What The Law Cannot Hold: Cinema, Trans Lives, and the Limits of Recognition in Contemporary India March 28, 2026 Bipasha Bhattacharyya
Apu’s Women: Reading the Novels and the Film Trilogy Against their Historical Canvas March 23, 2026 Sree
Column What Lady Bird Teaches Us About the Cost of Economic Class and Independence? Puja Sinha March 20, 2026March 23, 2026
Column ‘If I Had Legs I’d Kick You’ and the Loneliness of Being a Mother Prapti Alam March 17, 2026March 19, 2026
Column A Žižekian Reading of ‘Assi’: Rape, Spectacle and Systemic Violence in Contemporary India Soumalya Chatterjee March 17, 2026March 19, 2026
Column ‘Didn’t Die’ and the Anatomy and Tone of a Modern Zombie Horror Film Akash Deshpande March 28, 2026March 28, 2026
Column Treasure Planet, or the Refusal to Give Up on the Lost Guilherme Quireza March 26, 2026March 26, 2026
Column How ‘Father Mother Sister Brother’ Finds Intimacy in Distance Bipasha Bhattacharyya March 24, 2026March 24, 2026
ColumnWhy Harris Dickinson Is Poised for Superstardom in the Next Five Years?March 19, 2024 Richard Thompson
ColumnSai Paranjpye’s ‘Katha’ tells us that inherent goodness doesn’t win the race anymoreMarch 17, 2024 Shikhar Verma
ColumnDenial of Meaninglessness Work and the Embarrassment of Lethargy: Why Life is Dull in Roy Andersson’s ‘World of Glory’?March 16, 2024 Pritha Banerjee
ColumnThe Begetter of Movement: The Case of Sudha’s Husband in ‘Ijaazat’ (1987)March 13, 2024 Damayanti Ghosh
ColumnThe Ultimate Scorned Lover: The Story of Alex in Fatal Attraction (1987)March 6, 2024 Adil Rahim Hyder
ColumnWith “Dune: Part Two,” Denis Villeneuve Proves He’s the Master of Balancing Scale with Scope March 3, 2024 Aryan Vyas
ColumnDisability, Extortion, and Impact of the Bhiwandi Communal Riots in Saeed Akhtar Mirza’s ‘Salim Langde Pe Mat Ro’ (1989) March 1, 2024 Pritha Banerjee
Column · Hulu · Netflix · Streaming Now12th Fail (2023): Why Is This Story of a Lower-Middle-Class Boy Reigning Over Our Hearts?March 1, 2024 Srilekha Mitra
ColumnDavid Fincher’s Fight Club (1999): Is It the Most Tragically Overlooked Oscars Loser Ever?February 24, 2024 Kevin Stewart
Column When Horror Hurts: Violence, Realism, and Responsibility in ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023) Hannah John July 28, 2025
Column How Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s ‘The Phoenician Scheme’ Gourab Saha July 20, 2025
Essay Lolita’s Daughters: Innocence, Eroticism, And Cinematic Obsession With The Nymphet Anju Devadas September 9, 2025
Column Changing Terrain of Cinema from India and Achal Mishra’s ‘Gamak Ghar’ Anand Subhash Borse July 25, 2025
Essay The Fangs of Fear: Exploring Horror and Dread in ‘Jaws’ (1975) Krishnanunni Padinjassery July 16, 2025
