How Dwayne ‘The Rock’ Johnson’s Professional Wrestling Career Can Inform the Future of His Acting Days February 2, 2026 Hayyan Khawaja
Beyond the Binary of Disclosure: A Materialist Becoming of Intimacy in the Male-Male Dynamic of Sanjay Nag’s Memories in March (2010)January 29, 2026 Sohini Dasgupta
Why “The Hitchhiker’s Guide to the Galaxy” Is an Unlikely Comfort Movie?January 23, 2026 Oleksandra Kolosovska
Column ‘Titli’ and the Fragile Dream of Becoming Free in Contemporary India Bipasha Bhattacharyya January 19, 2026January 19, 2026
Column Sartorial Storytelling and Bacchanalian Rites: Intertextuality and Social Stratification in Luhrmann’s ‘The Great Gatsby’ Vasundhara Parashar January 16, 2026January 17, 2026
Column Bound By Obsession: The Mutually Assured Destruction of Mozart and Salieri in ‘Amadeus’ Bella Madge January 16, 2026January 17, 2026
Column How Dwayne ‘The Rock’ Johnson’s Professional Wrestling Career Can Inform the Future of His Acting Days Hayyan Khawaja February 2, 2026February 3, 2026
Column Beyond the Binary of Disclosure: A Materialist Becoming of Intimacy in the Male-Male Dynamic of Sanjay Nag’s Memories in March (2010) Sohini Dasgupta January 29, 2026January 29, 2026
Column Why “The Hitchhiker’s Guide to the Galaxy” Is an Unlikely Comfort Movie? Oleksandra Kolosovska January 23, 2026January 23, 2026
EssayWhere the Crawdads Sing (2022): Embark On A Scenic Trip Into The Marshland With KyaAugust 31, 2023 Poonam Vaze
ColumnHow the Depiction of Trauma Humanizes One Killer and Villainizes the Other in ‘Por Thozhil’?August 25, 2023 Pramila Tripathi
Column‘Taali’ (2023) Offers a Heart-Wrenching and Empowering Look into the Life of a Trans ActivistAugust 22, 2023 Srilekha Mitra
EssayAmerican Prometheus: The Triumph of Oppenheimer’s (2023) Screenplay is in Exposing the Failure of Dr. OppenheimerAugust 19, 2023 Ashwani Kumar
Column’Hiroshima Mon Amour’ is a Poignant Intermixture of History with Memories of Love, Loss, and SufferingAugust 18, 2023 Srilekha Mitra
Essay‘Elemental’ is a tender tale that cannot hide its Male Saviour Complex August 17, 2023 Deepshikha Deb
EssayHow ‘The Flash’ Resets DC Extended Universe To Make Way For Gunn’s DC Universe?August 11, 2023 Abhishek Sharma
ColumnPenetrating the Patriarchy and Exploring the (Lack of) Feminine in An Exercise In Discipline: Peel (1986) August 8, 2023 Pritha Banerjee
How Dwayne ‘The Rock’ Johnson’s Professional Wrestling Career Can Inform the Future of His Acting Days
Beyond the Binary of Disclosure: A Materialist Becoming of Intimacy in the Male-Male Dynamic of Sanjay Nag’s Memories in March (2010)
Article Christian Audiences Are Not Happy With Netflix as Bible Verses Disappear from the streaming version of ‘The Passion of the Christ’ Naveed Zahir April 22, 2025
Article This Angelina Jolie Rom-Com from 2002 is now a Netflix hit, despite a 28% RT score Naveed Zahir April 21, 2025
Column · Max · Streaming Now · TV HBO’s The Last of Us Dramatizes A Controversial Death From The Game, And It’s Just As Brutal Debopriyaa Dutta October 29, 2025
Column Translating the Self Across Borders of Being in Mira Nair’s ‘The Namesake’ Tapolabdha Dey April 14, 2025
Article Everything You Need to Know About ‘Weak Hero Class 1’ Before ‘Weak Hero Class 2’ Streams on Netflix Deepshikha Deb January 7, 2026
Column Echoes of a Life Fading into Silence in Avinash Arun’s ‘Three of Us’ (2023) Subhangi Biswas April 8, 2025
Column Intimacy in The Digital Age: Spike Jonze’s “Her” as a Cinematic Mirror to our Technological Present Tapolabdha Dey April 8, 2025
Essay The Fear of Loneliness and End of Reason in Kiyoshi Kurosawa’s ‘Cure’ Andrew Kidd April 14, 2025