Loveless [2017] – A Blistering Tale of Contemporary Human Relations
Incisive, hard-hitting, subtle and multi-layered in terms of theme and style, the Russian film-maker Andrey Zvyagintsev’s oeuvre elegantly conjures…
High On Films
Incisive, hard-hitting, subtle and multi-layered in terms of theme and style, the Russian film-maker Andrey Zvyagintsev’s oeuvre elegantly conjures…
2017 was a historical year for the shape-shifting revelations that it brought to light. While I have no intentions of…
I tuned into House by the Lake (2017) immediately after learning Adam Gierasch had directed it. Gierasch wrote the screenplay…
A Monster with a Thousand Heads [2015] : A Taut Supremely Crafted Social Thriller Uruguayan-born Mexican film-maker Rodrigo Pla’s movies…
Black Kite [2017]: An Episodic Historical Drama Lacking Moral and Structural Complexity Shot over 14 days in Kabul by employing…
It Comes at Night [2017]: Despairing Vision of Fear and Paranoia The closest Shults ever came in providing a pretext…
Narrow country road covered with the blanket of darkness and silence. The silence is punctuated by insects stridulation & birds…
Ozu-esque is the word that sprang to my mind when watching Hirokazu Kore-eda’s culturally specific yet emotionally relatable nuanced family…
The relationship between a father and his kids is strangely beautiful. Unlike the relationship you share with your mother, this…