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Horror, Commitment Phobia, and Marriage Walk into a Bar: How ‘Something Very Bad Is Going to Happen’ When Love Demands CertaintyMarch 31, 2026 Mukulika Batabyal
What The Law Cannot Hold: Cinema, Trans Lives, and the Limits of Recognition in Contemporary India March 28, 2026 Bipasha Bhattacharyya
Column How ‘Father Mother Sister Brother’ Finds Intimacy in Distance Bipasha Bhattacharyya March 24, 2026March 24, 2026
Essay Apu’s Women: Reading the Novels and the Film Trilogy Against their Historical Canvas Sree March 23, 2026March 24, 2026
Column What Lady Bird Teaches Us About the Cost of Economic Class and Independence? Puja Sinha March 20, 2026March 23, 2026
Column ‘Marty Supreme’ and ‘The Smashing Machine’: Dreaming Big and Learning To Fail Shivam Pota March 31, 2026April 1, 2026
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Column ‘Didn’t Die’ and the Anatomy and Tone of a Modern Zombie Horror Film Akash Deshpande March 28, 2026March 28, 2026
EssayComparing the Characters of ‘Omkara’ to the Dramatis Personae of Shakespeare’s ‘Othello’ January 20, 2024 Vaani Udasi
EssaySeeing Beyond the Sores: Unmasking Leprosy in the Malayalam Films Ashwamedham and Sarasayya January 20, 2024 Dr. Aparna Ajith
ColumnHow Netflix is Recreating the “Snyder Cut” Phenomenon with Rebel Moon? December 30, 2023 Adil Rahim Hyder
ColumnPlacing “A Girl Walks Home Alone At Night” within “The Girls of Revolution Street” Protests of IranDecember 24, 2023 Martha Bird
ColumnOn Healing and Coping: How ‘Mysterious Skin’ Succeeds in Portraying Abuse StoriesDecember 24, 2023 Federica Giampaolo
ColumnWhy Punch-Drunk Love (2002) is the Greatest Romcom of All Time? December 14, 2023 Ritesh Sharma
ColumnThe Success of “Animal” Speaks to the Broader Pervasiveness That’s Sheathed Over The National Conscience December 14, 2023 Aryan Vyas
EssayTranscendental Style as An Idea Of Being in the Filmography of Carlos Reygadas December 11, 2023 Maria Vatcharadze
Column“Killers of the Flower Moon” and the Politics of Martin Scorsese November 21, 2023 Aadesh Gupta
Horror, Commitment Phobia, and Marriage Walk into a Bar: How ‘Something Very Bad Is Going to Happen’ When Love Demands Certainty
Column E.T. The Extra-Terrestrial (1982): A Visionary Filmmaker’s Journey of Reconciliation Through Cinema Jack Keating July 2, 2025
Column Beyond the Azure: Re-watching Ang Lee’s ‘Life of Pi’ Through a Decade of Discovery Helly Malviya July 1, 2025
Column 5 Reasons Why an Arnold Schwarzenegger Cult Classic Outplayed ‘Mickey 17’? Gregory Austin July 1, 2025
Column Rewinding Emotion: The Power of Flashback in Vikramaditya Motwane’s ‘Lootera’ Lagan Mangla July 4, 2025
Essay Destination Moon at Seventy-Five: Reassessing a Pioneering Vision of Space, Science, and Enterprise Andrew Kidd June 29, 2025
Essay The French Dispatch: or All Great Beauties Withhold Their Deepest Secrets Hector Levya July 4, 2025
Column Talking Through Privilege: The Whit Stillman Trilogy and the Art of Gentle Disillusionment Talha Younas July 3, 2025
Column The Face of Resistance: Sreemoyee Singh’s ‘And, Towards Happy Alleys’ (2023) is a Tribute to Jafar Panahi Arghya Dattagupta June 25, 2025
