All the Bright Places [2020] Netflix Review – A problematic, familiar story about trauma and healing
Brett Haley – who previously directed the wonderful indie comedy “Hearts Beat Loud” is back with the new Netflix rom-com…
Kaande Pohe (2020) Short Film Review: A Little Snack of Sweet Romance
Terribly Tiny Tales’ Valentine’s special short film “Kaande Pohe” about a Maharashtrian arranged marriage prospect aims at invoking a bittersweet…
Trance (2020) Review: A Placebo Dose of Cold Stupor
If films had definitions, Trance (2020) would be defined as an attempt to suspending the belief(s) of the audience. The…
Taj Mahal 1989 Netflix Review – An unengaging marriage of politics, love and philosophy
As far as nostalgia is concerned, the Indian web-series scene has churned out every possible 90s traits to makes sure…
The Phantom Carriage [1921] Review – A Startlingly Inventive Morality Play of the Silent Film Era
“The Phantom Carriage was based on Nobel-Prize winning Swedish author Selma Lagerlof’s 1912 novel, Thy Soul Shall Bear Witness!” Known…
How “Thappad” Champions An Inclusive Screenplay of Empowerment, Exploration, and Realizations
A film cannot risk itself with objective definitions when it chooses an existence that is not in isolation from the…
Pokemon: Mewtwo Strikes Back – Evolution [2020] Netflix Review: Pales in comparison to the original
In a Pokemon day treat to fans of the game and the animé, Netflix released Pokemon: Mewtwo Strikes Back –…
Shubh Mangal Zyada Saavdhaan [2020] Review: A Loud & Headache Inducing Piece That Must Be Cautioned Against
It had been a while since I watched a Hindi comedy film. I decided to go for an evening show…