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Column Hal Ashby’s Enduring Legacy: How ‘The Holdovers’ Echoes the Spirit of a 1970s Master Bharat Bhoite April 30, 2025May 5, 2025
Column · Featured Chris Sanders’ The Wild Robot (2024) Tenderly Explores The Power Of Found Family Sakshi Salil Chavan May 27, 2025May 30, 2025
Column How Wag the Dog (1997) Predicted Our Age of Manufactured Wars and Media Spectacle Arijit Paul May 23, 2025
Column The Birth of the Blonde Femme Fatale of Cinema in Billy Wilder’s ‘Double Indemnity’ Bharat Bhoite May 11, 2025May 11, 2025
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EssaySeeing Beyond the Sores: Unmasking Leprosy in the Malayalam Films Ashwamedham and Sarasayya January 20, 2024 Dr. Aparna Ajith
EssayTranscendental Style as An Idea Of Being in the Filmography of Carlos Reygadas December 11, 2023 Maria Vatcharadze
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EssayThe Trappings of Nostalgia: On Wooderson, Dazed and Confused, and the Cinema of Richard LinklaterOctober 19, 2023 Aneesh Raikundalia
EssayThe Fangs of Fear: Exploring Horror and Dread in ‘Jaws’ (1975)October 16, 2023 Krishnanunni Padinjassery
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Article · Essay [Watch] Video Essay draws parallel between the works of Wes Anderson & Roy Andersson highonfilms February 9, 2024
Essay Decoding ‘The Batman’ (2022) Through the Lens of Classism, Vigilantes, and the Quest for Justice Sourajit Dey February 16, 2024
Essay There Will Be Blood (2007): The Fundamentals of Business From Daniel Plainview Balaganesh Kothapalli January 29, 2024
Essay Comparing the Characters of ‘Omkara’ to the Dramatis Personae of Shakespeare’s ‘Othello’ Vaani Udasi January 23, 2024
Essay Seeing Beyond the Sores: Unmasking Leprosy in the Malayalam Films Ashwamedham and Sarasayya Dr. Aparna Ajith January 23, 2024
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