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Column The Horror of the Unseen: How the 1999 Movie โThe Blair Witch Projectโ Redefined Fear Em Stonham July 24, 2025August 1, 2025
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Column Of Guns and Guilt: The Postmodern Antiheroย and His Mirrorย Subhashree Paul July 30, 2025July 30, 2025
EssayThe Trappings of Nostalgia: On Wooderson, Dazed and Confused, and the Cinema of Richard LinklaterOctober 19, 2023 Aneesh Raikundalia
EssayWhen Auteurism meets Mythology: How Effective is The Killing of a Sacred Deerโs Rendition of Greek Allegory?ย October 4, 2023 Aadesh Gupta
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EssayAdulthood is Learning Vulnerability: An Analysis of Kiki’s Delivery Service (1989)September 20, 2023 Beatrice Gangi
EssayConcept, Rhythm, and Horror: Oppenheimer as an Accumulation of Nolanโs FilmographySeptember 12, 2023 Aadesh Gupta
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The Pain of Silent Departures and the Turmoil That Lingers Within: Thoughts on G.Aravindhanโs Pokkuveyil (1982, Twilight)
Essay Seeing Beyond the Sores: Unmasking Leprosy in the Malayalam Films Ashwamedham and Sarasayyaย Dr. Aparna Ajith January 23, 2024
Essay Transcendental Style as An Idea Of Being in the Filmography of Carlos Reygadasย Maria Vatcharadze August 20, 2024
Essay Prem Pujari (1970) – Complicity of Dev Anandโs Stardom in the Construction of Toxic Nationalism and Patriarchal Rules Nikhil Sanghotra November 8, 2023
Essay The Trappings of Nostalgia: On Wooderson, Dazed and Confused, and the Cinema of Richard Linklater Aneesh Raikundalia July 30, 2025