Creating an Ashoke Ganguli of his Own: Irrfan Khan in โThe NamesakeโNovember 20, 2025 Ahendrila Goswami
Revisiting ‘Taare Zameen Par’ after reading Carl Honorรฉโs ‘In Praise of Slowness’November 20, 2025 Ayan Dawn
Strong Women, Strong Stories: How Female Characters Can Captivate AudiencesNovember 19, 2025 Kay Oliver
Column A Man of Many Faces: Remembering the Cinema of Tatsuya Nakadai Arun Kumar November 12, 2025November 17, 2025
Essay The Woman Who Wasnโt There: Her Memory, Her Geography, and the Ghost of Her, in the Cold War (2018) Bipasha Bhattacharyya November 12, 2025November 14, 2025
Column The Magic and Meaning of โThe Milagro Beanfield War (1988)โ: Rediscovering Robert Redfordโs Overlooked Masterpieceย Kay Oliver November 12, 2025November 14, 2025
Column Creating an Ashoke Ganguli of his Own: Irrfan Khan in โThe Namesakeโ Ahendrila Goswami November 20, 2025November 20, 2025
Column Strong Women, Strong Stories: How Female Characters Can Captivate Audiences Kay Oliver November 19, 2025
Column Intimacy Without Words: The Silent Bonds of โLabour of Loveโ Gopika Ashokan November 19, 2025November 19, 2025
ColumnThe Return of โChaotic Womenโ in Indian Independent Cinemaย August 6, 2025 Bipasha Bhattacharyya
EssayThe Rajinikanth Effect: How Thalaivarโs Meteoric Charm Forged A Cultural PhenomenonAugust 5, 2025 Anju Devadas
ColumnThe Mockery of National Awards: The Fiasco of the 71st National Awards and What it Holds for the FutureAugust 3, 2025 Santosh Kumar Mamgain
EssayBeyond Bloodlines: Reimagining Kinship And Childhood In Hirokazu Kore-edaโs Cinemaย July 31, 2025 Anju Devadas
ColumnWhy do all the Contemporary Villains Sound Like They’ve Read Camus?ย July 30, 2025 Bipasha Bhattacharyya
ColumnThe Pain of Silent Departures and the Turmoil That Lingers Within: Thoughts on G.Aravindanโs Pokkuveyil (1982, Twilight)July 30, 2025 Rugmini Dinu
EssayHaunting Silences And Moral Reckonings: Gender, Guilt, And Redemption In G. Aravindanโs โChidambaramโ (1985)July 28, 2025 Anju Devadas
ColumnThe Horror of the Unseen: How the 1999 Movie โThe Blair Witch Projectโ Redefined FearJuly 24, 2025 Em Stonham
ColumnThrough the Lens of Love and Longing: Revisiting Kieลlowskiโs โA Short Film About LoveโJuly 21, 2025 Rugmini Dinu
ColumnโThe Ugly Stepsisterโ (2025) and the Cost of Becoming โBeautiful EnoughโJuly 21, 2025 Aja Haymore
ColumnWhen Horror Hurts: Violence, Realism, and Responsibility inย ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023)ย July 20, 2025 Hannah John
ColumnHow Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s โThe Phoenician Schemeโย July 20, 2025 Gourab Saha
Essay โGirls Will Be Girlsโ Is an Intimate Love Letter to Girlhood & Those Who Missed Out on Theirs Sakshi Salil Chavan February 25, 2025
Essay โMelancholiaโ (2011) and the End of Everything: Exploring Depression, Despair, and the Human Condition Mohan Kumar October 3, 2024
Essay Maddening Ambiguity & โThe Heiressโ (1949): An Inspiration for Scorseseโs โKillers of the Flower Moonโย Emily Holland September 24, 2024
Essay Anatomy of a Fall: Confronting Ethics as a Consequence of a Decision-Making Avantika Tewari September 16, 2024
Essay The Open Ending of Masaan: Subversive, Unconventional, Endless Shreya Chauhan September 9, 2024
High On Films
