Too Late [2021] Review: Uninspired horror-comedy lazily presents a showbiz metaphor
Bosses can be real monsters. They can suck the life out of you and do their best to not lead…
Shadows [2021]: ‘NYAFF’ Review – An Uninventive Thriller that barely flares
Shadows traverses difficult thematic terrain; director Glenn Chan is primarily playing with the suggestion of the essential and intrinsic depravity…
All James Cameron Movies Ranked
When one thinks of the most iconic directors active in Hollywood, the name James Cameron is more often than not…
20 Best Black and White Movies of the 21st Century
Black and white movies eschew colors to their advantage. It is a conscious choice, deliberated upon stubbornly, that the filmmaker…
We Are Little Zombies (2019): The Absurdity of Coming-of-Age
We Are Little Zombies, which won accolades across several film festivals in 2019, including the Special Jury Award for Originality at Sundance in the same year, plays out like a psychedelic dream in some parts while mostly being a wry but humorous social commentary, dipped in dark humor.
Better Days [2020] Review: Label-proof Love
There are lots of pressures that pile up upon the human being. Whether it is institutions that determine formulas for…
Juju Stories [2021]: ‘Locarno’ Review: Tales about Magic Sans any Magic
Nigerian folklore serves as the fuel for ‘Juju Stories’, a three-part anthology film at the Locarno Festival. Directors Michael Omonua,…
Srijit Mukherjee’s determinedly silly ‘REKKA’ pushes the limits of lazy, clueless Filmmaking
Srijit Mukherji’s maiden Hoichoi venture, Rabindranath Ekhane Kokhono Khete Ashenni aka Rekka (based on Bangladeshi author Mohammed Nazimuddin’s 2015 novel),…