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Column Bruges as Purgatory: A Moral Landscape for the Damned Adam Page February 26, 2026March 1, 2026
Column Model Minority: How ‘America’s Next Top Model’ Policed Blackness Aja Haymore February 26, 2026March 1, 2026
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EssayBarbenheimer: How ‘Barbie’ and ‘Oppenheimer’ Critiques Our Flawed World In Their Own WaysJuly 27, 2023 Srilekha Mitra
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EssayWhy Oppenheimer Will Go Down As One of The Most Defining Films Of Our Era?July 27, 2023 Aryan Vyas
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Article · EssayMasculinity and Ignorance as themes in neo-noirs: Taxi Driver, Chinatown, and DriveJuly 18, 2023 Nivedita Nair
EssayWill Movie Adaptations of Famous Games Prove to Be Successful in the Long Run?July 17, 2023 Jerry Horne
EssayThe Universality and Timelessness of One Flew Over the Cuckoo’s NestJuly 15, 2023 Beatrice Gangi
Column Translating the Self Across Borders of Being in Mira Nair’s ‘The Namesake’ Tapolabdha Dey April 14, 2025
Article Everything You Need to Know About ‘Weak Hero Class 1’ Before ‘Weak Hero Class 2’ Streams on Netflix Deepshikha Deb January 7, 2026
Column Echoes of a Life Fading into Silence in Avinash Arun’s ‘Three of Us’ (2023) Subhangi Biswas April 8, 2025
Column Intimacy in The Digital Age: Spike Jonze’s “Her” as a Cinematic Mirror to our Technological Present Tapolabdha Dey April 8, 2025
Essay The Fear of Loneliness and End of Reason in Kiyoshi Kurosawa’s ‘Cure’ Andrew Kidd April 14, 2025
Article · News What is the True Story Behind Netflix’s “Gone Girls: The Long Island Serial Killer”? Deepshikha Deb January 7, 2026
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Column Cinema as a Path to Transformation: The Power of Film to Shape Identity Emily Christine April 4, 2025
Column Rachel Zegler’s ‘Free Palestine’ Tweet Didn’t Kill ‘Snow White’—But Disney Wants You to Think It Did Arghya Dattagupta April 4, 2025
