When Horror Hurts: Violence, Realism, and Responsibility in ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023) July 10, 2025 Hannah John
How Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s ‘The Phoenician Scheme’ July 10, 2025 Gourab Saha
The Conflict of Reason and Ruin: A Marxist-Psychoanalytic Reading of Ritwik Ghatak’s ‘Jukti Takko Aar Gappo’ Through an Absurdist LensJuly 8, 2025 Ishani Routh
Column The Stars of Aamir Khan: A Comparative Reflection on ‘Taare Zameen Par’ and ‘Sitaare Zameen Par’ Kalpa Jyoti Bhuyan July 7, 2025July 10, 2025
Column Guru Dutt: The Lonely Artist Who Spoke Through Shadows Nishtha Ranjan July 7, 2025July 13, 2025
Essay Fragments of the Forgotten: Memory Loss and the Mystique of Identity in Indian Cinema Anju Devadas July 7, 2025July 10, 2025
Column When Horror Hurts: Violence, Realism, and Responsibility in ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023) Hannah John July 10, 2025July 10, 2025
Column How Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s ‘The Phoenician Scheme’ Gourab Saha July 10, 2025July 10, 2025
Article · EssayThe Performance of Toiletry : Two Bollywood Female Protagonists and Self-ExpressionMay 26, 2021 Ahendrila Goswami
Article · EssayHow Haneke plays with the audience expectations in ‘Funny Games’May 24, 2021 Shikhar Verma
Article · EssayMagnolia (1999) : An Epic Melodrama Somewhere Between Ingenuity And InsanityMay 21, 2021 Shahim Sheikh
Article · EssayHow “The 400 Blows” Deviates From Classical Conventions of Narration?May 19, 2021 highonfilms
Article · EssayThe Night Comes For Us (2018): Elevating the Indonesian Extreme Action GenreMay 17, 2021 highonfilms
When Horror Hurts: Violence, Realism, and Responsibility in ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023)
How Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s ‘The Phoenician Scheme’
Article · Essay A Study of Fragmentation in the Aftermath of World War II in Christian Petzold’s Phoenix (2014) Ahendrila Goswami August 24, 2021
Article · Essay Raw (2016) – Julia’s fascination with Human body and Cannibalism Sandeep Sreelekha July 10, 2024
Article · Essay · Prime Video Shershaah and Why the Formulaic Biopic Works Ankita Rathour February 13, 2022
Article · Essay Conflicting Resolutions and the Metaphor of the Aged People in Kieślowski’s Three Colors Trilogy Atreyo Palit September 17, 2021
Essay · Great Films Salt of the Earth [1954] – A Landmark American Independent Cinema on the Working Class Arun Kumar July 31, 2021
![Salt of the Earth [1954] – A Landmark American Independent Cinema on the Working Class](https://www.highonfilms.com/wp-content/uploads/2021/07/Salt-of-the-Earth-1954-768x432.jpg)
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