“The True Way to Do Everything Is Through Empathy”: Faraz Ali on His Short Film ‘Obur,’ on Empathy, and on His Experience of Spending a Week With Werner Herzog
Characterising the Space: The Cinematic Space as the Protagonist in ‘Laila Aur Satt Geet’ (The Shepherdess and the Seven Songs, 2020)
Film Festivals · LIFF · Review Arishadvarga [2019] ‘LIFF’ Review : A Whodunit Thriller About Its Characters More Than The Mystery Akash Deshpande June 12, 2019
Film Festivals · LIFF · Review Roobha [2019] ‘LIFF’ Review: A Living, Breathing Agony Of The Societal Trappings Akash Deshpande June 11, 2019
Film Festivals · LIFF · Review Bulbul Can Sing [2019] ‘LIFF’ Review – The Discernible mellow Voice in peculiar Social noise Ashwani Kumar June 11, 2019
Film Festivals · LIFF · Review Kattumaram [2019]: ‘LIFF’ Review – A Beautifully Shot yet Superficial Tale of Queer Love Arun Kumar June 11, 2019
Film Festivals · LIFF · Review Saturday Afternoon [2019]: ‘LIFF’ Review – A Well Crafted One-Take Hostage Drama Suvo Pyne February 22, 2021
Film Festivals · LIFF · Review My Home India [2019]: ‘LIFF’ Review – An Obscure yet Phenomenal Story of Generosity and Compassion Arun Kumar June 13, 2019