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How Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s ‘The Phoenician Scheme’ July 10, 2025 Gourab Saha
The Conflict of Reason and Ruin: A Marxist-Psychoanalytic Reading of Ritwik Ghatak’s ‘Jukti Takko Aar Gappo’ Through an Absurdist LensJuly 8, 2025 Ishani Routh
Column The Stars of Aamir Khan: A Comparative Reflection on ‘Taare Zameen Par’ and ‘Sitaare Zameen Par’ Kalpa Jyoti Bhuyan July 7, 2025July 10, 2025
Column Guru Dutt: The Lonely Artist Who Spoke Through Shadows Nishtha Ranjan July 7, 2025July 13, 2025
Essay Fragments of the Forgotten: Memory Loss and the Mystique of Identity in Indian Cinema Anju Devadas July 7, 2025July 10, 2025
Column When Horror Hurts: Violence, Realism, and Responsibility in ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023) Hannah John July 10, 2025July 10, 2025
Column How Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s ‘The Phoenician Scheme’ Gourab Saha July 10, 2025July 10, 2025
EssayRevisiting Aamir Khan’s Taare Zameen Par after reading Carl Honoré’s In Praise of SlownessJuly 29, 2020 Ayan Dawn
Essay · ReviewSongs From Far Away Land (2020) Short Film Review: A Mournful RecollectionJuly 17, 2020 Ashwani Kumar
Article · EssayHow Bacurau Creates a Political Narrative Through Archetypes and Self-AwarenessJuly 7, 2020 João Victor Montuori
Article · EssayRajkumar Rao and Ayushmann Khurrana: Redefining the Definition of a Hindi Film HeroJune 1, 2020 Tirna Chatterjee
When Horror Hurts: Violence, Realism, and Responsibility in ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023)
How Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s ‘The Phoenician Scheme’
Article · Essay How Haneke plays with the audience expectations in ‘Funny Games’ Shikhar Verma May 24, 2021
Article · Essay Magnolia (1999) : An Epic Melodrama Somewhere Between Ingenuity And Insanity Shahim Sheikh June 2, 2021
Article · Essay How “The 400 Blows” Deviates From Classical Conventions of Narration? highonfilms May 20, 2021
Article · Essay The Night Comes For Us (2018): Elevating the Indonesian Extreme Action Genre highonfilms May 18, 2021
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