Ten Years Later: How Kurzel’s ‘Macbeth’ Redefined Shakespeare Through Trauma December 29, 2025 Christopher Rhoten
Exploring Loneliness, Intimacy, and Grief through Alexander Payne’s ‘The Holdovers’ (2023)December 25, 2025 Tara Mathur
The Writer Who Had A Wand: A Journey With ‘Chaar Phool Hai Aur Duniya Hai’December 24, 2025 Kabir Deb
Column When Violence Becomes the Hero: Inside India’s New Wave of Adult-Rated Films Santosh Kumar Mamgain December 21, 2025December 26, 2025
Essay God Has Left The Building: Religion in John Hillcoat’s ‘The Road’ Adam Page December 20, 2025December 25, 2025
Essay Where Monsters Become Human: Identity and Otherness in ‘Nimona’ and ‘K-Pop Demon Hunters’ Nileena Sunil December 20, 2025December 25, 2025
Column Ten Years Later: How Kurzel’s ‘Macbeth’ Redefined Shakespeare Through Trauma Christopher Rhoten December 29, 2025December 30, 2025
Column Exploring Loneliness, Intimacy, and Grief through Alexander Payne’s ‘The Holdovers’ (2023) Tara Mathur December 25, 2025December 28, 2025
Column The Writer Who Had A Wand: A Journey With ‘Chaar Phool Hai Aur Duniya Hai’ Kabir Deb December 24, 2025December 27, 2025
ColumnDivorcing the Disarray in Minimalism (2015): A Documentary About the Important Things – On What It Means to be Minimally MoreAugust 4, 2023 Pritha Banerjee
ColumnHailey’s On It (2023): What Would It Look Like In Real-Life? The Answers Might Give You A New Perspective On WeaknessAugust 3, 2023 Jessica Balio
ColumnGerald’s Game (2017): Ruminating over a Woman’s Survival through the Allegory of Handcuffs, Solar Eclipse, Moonlight Man, Memories, & MonstersAugust 2, 2023 Poonam Vaze
EssayThe Drive across “Mother-ing Up” & “Daughter-ing Down”: The Multitudinous Complexities of the Mother-Daughter Relationship in Lady Bird (2017)August 2, 2023 Sreetama Basu
EssayHow ‘Rocky Aur Rani Ki Prem Kahani’ Exudes Typical Grandiose of KJo’s Films While Subverting Societal StereotypesJuly 31, 2023 Srilekha Mitra
EssayA Long Time on the Epiphanic Road: Chihiro’s Coming of Age and Personal Growth in Spirited Away (2001)July 30, 2023 Sreetama Basu
Column · Netflix · Streaming NowLimbo (2020): The Story of Imprisoned ArtJuly 29, 2023 Balachandran Chirammal
EssayBarbenheimer: How ‘Barbie’ and ‘Oppenheimer’ Critiques Our Flawed World In Their Own WaysJuly 27, 2023 Srilekha Mitra
ColumnThe End of Heroes? Discussing the Possible Conclusions of the Indiana Jones, James Bond, and Mission: Impossible FranchisesJuly 27, 2023 Joséphine des Aulnois
EssayWhy Oppenheimer Will Go Down As One of The Most Defining Films Of Our Era?July 27, 2023 Aryan Vyas
Article · Essay Romanian Spring in World Cinema: A Spotlight on Romanian Cinema Balachandran Chirammal January 24, 2022
Article · Essay The Lost Daughter (2021): The Portrayal of Motherhood in A Nonchalant Psychological Drama Aqsa Aleem January 21, 2022
Article · Essay The Remains of the Day [1993] and The Price of Conscientiousness Adithya Prakash February 10, 2022
Article · Essay Which Floor to Happiness? The Lift Boy (2019) Weaves a Simple Yet Effective Tale of Optimism High on Films January 5, 2022
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High On Films
