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The Last Frontier Is Us: What ‘Eddington’ and ‘One Battle After Another’ Say about Survival in the Current Global OrderOctober 3, 2025 Aryan Vyas
Essay Summer of Superman: How James Gunn’s ‘Superman’ (2025) Reminds Us of The Man of Tomorrow’s Power Ollie Wheaton October 2, 2025October 4, 2025
Column A Humanistic Mirror to India’s Fault Lines: Neeraj Ghaywan’s ‘Homebound’ Shivani Muralikrishna October 2, 2025October 3, 2025
Essay The Poetics of Broken Hearts: Intimacy and Identity in ‘Queer’ Kabir Deb September 26, 2025September 26, 2025
Column When Gods Walk Among Men: The Living Spirit of ‘Kantara’ Shovan Roy October 11, 2025October 11, 2025
Column ‘King & Conqueror’ and the Long Shadow of ‘Game of Thrones’ Ollie Wheaton October 9, 2025October 9, 2025
Column Who Owns Nature? ‘Jugnuma’ and the Politics of Ecological Memory Prerna Chatterjee October 9, 2025October 9, 2025
ColumnPushpa: The Rule – Part 2 (2024) Movie First Look: Allu Arjun breaks the gender stereotype through his androgynous deification avatar……Can we, as a society?April 25, 2023 Arjun Niyogi
ColumnWhat The Three Musketeers: D’Artagnan (2023) Teaches us about Book-To-Screen AdaptationApril 23, 2023 Joséphine des Aulnois
ColumnReading Beyond the Silences: What the Different Voices Tell us about Support in “Mrs. Chatterjee Vs. Norway”April 23, 2023 Arpita Chowdhury
EssayThe Eerie and Fantastical Exhibition of Sam Raimi’s The Evil Dead TrilogyApril 18, 2023 Aravind Nair
EssayOn Race Relations & Queerness in Todd Haynes’ Far From Heaven (2002)April 12, 2023 Jeffrey Davies
ColumnThe Dominance of the South Indian Films: Are We Witnessing a Fundamental Shift or A Passing Cycle?April 12, 2023 Arjun Niyogi
EssaySearching for the Local Übermencsch: Joel Grey in ‘Man on a Swing’ (1974)April 12, 2023 Vassilis Kroustallis
ColumnThe Magical Realism of Pan’s Labyrinth & The Redefinition of RealityApril 9, 2023 Beatrice Gangi
EssayRosemary’s Baby (1968): Rethinking the Monstrous Mother in Popular CultureMarch 30, 2023 Ankita Sen
ColumnRoy, Kelly & Rebecca Learn to Set Free From Their Past: A Lesson in Dealing With Our Past VersionsMarch 23, 2023 Akash Deshpande
EssayYou Only Live Once? How Creative Fatigue Plagued the End of the Bond Eras of Pierce Brosnan and Daniel CraigMarch 22, 2023 Joséphine des Aulnois
EssayCharting the Rise of ‘Richsploitation’: The Genre You Don’t Know You LoveMarch 21, 2023 Elliott Kendal
EssayWomen behind the Camera: Examining Space and Gender in Woman with a Movie Camera (2022)March 19, 2023 Krishnanunni Padinjassery
Article · Essay The Suicide Squad (2021): A Satire on America’s Advocacy of Violence for Peace & Need To Maintain Power Krishnanunni Padinjassery January 26, 2022
Article · Essay Under The Silver Lake (2018) and the Depth Superficiality of Hollywood Isabelle Cubas February 13, 2022
Article · Essay · Netflix · Review The Witch Wears Prada: Krysten Ritter’s Miranda Priestley-esque Witch Makes Nightbooks Special Atreyo Palit September 23, 2021
Article · Essay The Warm Embrace of CODA (2021), Which Renews Love For Music Atreyo Palit September 17, 2021
Article · Essay Ankur (1974): ‘We’ll Go On Forever, Pa, Because We’re The People.’ Shahim Sheikh September 9, 2021
Article · Essay Beginning (2020): Dissent Against the Logic of Patriarchal Order Levan Tskhovrebadze September 1, 2021
Article · Essay The Pied Piper of Corto Maltese and the Chaotic, Entertaining but Insightful The Suicide Squad (2021) Atreyo Palit September 17, 2021
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