Shiddat [2021] Review – Dated Bollywood Romance is a Mediocre Excuse in Disguise of Filmmaking
Hear me out. When you fall in love, you should commit to it with passion. If this weren’t true, why…
American Night [2021] Review – A Confusing Cocktail of Art and Life, Lacking in Punch
Perhaps the best way to describe American Night – a neo-noir film directed by Alessio Jim Della Vella, also known…
The Many Saints Of Newark (2021) Review – The Sopranos Prequel Is Its Own Worst Enemy Because Of Its Own Identity
When The Sopranos cut to black in 2006, it felt like a conscious decision by creator David Chase, to stop…
The Guilty [2021] Netflix Review – An Emotionally Taxing Crisis of Faith Wrapped In an Edge-of-the-seat Thriller
There are few things Jake Gyllenhaal does better than playing unhinged characters who unravel through a film’s runtime to a…
“Crossing Bridges” to “Killa”: Nature as a character in films
“There is a pleasure in the pathless woods, There is a rapture on the lonely shore, There is society where…
I Was A Simple Man [2021] ‘LAAPFF’ Review: Hawaiian Ghost Tale is Layered and Meditative
The fact that death is inevitable is the greatest example that for humans, nothing is impossible. Simply put, dying isn’t…
No Time To Die (2021) Review – James Bond At His Most Vulnerable And Dangerous
Daniel Craig’s James Bond is the best and the most unique because it came out during a time where the…
The Chestnut Man (Season 1) Netflix Review – Nordic Noir at its grisly finest, but also at its aesthetic brightest.
The Chestnut Man (Season 1) Netflix Review: You need to be in a very specific mood to enjoy Nordic noir….