Jaoon Kahaan Bata Ae Dil Netflix [2019] Review – A Relentlessly Provocative Romance
Aadish Keluskar’s ‘Jaoon Kahaan Bata Ae Dil’ is a film set in spots that emanate romance, but it has no…
Chameleon (2019) Review: The Crime Thriller With Noir Roots We Deserve
“A fool’s paradise is a wise man’s hell.” – Thomas Fuller A fool’s paradise is an illusory form of pleasure…
Larks on a String [1969] Review – A Tragicomic Examination of the Impact of Totalitarian Ideology
“Larks on a String’s potent imagery retains hope even when the camera moves down into the bowels of hell.“ Czech…
Ahaa Re (2019): Jagran Film Festival Review – A Beautiful Representation of Inclusivity
In the middle of a river, they are sitting in a boat. She is wearing a rolling stones t-shirt. She…
Brightburn [2019] Review: Terrific Premise. Terrible Execution.
Brightburn has a premise that screams nothing but tremendous potential & promise. It takes the origin story of Superman, even walks…
Demolition Girl [2019]: ‘Japan Cuts’ Review- A Soul-Crushing Coming-of-age Drama
While many from the current generation seek some kind of inexplicable pleasure from destruction, here comes the protagonist of Demolition…
The Journalist (2019) ‘Japan Cuts’ Review: The Sane Among Us
At the time when ‘All the President’s Men’ was released, journalistic integrity as a subject was hardly being used in…
The Beach Bum [2019] Review – Freewheeling Poetry of the Excess
In Harmony Korine’s The Beach Bum – His happiest and most accessible film till date; a hedonistic stoner who was…