Ten Years Later: How Kurzel’s ‘Macbeth’ Redefined Shakespeare Through Trauma December 29, 2025 Christopher Rhoten
Exploring Loneliness, Intimacy, and Grief through Alexander Payne’s ‘The Holdovers’ (2023)December 25, 2025 Tara Mathur
The Writer Who Had A Wand: A Journey With ‘Chaar Phool Hai Aur Duniya Hai’December 24, 2025 Kabir Deb
Column When Violence Becomes the Hero: Inside India’s New Wave of Adult-Rated Films Santosh Kumar Mamgain December 21, 2025December 26, 2025
Essay God Has Left The Building: Religion in John Hillcoat’s ‘The Road’ Adam Page December 20, 2025December 25, 2025
Essay Where Monsters Become Human: Identity and Otherness in ‘Nimona’ and ‘K-Pop Demon Hunters’ Nileena Sunil December 20, 2025December 25, 2025
Column Ten Years Later: How Kurzel’s ‘Macbeth’ Redefined Shakespeare Through Trauma Christopher Rhoten December 29, 2025December 30, 2025
Column Exploring Loneliness, Intimacy, and Grief through Alexander Payne’s ‘The Holdovers’ (2023) Tara Mathur December 25, 2025December 28, 2025
Column The Writer Who Had A Wand: A Journey With ‘Chaar Phool Hai Aur Duniya Hai’ Kabir Deb December 24, 2025December 27, 2025
Column · JioHotstar · Streaming NowA Journey of Letting Go in Soumyak Kanti DeBiswas’ ‘The Daughter’October 31, 2023 Shivani Muralikrishna
ColumnMagical Realism, Family and the Big Screen: Lessons from Two Great MoviesOctober 31, 2023 Joséphine des Aulnois
EssayThe Trappings of Nostalgia: On Wooderson, Dazed and Confused, and the Cinema of Richard LinklaterOctober 19, 2023 Aneesh Raikundalia
ColumnThe Coast of Winding Clouds And The Cinema of Rain: Nagraj Manjule’s ‘Pavsacha Nibandh’October 12, 2023 Pritha Banerjee
ColumnJourneys through the Mist: A Brief Analysis of Theo Angelopoulos’ Landscape in the Mist (1988)October 8, 2023 Balachandran Chirammal
ColumnFrom Provoking Anger to Evoking Nationalism: The Alarming Evolution of Propaganda Films In Bollywood in the Past Few YearsOctober 4, 2023 Aryan Vyas
EssayWhen Auteurism meets Mythology: How Effective is The Killing of a Sacred Deer’s Rendition of Greek Allegory? October 4, 2023 Aadesh Gupta
ColumnThe Little Grey Cells On Screen: Hercule Poirot and CinemaOctober 2, 2023 Joséphine des Aulnois
ColumnThe Rainbow Shades in ‘Guns and Gulaabs’: A Critique on the Show’s Representation of Queer IdentitySeptember 26, 2023 Sanjib Kalita
Essay Discussing Systemic Sabotage and Institutional Suicide in Jana Gana Mana (2022) Krishnanunni Padinjassery June 4, 2022
Article · Essay C/o Kancharapalem (2018): When Hope and Despair Marry Each Other Arundhati Rao April 22, 2022
Article · Essay Read My Lips (2001): Bringing Out the Best and the Badass in Each Other Pranjal Singh July 18, 2023
High On Films
