monster: Why We Should Be Excited About the Upcoming Nosferatu (2024) Remake?June 4, 2024 Joséphine des Aulnois
ColumnWhy Furiosa: A Mad Max Saga is Bombing at the Box Office (And Why It Doesn’t Matter)May 31, 2024 Adil Rahim Hyder
ColumnStill Relevant After All These Years: How “Reality Bites” Captures 90s Nostalgia and Gen X StrugglesMay 28, 2024 Shreya Mariam
Column · Netflix · Streaming NowWhy is the Failure of ‘Laal Singh Chaddha’ (2022) A Depressing Moment for Bollywood?May 16, 2024 Ritesh Sharma
Column The Mockery of National Awards: The Fiasco of the 71st National Awards and What it Holds for the Future Santosh Kumar Mamgain September 9, 2025
Essay Beyond Bloodlines: Reimagining Kinship And Childhood In Hirokazu Kore-eda’s Cinema Anju Devadas August 30, 2025
Column Why do all the Contemporary Villains Sound Like They’ve Read Camus? Bipasha Bhattacharyya August 11, 2025
Column The Pain of Silent Departures and the Turmoil That Lingers Within: Thoughts on G.Aravindan’s Pokkuveyil (1982, Twilight) Rugmini Dinu August 11, 2025
Essay Haunting Silences And Moral Reckonings: Gender, Guilt, And Redemption In G. Aravindan’s ‘Chidambaram’ (1985) Anju Devadas August 30, 2025
Column The Horror of the Unseen: How the 1999 Movie ‘The Blair Witch Project’ Redefined Fear Em Stonham August 1, 2025
