Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 29, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan October 25, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Featured · Film Festivals · IFFI · Review Pescador (2025) ‘IFFI’ Movie Review: A Meditative and Magical Tale Set on the Coasts and Jungles of Costa Rica Shivam Pota December 13, 2025December 16, 2025
Film Festivals · Review Flophouse America (2025) ‘DOC NYC’ Documentary Review: An Unfiltered Visceral Look into America’s Housing Crisis Akash Deshpande December 6, 2025December 17, 2025
Film Festivals · Review My Mother’s Wedding (2023) ‘WIFF’ Movie Review: A Great Actress Makes an Enjoyable Directorial Debut Andrew Kidd November 30, 2025December 1, 2025
Featured · Film Festivals · Review Arrest the Midwife (2025) ‘DOC NYC’ Documentary Review: A Critical but Moving Illustration of Present-Day Threats to Reproductive Rights Akash Deshpande November 28, 2025December 1, 2025
Featured · Film Festivals · IFFI · Review Atropia (2025) ‘IFFI’ Movie Review: A Sharp Premise Undone by a Wandering Narrative Utsha Sarkar November 24, 2025November 25, 2025
Featured · Film Festivals · IFFI · Review Woman and Child (2025) ‘IFFI’ Movie Review: A Mother’s Love and Anguish Over Lost Child and Navigating Pain Utsha Sarkar November 24, 2025November 25, 2025
Featured · ReviewThe Piano Accident (2025) Movie Review: A Razor-Sharp Satire about Fame in the Age of Social MediaDecember 21, 2025 Akash Deshpande
Featured · ReviewThe Wolves Always Come at Night (2024) Movie Review: A Visually Arresting and Transportive Swansong about Lives Erased by Ecological CrisesDecember 21, 2025 Akash Deshpande
Featured · ReviewAvatar: Fire and Ash (2025) Movie Review: James Cameron’s Endless Mining Through the Riches of Pandora Finally Reaches Creative BankruptcyDecember 19, 2025 Julian Malandruccolo
The Wolves Always Come at Night (2024) Movie Review: A Visually Arresting and Transportive Swansong about Lives Erased by Ecological Crises
Avatar: Fire and Ash (2025) Movie Review: James Cameron’s Endless Mining Through the Riches of Pandora Finally Reaches Creative Bankruptcy
Berlinale · Film Festivals · Review Drift Away [2021]: ‘Berlinale’ Review – Unfocused Police drama explores male identity Shikhar Verma March 5, 2021
Great Films · Review Kin-dza-dza! [1986] Review – An Extremely Amusing Soviet Sci-Fi Cult Classic Arun Kumar August 21, 2024
Films This Week · Netflix · Review Moxie [2021] Netflix Review: A Daring Reinterpretation of Punk Feminism Maxance Vincent March 9, 2021
Netflix · Review ‘I Care A Lot’ Juggles Satire, Slapstick And A Feminist Anti-Hero High on Films March 22, 2021
Berlinale · Film Festivals · Review Wheel of Fortune and Fantasy [2021]: ‘Berlinale’ Review – A Gorgeous Trifecta About the Conversations that Bind Us Shashwat Sisodiya March 4, 2021
Berlinale · Film Festivals · Review Bloodsuckers [2021]: ‘Berlinale’ Review – Marxist Vampire Comedy moves from being a biting satire to a sluggish tryst Shikhar Verma March 5, 2021
Review Collective [2019] Review – A Gripping Examination of a Rotten Healthcare System Arun Kumar March 2, 2021
Review Nomadland (2020): A Faultless, Sublime Epic That May Change Your Life Santanu Das March 13, 2021
Review High on Heels (2021) Review: A Unique Insight into the World of Heels Arnav Srivastav March 2, 2021
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![Kin-dza-dza! [1986] Review – An Extremely Amusing Soviet Sci-Fi Cult Classic](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/03/kin-dza-dza-1986-1-768x576.jpg)
![Moxie [2021] Netflix Review: A Daring Reinterpretation of Punk Feminism](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/03/Moxie-1-highonfilms-768x432.jpg)
![Wheel of Fortune and Fantasy [2021]: ‘Berlinale’ Review – A Gorgeous Trifecta About the Conversations that Bind Us](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/03/Wheel-of-Fortune-and-Fantasy-4-highonfilms-768x415.jpg)
![Bloodsuckers [2021]: ‘Berlinale’ Review – Marxist Vampire Comedy moves from being a biting satire to a sluggish tryst](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/03/Bloodsuckers-Berlinale-highonfilms-768x461.jpg)
![Collective [2019] Review – A Gripping Examination of a Rotten Healthcare System](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/03/Collective-2019-768x403.jpg)
High On Films
