Film Festivals · Review A Traveler’s Needs (2024) ‘MIFF’ Movie Review: Isabelle Huppert is at Her Beguiling Best in Hong Sang-soo’s Evasive Charmer Debanjan Dhar March 2, 2025
Film Festivals · Review In Our Day (2023) ‘KIFF’ Review: Kim Min-hee and Ki Joo-bong delightfully anchor Hong Sang-soo’s minor charmer Debanjan Dhar December 17, 2023
Cannes · Film Festivals · Review In Front Of Your Face [2021]: ‘Cannes’ Review – Hong’s latest is Slight in spirit but Deeply Intimate in Form Shashwat Sisodiya July 18, 2023
Review The Woman Who Ran [2020] Review – Hong Sang-soo’s Typically Subtle and Playfully Knotty Drama Arun Kumar January 24, 2021
Berlinale · Film Festivals · Review The Woman Who Ran (Domangchin yeoja) [2020] Review – A truly minimalist tribute to the female gaze Shikhar Verma March 8, 2020
Cannes · Film Festivals · Review Claire’s Camera [2017]: Hong Sang-soo Once Again Defies Narrative Rules Jacob Cornblatt February 21, 2021
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![The Woman Who Ran [2020] Review – Hong Sang-soo’s Typically Subtle and Playfully Knotty Drama](https://www.highonfilms.com/wp-content/uploads/2021/01/The-Woman-Who-Ran-2020-768x397.jpg)
![The Woman Who Ran (Domangchin yeoja) [2020] Review – A truly minimalist tribute to the female gaze](https://www.highonfilms.com/wp-content/uploads/2020/03/The-Woman-Who-Ran-768x405.png)
![Claire’s Camera [2017]: Hong Sang-soo Once Again Defies Narrative Rules](https://www.highonfilms.com/wp-content/uploads/2018/05/001-1540x866-768x432.jpg)
