Pet Sematary [2019] Review: Sometimes Remake is Better
Sometimes a remake is better. Though I am always skeptical when it comes to sequels, prequels, reboots or remakes, the…
The Son (El Hijo) Netflix [2019] Review: A flawed Psychological Thriller about the Fears of Parenthood
The Son (El Hijo) is now streaming on Netflix Sebastián Schindel’s The Son (El Hijo) could have been a fresh…
The Great Hack Netflix [2019] Review – An Important Subject Impaired by the Questionable Perspective
“The Great Hack (Netflix Documentary) despite focusing on a very intriguing subject comes across as vapid and annoyingly evasive.” Egyptian-American documentarian…
Léa & I Netflix [2019] Review: Yearning For the Alternatives and a Better Life
“This is my best friend Léa. Léa speaks five languages, cannot stop eating Haribo candy peaches and has cystic fibrosis,…
Baba (2019) Review: An Unsatisfactory Attempt Despite The Noble Intentions
Imagine a full-fledged comic actor, rather one who rose to fame by his comic work attempting a much more dramatic…
His Lost Name [2019]: ‘Japan Cuts’ Review- Knitting the ineffable wounds
Being a protégé under the hands of the legendary Hirokazu Koreeda, Nanako Hirose’s debut feature created quite a stir. It…
10 Facts You Probably Didn’t Know About Django Unchained
Quentin Tarantino’s movies are epic, intrepid and reckless. The suddenness in his narration of the stories, with blood and gore,…
Koko-di Koko-da [2019]: ‘Fantasia’ Review – An Allegory for the Dreading traumas of Grief
Grief is a motherfucker. I’m not sure if Samuel L. Jackson said that or some other secretive holy grail, but…