How Spike Jonze’s ‘Her’ and Sofia Coppola’s ‘Lost in Translation’ Turned Loneliness Into CinemaAugust 29, 2025 Sumedha Chatterjee
High Notes and Low Notes: How ‘Highest 2 Lowest’ Honors Generations of Black Music August 28, 2025 Aja Haymore
Long Story Short: Jewish Identity, Pandemic, and the Frame of Grief in Netflix Animated ComedyAugust 23, 2025 Naveed Zahir
Column Breaking the Flow: The Interval Economy of Indian Cinema Pranay Kumar August 20, 2025August 23, 2025
Column Fractured Mirrors: Andrei Tarkovsky’s ‘Mirror’ (Zerkalo, 1975) Through a Lacanian Lens in Post-COVID Times Ishani Routh August 20, 2025August 20, 2025
Column Emancipation and Labour: An Existentialist Analysis of ‘Mrs.’ (2023) as a Tale of Labour Exploitation Santosh Kumar Mamgain August 20, 2025August 20, 2025
Column The Optical Residue of a Nation: Fragments from Route One USA (1989) Pulkit Sharma August 29, 2025August 29, 2025
Column How Spike Jonze’s ‘Her’ and Sofia Coppola’s ‘Lost in Translation’ Turned Loneliness Into Cinema Sumedha Chatterjee August 29, 2025
Column High Notes and Low Notes: How ‘Highest 2 Lowest’ Honors Generations of Black Music Aja Haymore August 28, 2025August 28, 2025
EssayMichael Corleone: The Tragic Transformation of Cinema’s Most Complex Anti-HeroJuly 8, 2023 Çisemnaz Çil
ColumnHow Teamwork On and Off the Screen Transformed the Mission: Impossible Franchise July 7, 2023 Joséphine des Aulnois
EssayHow “Spider-Man Across the Spider-Verse” challenges the very identity of Spider-Man and its intersectionalityJune 22, 2023 Amartya Acharya
EssaySuccession & The Brilliant Execution of Inevitability: How This Prestige Drama’s Overarching Themes Came Full Circle in Its Final EpisodeJune 9, 2023 Aryan Vyas
EssayTangled in Nostalgia’s Embrace: Boys Over Flowers’ Struggles Against Sands Of TimeMay 28, 2023 Sanghavi P.S
Column · Disney+ · Streaming Now · TVThe ‘Everything Everywhere All At Once’ Reunion in ‘American Born Chinese’May 26, 2023 Reubyn Coutinho
Article · Essay Shardul Thakur Comes Out of the Closet: A Nuanced Portrayal of Queerness in Badhaai Do Ahendrila Goswami February 14, 2022
Article · Essay Blind Chance (1987): A Flurry of Missed Opportunities Amidst Turbulent Times Pranjal Singh February 9, 2022
Article · Essay Silence & Violence – How the Bank Robbery Scene in ‘Hana-Bi’ Discretely Disrupts Order, Whilst Maintaining its Facade High on Films February 4, 2022
Article · Essay 20 Years Of Harry Potter and The Sorcerer’s Stone: What Made The Wizarding World So Enchanting Aryan Vyas July 10, 2024
Article · Essay Culture of the Mad, Sad and Crass: The Asian Filmmakers Who Owned It High on Films February 3, 2022
Article · Essay A Ghibli-esque Journey: The Immersive Realism of Studio Ghibli High on Films January 26, 2022
Article · Essay Why A Hero (2021) is Farhadi’s Close-Up; An Analysis of Farhadi’s Filmmaking Mechanics! Ashwani Kumar January 24, 2022
Article · Essay Romanian Spring in World Cinema: A Spotlight on Romanian Cinema Balachandran Chirammal January 24, 2022
Article · Essay The Lost Daughter (2021): The Portrayal of Motherhood in A Nonchalant Psychological Drama Aqsa Aleem January 21, 2022