Midsommar [2019] Review: A Voluptuous Day Terror
The term “waking nightmare” has rarely been better suited to a film than Ari Aster’s Midsommar, an experience bathed in…
Patrick [2019]: ‘KVIFF’ Review – Failed summer nudism mystery
American writer-director Tim Mielants premiered his first feature film, “Patrick” at this year’s Karlovy Vary International Film Festival. Mielants, so…
Mallesham [2019] Review: A Heartwarming and Inspiring Biopic
Mallesham opens with a euphonious song chronicling the intricate and nuanced detailing that goes in weaving Pochampalli sarees. The lyrics…
Walk With Me [2019]: ‘NYAFF’ Review – A shabby horror-show
The factor of risk with horror films is usually a big one. The struggle, most of the times for filmmakers,…
Anima Netflix [2019] Review – This Thom Yorke & PTA one-reeler is Visually Breathtaking
We all know about Thom Yorke’s obsession with the capitalistic punishment that we all have brought upon ourselves. We are…
Yesterday (2019) Review: ‘All You Need is Love’
Does art need a representation to exist? Can you take the face away that produced something, give it another one,…
Dark Season – 2 Netflix Review: The Mind-Boggling Middle Chapter of the German TV Series
Netflix’s first German-language original series, Dark (2017–) was, true to its name, grimly fascinating and an ideal binge-watch. Though set…
Aga’s House [2019]: ‘KVIFF’ Review – An Empathetic coming-of-age Drama Set in the Land Of Women
Award-winning Kosovar writer-director Lendita Zeqiraj’s debut feature “Aga’s House” is about a boy growing up in a house full of…