Here’s why the cynical re-examination of Fight Club (1999) is lame
As the film remains the same, the culture surrounding it changes again and again, and now it seems critics are dismissing just like critics did when it was first released in 1999.
The Irishman (2019): MAMI Review – Scorsese’s Return to the Crime Genre is an Epic Cinematic Experience
Based on Charles Brandt’s 2004 memoir titled โI Heard you paint housesโ, The Irishman (2019) is a biopic about the…
Interview with Deepak Venkatesha – Writer of “Laal Kaptaan”
With Laal Kaptaan’s release, Deepak Venkatesha is coming up with the period action drama. Having worked on the script in…
In the Shadow of the Moon Netflix (2019) Review: Jim Mickle’s Weakest
In the Shadow of the Moonย is now streaming on Netflix From the director of Stake Land, We Are What…
Beanpole [2019] ‘MAMI’ Review – An Intense post-War drama from Women’s perspective
Inspired by Svetlana Alexievich’s “The Unwomanly Face of War: An Oral History of Women in World War II”, Beanpole (ะัะปะดะฐ)…
Marianne (Season 1) Netflix Review โ A Decent Jump Scare-Filled Horror Series
Netflix original French horror series, Marianne (Season 1) received the stamp of approval from popular horror novelist Stephen King which…
Just Like That (Aise Hee) [2019]: ‘MAMI’ Review – The Unattractive Reality of Small-Town Existence
Chantal Akerman, during one of her confrontation with the media, tore apart the allegations that were mounting about the dull…
Midsommar [2019]: ‘MAMI’ Review – A blissfully warm nightmare
First things first – If you haven’t seen Midsommar (to be screened at MAMI soon) stop reading this right now….