End of Summer [2018]: ‘NYAFF’ Review
End of Summer [2018]: ‘NYAFF’ Review Debutant director Zhou Quan’s End Of Summer is undoubtedly the unadulterated version of what’s…
The Bold, the Corrupt, and the Beautiful [2018]: ‘NYAFF’ Review
The Bold, the Corrupt, and the Beautiful [2018]: ‘NYAFF’ Review The upside of The Bold, the Corrupt, and the Beautiful…
1987: When the Day Comes [2018]: Fantasia Film Festival Review
1987: When the Day Comes [2018] – An Engrossing and Well-Acted Political Thriller From the 1980 Gwangju uprising to the…
The Age of Blood [2018]: ‘NYAFF’ Review
The Age of Blood [2018]: Dubiety of unanswered questions Before reading here’s a fair cautionary message for all – delving…
Old Beast [2018]: ‘NYAFF’ Review
Old Beast [2018] – The Harsh Predicament of a Flawed Individual and a Dreary Landscape Zhou Ziyang’s impressive debut feature…
The Blood of Wolves [2018] : ‘NYAFF’ Review
As an independent genre within the ambit of Japanese cinema, Yakuza films have undergone massive transformations since the silent film…
Kakekomi (2018): ‘NYAFF’ Review
Kakekomi (2018): A tale of oppression, endurance, and refuge For someone who hasn’t seen much of Japanese Cinema or attended…
We Will Not Die Tonight [2018]: ‘NYAFF’ Review
We Will Not Die Tonight [2018]: ‘NYAFF’ Review After the emergence of the rib-cracking, spine-chilling Indonesian martial-arts film – The…