High On Films
How the Bank Robbery Scene in ‘Hana-Bi’ Discretely Disrupts Order: Japanese pop-cultural icon Takeshi Kitano possibly had the most interesting…
![The Dog Who Wouldn’t Be Quiet [2021] ‘MUBI’ Review: A tonally Diverse Narrative attempting to Normalize the Absurd](https://www.highonfilms.com/wp-content/uploads/2022/01/The-Dog-Who-Wouldnt-Be-Quiet-768x432.jpg)
The Dog Who Wouldn’t Be Quiet by Ana Katz possess an atypicality that makes it immune to a hostile opinion….
Georgian film is more than 110 years old with its pioneer director Vasil Amashukeli who started making short documentaries back…
Anupama Chopra: Movies like Angamaly (Dairies) and EE.MA.YAU sort of really captures the chaos of humanity, the frenzy of being…
Since 2017, David Lowery has begun to emerge as an important auteur whose films are abundant in both staggering imagery…
The Czechoslovak New Wave sparked in the 1960s in Czechoslovakia that helped enable cinema as an art and form of…
![Lamb [2021] Review – A movie coasting on its vibes and weirdness with nothing much to say](https://www.highonfilms.com/wp-content/uploads/2021/10/Lamb-Dyrid-Movie-Review-768x433.jpg)
After finishing the movie, my first instinct was to go back and watch the trailer, because my curiosity had been…
![The Noise of Engines [2021] ‘San Sebastian’ Review – A Strangely Fascinating Offbeat Dramedy](https://www.highonfilms.com/wp-content/uploads/2021/09/The-Noise-of-Engines-2021-768x432.jpg)
Quebecois cinema I have seen so far withholds a sense of quirky auteurism that explores existential pain through unusual comedic…
![Otar’s Death [2021] ‘KVIFF’ Review – A Well-Crafted Tale of Frustrated Mothers and Sons](https://www.highonfilms.com/wp-content/uploads/2021/08/Otars-Death-2021-768x335.jpg)
Georgian filmmaker Ioseb ‘Soso’ Bliadze’s feature-film debut, Otar’s Death (2021) is an irony-rich social and psychological drama. It’s a tale…