Delphine [2019] ‘TIFF’ Review: The Purity of Childhood & The Arbitrariness That Follows
Whenever I have the chance to watch a short film, especially a very well made one like Delphine (2019), I…
10 Best Netflix Films & Shows in September 2019
After an eventful August with the release of new seasons of its original series such as GLOW, Mindhunter, 13 Reasons…
Lina From Lima (Lina de Lima) [2019]: ‘TIFF’ Review – A Mother’s World of Hurt
Nothing is more heartfelt than a mother doing everything for her child. In some cases, it leads to a heartbreak…
The Criminal Man (Borotmokmedi) [2019]: ‘Venice’ Review – Making A Murderer
Dmitry Mamuliya’s glacially paced, taut psychological thriller The Criminal Man (Borotmokmedi) thematically stems out of Fyodor Dostoevsky’s tranquil spirit. A slight, minimal…
Why Guy Ritchie Is Above His Mediocre Filmography?
Here’s what makes Guy Ritchie a better filmmaker despite his mediocre filmography: Guy Ritchie may not be a marvelous filmmaker…
Frozen (2010) Review: A Fairly Tense Survival Horror
Deriving nail-biting chills from its minimal setup, Frozen (2010) is tense, thrilling & even terrifying when it gets all the…
Made in Bangladesh [2019]: ‘TIFF’ Review – A Colorful Empowering Film for Women Around the World
Let me set the scene. You see a 23-year-old married woman working at the readymade garments industry in a third…
Sanctorum [2019]: ‘Venice’ Review – Joshua Gil’s mystical take on the narco-violence in Mexico
Nature hath no fury like a mother forcefully separated from her child. It is this phenomenon that Joshua Gil attempts…