Article · Essay Silence & Violence – How the Bank Robbery Scene in ‘Hana-Bi’ Discretely Disrupts Order, Whilst Maintaining its Facade highonfilms February 4, 2022
Article · Essay Culture of the Mad, Sad and Crass: The Asian Filmmakers Who Owned It highonfilms February 3, 2022
Film Festivals · Review · Sundance Sundance 2022: “Nanny,” “Emily the Criminal,” & “Honk for Jesus Save Your Soul” highonfilms January 28, 2022
Article · Essay A Ghibli-esque Journey: The Immersive Realism of Studio Ghibli highonfilms January 26, 2022
Film Festivals · Review · Sundance Sundance 2022: “Dual,” “All That Breathes,” & “Resurrection” highonfilms January 23, 2022
Film Festivals · Review · Sundance Sundance 2022: “After Yang,” “892,” & “The Princess” highonfilms January 23, 2022
Film Festivals · Review · Sundance Sundance 2022: “When You Finish Saving the World,” “Emergency,” & “Fresh” highonfilms January 21, 2022
Article · Essay Which Floor to Happiness? The Lift Boy (2019) Weaves a Simple Yet Effective Tale of Optimism highonfilms January 5, 2022
