The Mockery of National Awards: The Fiasco of the 71st National Awards and What it Holds for the FutureAugust 3, 2025 Santosh Kumar Mamgain
Beyond Bloodlines: Reimagining Kinship And Childhood In Hirokazu Kore-eda’s Cinema July 31, 2025 Anju Devadas
Why do all the Contemporary Villains Sound Like They’ve Read Camus? July 30, 2025 Bipasha Bhattacharyya
Column Of Guns and Guilt: The Postmodern Antihero and His Mirror Subhashree Paul July 30, 2025July 30, 2025
Column The Pain of Silent Departures and the Turmoil That Lingers Within: Thoughts on G.Aravindhan’s Pokkuveyil (1982, Twilight) Rugmini Dinu July 30, 2025July 30, 2025
Essay Haunting Silences And Moral Reckonings: Gender, Guilt, And Redemption In G. Aravindan’s ‘Chidambaram’ (1985) Anju Devadas July 28, 2025August 3, 2025
Column · Featured The Mockery of National Awards: The Fiasco of the 71st National Awards and What it Holds for the Future Santosh Kumar Mamgain August 3, 2025August 3, 2025
Column Why do all the Contemporary Villains Sound Like They’ve Read Camus? Bipasha Bhattacharyya July 30, 2025July 30, 2025
Article · EssayYugant (1995) – Looking at Eco Feminism through the Prism of an Estranged MarriageJuly 12, 2021 Debanjan Dhar
Article · EssayDirectors From Parallel Cinema Entering Mainstream BollywoodJune 20, 2021 Devraj Kalsi
Article · EssayUnderstanding Charlie Kaufman’s I’m Thinking of Ending Things (2020)June 11, 2021 Mansi Arora
Article · EssayThe Portrayal of the Subaltern in Sachy’s Ayyappanum Koshiyum (2020)June 9, 2021 Krishnanunni Padinjassery
The Mockery of National Awards: The Fiasco of the 71st National Awards and What it Holds for the Future
Article · Essay Mathilukal and Vidheyan: How Mammootty Captures the Opposite Ends of Hyper-Masculinity with His Layered Performances Akash Deshpande October 27, 2021
Article · Essay The Human Scale (2012): An Urban Planning Documentary That Questions City Design Priya Singh October 6, 2021
Article · Essay The Suicide Squad (2021): A Satire on America’s Advocacy of Violence for Peace & Need To Maintain Power Krishnanunni Padinjassery January 26, 2022
Article · Essay Under The Silver Lake (2018) and the Depth Superficiality of Hollywood Isabelle Cubas February 13, 2022
Article · Essay · Netflix · Review The Witch Wears Prada: Krysten Ritter’s Miranda Priestley-esque Witch Makes Nightbooks Special Atreyo Palit September 23, 2021
Article · Essay The Warm Embrace of CODA (2021), Which Renews Love For Music Atreyo Palit September 17, 2021
Article · Essay Ankur (1974): ‘We’ll Go On Forever, Pa, Because We’re The People.’ Shahim Sheikh September 9, 2021
High On Films
