Murderville (Season 1) ‘Netflix’ Review: Will Arnett led improvisational Comedy show is as Funny as his Guest Stars
Comedy is one of the toughest cookies to crack. It usually looks easy. But that’s because the writers, directors, and…
Through My Window [2022] ‘Netflix’ Review: Another Teen Romcom That Tries Hard But in Vain
While the COVID pandemic has raged on for almost two years now, the world has been suffering from another epidemic…
The 10 Best Movies from Sundance Film Festival, 2022
Sundance 2022, in spite of last-minute in-person cancellation, boasted an impressive lineup of movies that people saw from the comfort…
Kandis for Life [2021] ‘GFF’ Review – A Captivating Documentary on a Fan Culture
There are plenty of concert films, docu-portraits of musicians, and fly-on-the-wall concert tour chronicles. Seen through perfectly assembled archival footage,…
The Woman in the House Across the Street from the Girl in the Window [2022] ‘Netflix’ Review: It Goes Downhill Rapidly
Netflix’s The Woman in the House Across the Street from the Girl in the Window (TWITHATSFTGITW) is one of the…
Hawk’s Muffin [2022]: ‘IFFR’ Review – A Metaphor for Perpetual Human Conflict Enveloped in Dystopian Science-Fiction
As illustrated by a rhyme written by Vaikom Muhammad Basheer, a writer of Malayalam literature, with which the film opens,…
La Soga Salvation [2022] Review: A Confusing Film, Violent for No Good Reason
When Lusito and his girlfriend, Lia, are engaged in an intimate conversation right at the start of the film, she…
Hannah Ha Ha [2022]: ‘Slamdance’ Review : A quietly observant film on living off the grid never really takes off
If the title, premiering at Slamdance Film Festival this year, reminds you of Noah Baumbach’s Frances Ha (2013), chances are…