Simulation (Tamaroz) [2017]: ‘TIFF’ Review
Simulation (Tamaroz) | Dir. Abed Abest “Simulation (Tamaroz) ” is an experience that demands your complete audio-sensory attention so you…
Marlina the Murderer in Four Acts [2017]: ‘TIFF’ Review
Marlina the Murderer in Four Acts [2017]: ‘TIFF’ Review There’s no exact way to categorize Mouly Surya’s “Marlina the Murderer in…
Leviathan [2014]: A scathing Political satire reflecting on Human Suffering
Leviathan is a monster whale like creature described in ‘The book of Job’ which can not be controlled by humans….
TIFF 2017: New Images & Clip From Agnès Varda & JR’s “Faces Places”
TIFF 2017: New Images & Clip From Agnès Varda & JR’s “Faces Places” French master Agnès Varda collaborates with mysterious…
Shubh Mangal Saavdhan [2017]: An Elegant and Plausible treatment to accomplish Love
“Shubh Mangal Saavdhan” is a clever and delightful film. It reminds me why arranged marriage is not boring as well simple at all. Of course it handles the issues of sexual disorder quite well. But the film’s real achievement exists in its smart and humorous story telling which keeps the film clean and prominent. Although the film’s ordinary ending could not help it to reach up to the highest scale of development. But its steadfast…
It Comes at Night [2017]: Despairing Vision of Fear and Paranoia
It Comes at Night [2017]: Despairing Vision of Fear and Paranoia The closest Shults ever came in providing a pretext…
TIFF 2017: New Images and Clip from Hong Sang Soo’s The Day After
Prolific Korean master Hong Sangsoo’s conversational comedy of errors, The Day After, intertwines the stories of an unfaithful publishing company…
Lady Macbeth [2017]: Pugh is the Star of Victorian Tragedy
Adapted from Nikolai Leskov’s 1865 novel “Lady Macbeth of the Mtsensk District”, which is itself inspired from Macbeth by Shakespeare,…