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Column What Lady Bird Teaches Us About the Cost of Economic Class and Independence? Puja Sinha March 20, 2026March 23, 2026
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Column A Žižekian Reading of ‘Assi’: Rape, Spectacle and Systemic Violence in Contemporary India Soumalya Chatterjee March 17, 2026March 19, 2026
Column ‘Didn’t Die’ and the Anatomy and Tone of a Modern Zombie Horror Film Akash Deshpande March 28, 2026March 28, 2026
Column Treasure Planet, or the Refusal to Give Up on the Lost Guilherme Quireza March 26, 2026March 26, 2026
Column How ‘Father Mother Sister Brother’ Finds Intimacy in Distance Bipasha Bhattacharyya March 24, 2026March 24, 2026
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Column · JioHotstar · Streaming NowA Journey of Letting Go in Soumyak Kanti DeBiswas’ ‘The Daughter’October 31, 2023 Shivani Muralikrishna
ColumnMagical Realism, Family and the Big Screen: Lessons from Two Great MoviesOctober 31, 2023 Joséphine des Aulnois
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ColumnThe Coast of Winding Clouds And The Cinema of Rain: Nagraj Manjule’s ‘Pavsacha Nibandh’October 12, 2023 Pritha Banerjee
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ColumnFrom Provoking Anger to Evoking Nationalism: The Alarming Evolution of Propaganda Films In Bollywood in the Past Few YearsOctober 4, 2023 Aryan Vyas
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ColumnThe Little Grey Cells On Screen: Hercule Poirot and CinemaOctober 2, 2023 Joséphine des Aulnois
Column Rabid Cities, Abandoned Souls: ‘Black Dog’ (2024) as a Mirror to Modern China Abhay Yadav June 30, 2025
Column Memory as Resistance: How ‘Hirak Rajar Deshe’ and ‘Chorus’ Speak for the Silenced Ishani Routh June 17, 2025
Column When Grief Haunts More than Ghosts: Exploring Loss in ‘The Devil’s Backbone,’ ‘The Three Burials of Melquiades Estrada,’ & ‘Don’t Look Now’ Ajay Rahul Raja June 17, 2025
Essay The Crime Behind The Curtain: Looking Back at ‘Yavanika,’ a Cinematic Masterpiece Vaishnavi S June 24, 2025
Column Can HOPE Survive Between TWO INDIAS? Karan Tejpal’s ‘Stolen’ Brilliantly Attempts To Find Out Ayan Dawn June 15, 2025
Column Characterising the Space: The Cinematic Space as the Protagonist in ‘Laila Aur Satt Geet’ (2020) Sahil June 20, 2025
Article No Studio? No Problem. How Intizar Gasimov Turned Scrappy Filmmaking into Global Impact Jerry Horne June 26, 2025
