What The Law Cannot Hold: Cinema, Trans Lives, and the Limits of Recognition in Contemporary India March 28, 2026 Bipasha Bhattacharyya
Apu’s Women: Reading the Novels and the Film Trilogy Against their Historical Canvas March 23, 2026 Sree
Column What Lady Bird Teaches Us About the Cost of Economic Class and Independence? Puja Sinha March 20, 2026March 23, 2026
Column ‘If I Had Legs I’d Kick You’ and the Loneliness of Being a Mother Prapti Alam March 17, 2026March 19, 2026
Column A Žižekian Reading of ‘Assi’: Rape, Spectacle and Systemic Violence in Contemporary India Soumalya Chatterjee March 17, 2026March 19, 2026
Column ‘Didn’t Die’ and the Anatomy and Tone of a Modern Zombie Horror Film Akash Deshpande March 28, 2026March 28, 2026
Column Treasure Planet, or the Refusal to Give Up on the Lost Guilherme Quireza March 26, 2026March 26, 2026
Column How ‘Father Mother Sister Brother’ Finds Intimacy in Distance Bipasha Bhattacharyya March 24, 2026March 24, 2026
ColumnPenetrating the Patriarchy and Exploring the (Lack of) Feminine in An Exercise In Discipline: Peel (1986) August 8, 2023 Pritha Banerjee
ColumnDivorcing the Disarray in Minimalism (2015): A Documentary About the Important Things – On What It Means to be Minimally MoreAugust 4, 2023 Pritha Banerjee
ColumnHailey’s On It (2023): What Would It Look Like In Real-Life? The Answers Might Give You A New Perspective On WeaknessAugust 3, 2023 Jessica Balio
ColumnGerald’s Game (2017): Ruminating over a Woman’s Survival through the Allegory of Handcuffs, Solar Eclipse, Moonlight Man, Memories, & MonstersAugust 2, 2023 Poonam Vaze
EssayThe Drive across “Mother-ing Up” & “Daughter-ing Down”: The Multitudinous Complexities of the Mother-Daughter Relationship in Lady Bird (2017)August 2, 2023 Sreetama Basu
EssayHow ‘Rocky Aur Rani Ki Prem Kahani’ Exudes Typical Grandiose of KJo’s Films While Subverting Societal StereotypesJuly 31, 2023 Srilekha Mitra
EssayA Long Time on the Epiphanic Road: Chihiro’s Coming of Age and Personal Growth in Spirited Away (2001)July 30, 2023 Sreetama Basu
Column · Netflix · Streaming NowLimbo (2020): The Story of Imprisoned ArtJuly 29, 2023 Balachandran Chirammal
EssayBarbenheimer: How ‘Barbie’ and ‘Oppenheimer’ Critiques Our Flawed World In Their Own WaysJuly 27, 2023 Srilekha Mitra
ColumnThe End of Heroes? Discussing the Possible Conclusions of the Indiana Jones, James Bond, and Mission: Impossible FranchisesJuly 27, 2023 Joséphine des Aulnois
Essay Paul Thomas Anderson’s Psychological Prowess through the Lens of his Most Problematic Picture Hector Levya June 9, 2025
Column The Birth of the Blonde Femme Fatale of Cinema in Billy Wilder’s ‘Double Indemnity’ Bharat Bhoite June 6, 2025
Column The Pearl Necklace in ‘When Life Gives You Tangerines’: An Ode to the Enduring Spirit of Mothers, Seen Through the Eyes of a Daughter —and One Day, a Mother Herself Sanjida Samrin Rahman May 6, 2025
Essay The Avenging Woman: The Politics and Aesthetics of Female Rage in Rape-Revenge Cinema Anju Devadas October 29, 2025
Column Hal Ashby’s Enduring Legacy: How ‘The Holdovers’ Echoes the Spirit of a 1970s Master Bharat Bhoite May 5, 2025
Column ‘Daredevil: Born Again’ as Political Parable – A Superhero Story in the Age of Authoritarianism Arijit Paul May 6, 2025
Column Finding Beauty in the Absurd: An Existential Reading of ‘American Beauty’ (1999) Abirbhab Maitra May 5, 2025
