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The Family Man (2021): Six Reasons To Watch The New Season
Article · Essay

The Family Man (2021): Six Reasons To Watch The New Season

highonfilms June 8, 2021

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Ajeeb Daastaans [2021] Geeli Pucchi Review: The Colors Missing In Our Rainbows
Review

Ajeeb Daastaans [2021] Geeli Pucchi Review: The Colors Missing In Our Rainbows

highonfilms July 18, 2021

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The Handmaid’s Tale [2017- ]: A Reflection of Both the Past and the Future
Article · Essay

The Handmaid’s Tale [2017- ]: A Reflection of Both the Past and the Future

highonfilms May 27, 2021

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Nomadland (2020) And Its Most Elite Trifecta
Article · Essay

Nomadland (2020) And Its Most Elite Trifecta

highonfilms May 27, 2021

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Saina (2021) Review : A Racquet is not a Sword
Review

Saina (2021) Review : A Racquet is not a Sword

highonfilms July 16, 2021

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The Crow (1994) Review : How This Movie Dared To Do Things Differently
Review

The Crow (1994) Review : How This Movie Dared To Do Things Differently

highonfilms May 20, 2021

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How “The 400 Blows” Deviates From Classical Conventions of Narration?
Article · Essay

How “The 400 Blows” Deviates From Classical Conventions of Narration?

highonfilms May 20, 2021

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The Night Comes For Us (2018): Elevating the Indonesian Extreme Action Genre
Article · Essay

The Night Comes For Us (2018): Elevating the Indonesian Extreme Action Genre

highonfilms May 18, 2021

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Garm Hava [1974]: On the Precipice of Belonging
Article · Essay

Garm Hava [1974]: On the Precipice of Belonging

highonfilms May 16, 2021

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  • Film Festivals
    • Cannes
    • Berlinale
    • BFI London Film Festival
    • Fantasia
    • IFFI
    • Locarno
    • DIFF
    • MAMI
    • NYAFF
    • Sundance
    • Sydney Film Festival
    • TIFF
  • Reviews
    • In Theaters
  • Lists
  • Essays
    • Column
    • Interviews
  • Explainers
    • Streaming Now
  • News
  • Write For Us
  • HOF Games
    • High on Films Daily Jigsaw
    • High on Films Weekly Crossword