The Rider Review [2018]: An Intimate and Heartbreaking ride
The Rider, written and directed by Chloé Zhao, is an astonishing work of art, blending real-life people with a fictional…
Fortuna [2018]: ‘Locarno’ Review
Who is to decide when it comes to faith? Who makes the final decision when a body aches; both from…
Tehran Taboo Review [2018]: A Gripping Portrait of Life in Contemporary Iran
Exposing the hypocrisy & double standards of men, especially when it comes to matters of sex, Tehran Taboo captures how…
First Reformed Review [2018]: Spiritual Collapse under Crisis of Faith
First Reformed | dir. Paul Schrader Paul Schrader’s ‘ First Reformed ‘ follows a spiritual collapse of a pastor in the…
The Colossus of Rhodes [1961]: Sergio Leone’s Directorial Debut
Sergio Leone’s directorial debut is an ambitious, if unrefined, production that’s much inferior to his finest works but The Colossus…
Lookback on Lumet: The Offence [1973]
This film doesn’t shy away, but instead deeply examines the atrocities that police officers like Johnson witness on a regular basis, how it affects their psyche and their home-life, and how when confronted face-to-face with what seems like pure evil, these darker forces that have grown from within drastically take control.
What Still Remains Review [2018]: A Question That is Successfully Asked
Post-apocalyptic dystopia. As intriguing as it always sounds, there are always scope for it being done to death by a…
Love, Simon Review [2018]: Everyone Deserves A Great Love Story
Love, Simon Review [2018]: Everyone Deserves A Great Love Story Speaking directly to the heart and emanating a sense of…