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When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’February 26, 2026 Bipasha Bhattacharyya
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Column Black Honey (Molasses, 2010) and the Idea of Conditional Nostalgia in an Unequal Homeland Masa Awartani February 22, 2026February 26, 2026
Column Who Writes Reality? Narrative, Madness, and the Fragile Architecture of Truth in ‘In the Mouth of Madness’ Guilherme Quireza February 21, 2026February 24, 2026
Column Bruges as Purgatory: A Moral Landscape for the Damned Adam Page February 26, 2026March 1, 2026
Column Model Minority: How ‘America’s Next Top Model’ Policed Blackness Aja Haymore February 26, 2026March 1, 2026
Column When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’ Bipasha Bhattacharyya February 26, 2026March 1, 2026
ColumnFrom Slumber to Wakefulness: An Analysis of Sleep and Being Awake in Adoor Gopalakrishnan’s ‘Kodiyettam’ (‘Ascent,’ 1978)October 29, 2025 Jubin Abraham
ColumnSeeing ‘Sir’ Through Dalit Feminist Gaze: Love Amid Inequality October 29, 2025 Priyanca Ambalvi
EssayThe Strange Thing About Johnsons, Hereditary, and Midsommar: An Analysis of Family Horror in Ari Aster’s FilmographyOctober 28, 2025 Beatrice Gangi
ColumnThe Pain of Being Unloved: An Empathetic Study on Siddharthan’s Self in ‘Aham’ (1992)October 24, 2025 Rugmini Dinu
ColumnThe Evolution of the Unreliable Narrator: From Film Noir to Contemporary Psychological ThrillersOctober 22, 2025 Adam Page
ColumnArchitects of the State: Political Allegory and Allegiance in ‘The Brutalist’ October 18, 2025 Dan Flattery
ColumnThe Curse of Conformity: The Quiet Rebellion of Radha in ‘Holy Curse’October 17, 2025 Bipasha Bhattacharyya
ColumnThe Smashing Machine: The Many Faces of Dwayne ‘The Rock’ JohnsonOctober 17, 2025 Charlie Gaskell
EssayOne Battle After Another’s Fight in the Graveyard of the WesternOctober 15, 2025 Charlie Gaskell
EssayControl, Possession and Murder: The Power-Dynamics in Hitchcock’s Rope (1948)October 15, 2025 Bella Madge
ColumnHong Kong in Transit: Love, Loss, and Belonging in ‘Chungking Express’October 14, 2025 Sayantani Datta
Article Why Corporate Chaos May Be Warner Bros’ Secret Weapon at the Oscars Madiha Ali December 29, 2025
Column Exploring Loneliness, Intimacy, and Grief through Alexander Payne’s ‘The Holdovers’ (2023) Tara Mathur December 28, 2025
Column The Writer Who Had A Wand: A Journey With ‘Chaar Phool Hai Aur Duniya Hai’ Kabir Deb December 27, 2025
Column When Violence Becomes the Hero: Inside India’s New Wave of Adult-Rated Films Santosh Kumar Mamgain December 26, 2025
Essay Where Monsters Become Human: Identity and Otherness in ‘Nimona’ and ‘K-Pop Demon Hunters’ Nileena Sunil December 25, 2025
Column · Netflix · Streaming Now The Cheesecake Dilemma at the Heart of the Fellini-esque ‘Jay Kelly’ Akash Deshpande December 24, 2025