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Beyond the Binary of Disclosure: A Materialist Becoming of Intimacy in the Male-Male Dynamic of Sanjay Nag’s Memories in March (2010)January 29, 2026 Sohini Dasgupta
Why “The Hitchhiker’s Guide to the Galaxy” Is an Unlikely Comfort Movie?January 23, 2026 Oleksandra Kolosovska
Column ‘Titli’ and the Fragile Dream of Becoming Free in Contemporary India Bipasha Bhattacharyya January 19, 2026January 19, 2026
Column Sartorial Storytelling and Bacchanalian Rites: Intertextuality and Social Stratification in Luhrmann’s ‘The Great Gatsby’ Vasundhara Parashar January 16, 2026January 17, 2026
Column Bound By Obsession: The Mutually Assured Destruction of Mozart and Salieri in ‘Amadeus’ Bella Madge January 16, 2026January 17, 2026
Column How Dwayne ‘The Rock’ Johnson’s Professional Wrestling Career Can Inform the Future of His Acting Days Hayyan Khawaja February 2, 2026February 3, 2026
Column Beyond the Binary of Disclosure: A Materialist Becoming of Intimacy in the Male-Male Dynamic of Sanjay Nag’s Memories in March (2010) Sohini Dasgupta January 29, 2026January 29, 2026
Column Why “The Hitchhiker’s Guide to the Galaxy” Is an Unlikely Comfort Movie? Oleksandra Kolosovska January 23, 2026January 23, 2026
ColumnCaste Was Never Part of My Story Until It Was: Featuring ‘Dhadak 2’ (2025)August 16, 2025 Sneha Roy
ColumnGirls Just Like to Swing! My Observations and Reflections on Mira Nair’s ‘India Cabaret’ August 15, 2025 Nayan Jain
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ColumnThe Return of ‘Chaotic Women’ in Indian Independent Cinema August 6, 2025 Bipasha Bhattacharyya
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ColumnThe Mockery of National Awards: The Fiasco of the 71st National Awards and What it Holds for the FutureAugust 3, 2025 Santosh Kumar Mamgain
EssayBeyond Bloodlines: Reimagining Kinship And Childhood In Hirokazu Kore-eda’s Cinema July 31, 2025 Anju Devadas
ColumnWhy do all the Contemporary Villains Sound Like They’ve Read Camus? July 30, 2025 Bipasha Bhattacharyya
How Dwayne ‘The Rock’ Johnson’s Professional Wrestling Career Can Inform the Future of His Acting Days
Beyond the Binary of Disclosure: A Materialist Becoming of Intimacy in the Male-Male Dynamic of Sanjay Nag’s Memories in March (2010)
Column The Autonomy of Sound in Ghatak – Part I: Sound, Silence, and Partition in ‘Subarnarekha’ Sree November 10, 2025
Column The Burden of Grandeur: Revisiting Baahubali’s Idea of a ‘Magnum Opus’ Lakshmi Muthiah November 10, 2025
Column Breaking the Cage in ‘Girls Will Be Girls’: Shuchi Talati’s Feminist Lens on Women’s Emotional and Sexual Psyche in South Asian Cinema Poddo Alam November 9, 2025
Column 30 Years Later: Why ‘Waterworld’ Was Never the Bomb Critics Claimed It To Be? Kay A. Oliver November 9, 2025
Column A Temple of Idleness: Why Mallrats (1995) is the Most Sincere Film Among the Slacker Cinema Sebastian Sommer November 6, 2025
Column The Haunting That Lingers: Revisiting the Horror of ‘Lake Mungo’ (2008) Christopher Rhoten November 5, 2025
High On Films
