When Horror Hurts: Violence, Realism, and Responsibility in ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023) July 10, 2025 Hannah John
How Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s ‘The Phoenician Scheme’ July 10, 2025 Gourab Saha
The Conflict of Reason and Ruin: A Marxist-Psychoanalytic Reading of Ritwik Ghatak’s ‘Jukti Takko Aar Gappo’ Through an Absurdist LensJuly 8, 2025 Ishani Routh
Column The Stars of Aamir Khan: A Comparative Reflection on ‘Taare Zameen Par’ and ‘Sitaare Zameen Par’ Kalpa Jyoti Bhuyan July 7, 2025July 10, 2025
Column Guru Dutt: The Lonely Artist Who Spoke Through Shadows Nishtha Ranjan July 7, 2025July 13, 2025
Essay Fragments of the Forgotten: Memory Loss and the Mystique of Identity in Indian Cinema Anju Devadas July 7, 2025July 10, 2025
Column When Horror Hurts: Violence, Realism, and Responsibility in ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023) Hannah John July 10, 2025July 10, 2025
Column How Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s ‘The Phoenician Scheme’ Gourab Saha July 10, 2025July 10, 2025
Article · EssayChuruli (2021): A Transversal of Understanding Through the Debauchery of LanguageFebruary 15, 2022 Krishnanunni Padinjassery
Article · EssayShardul Thakur Comes Out of the Closet: A Nuanced Portrayal of Queerness in Badhaai DoFebruary 14, 2022 Ahendrila Goswami
Article · EssayBlind Chance (1987): A Flurry of Missed Opportunities Amidst Turbulent TimesFebruary 9, 2022 Pranjal Singh
Article · EssaySilence & Violence – How the Bank Robbery Scene in ‘Hana-Bi’ Discretely Disrupts Order, Whilst Maintaining its FacadeFebruary 4, 2022 highonfilms
Article · Essay20 Years Of Harry Potter and The Sorcerer’s Stone: What Made The Wizarding World So EnchantingFebruary 4, 2022 Aryan Vyas
Article · EssayCulture of the Mad, Sad and Crass: The Asian Filmmakers Who Owned ItFebruary 3, 2022 highonfilms
Article · EssayA Ghibli-esque Journey: The Immersive Realism of Studio GhibliJanuary 26, 2022 highonfilms
Article · EssayWhy A Hero (2021) is Farhadi’s Close-Up; An Analysis of Farhadi’s Filmmaking Mechanics!January 23, 2022 Ashwani Kumar
Article · EssayRomanian Spring in World Cinema: A Spotlight on Romanian CinemaJanuary 23, 2022 Balachandran Chirammal
Article · EssayThe Lost Daughter (2021): The Portrayal of Motherhood in A Nonchalant Psychological DramaJanuary 21, 2022 Aqsa Aleem
When Horror Hurts: Violence, Realism, and Responsibility in ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023)
How Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s ‘The Phoenician Scheme’
Essay Discussing Systemic Sabotage and Institutional Suicide in Jana Gana Mana (2022) Krishnanunni Padinjassery June 4, 2022
Article · Essay C/o Kancharapalem (2018): When Hope and Despair Marry Each Other Arundhati Rao April 22, 2022
Article · Essay Read My Lips (2001): Bringing Out the Best and the Badass in Each Other Pranjal Singh July 18, 2023