Ten Years Later: How Kurzel’s ‘Macbeth’ Redefined Shakespeare Through Trauma December 29, 2025 Christopher Rhoten
Exploring Loneliness, Intimacy, and Grief through Alexander Payne’s ‘The Holdovers’ (2023)December 25, 2025 Tara Mathur
The Writer Who Had A Wand: A Journey With ‘Chaar Phool Hai Aur Duniya Hai’December 24, 2025 Kabir Deb
Column When Violence Becomes the Hero: Inside India’s New Wave of Adult-Rated Films Santosh Kumar Mamgain December 21, 2025December 26, 2025
Essay God Has Left The Building: Religion in John Hillcoat’s ‘The Road’ Adam Page December 20, 2025December 25, 2025
Essay Where Monsters Become Human: Identity and Otherness in ‘Nimona’ and ‘K-Pop Demon Hunters’ Nileena Sunil December 20, 2025December 25, 2025
Column Ten Years Later: How Kurzel’s ‘Macbeth’ Redefined Shakespeare Through Trauma Christopher Rhoten December 29, 2025December 30, 2025
Column Exploring Loneliness, Intimacy, and Grief through Alexander Payne’s ‘The Holdovers’ (2023) Tara Mathur December 25, 2025December 28, 2025
Column The Writer Who Had A Wand: A Journey With ‘Chaar Phool Hai Aur Duniya Hai’ Kabir Deb December 24, 2025December 27, 2025
EssayYou Talkin’ to Me? How Taxi Driver’s Travis Bickle Holds up a Mirror to Who We AreDecember 8, 2025 Adam Page
ColumnStitched Souls: Identity and Emotion in Guillermo del Toro’s ‘Frankenstein’ (2025)December 1, 2025 Shivangi Thakur
ColumnBlood in Eden: The Ideological Origins of Ryan Coogler’s ‘Sinners’December 1, 2025 Dan Flattery
Column · JioHotstar · Streaming NowBuddhadeb Dasgupta’s ‘Swapner Din’ and the Politics of Vanishing IdentitiesNovember 30, 2025 Gourab Saha
ColumnRadical Solidarities in Dan Trachtenberg’s ‘Predator: Badlands’: Posthuman Bonds at the Edge of the GalaxyNovember 26, 2025 Sourav Chatterjee
EssayInto the Heart of Darkness: A Trio of Hollywood’s Beautiful CatastrophesNovember 24, 2025 Adam Page
ColumnCreating an Ashoke Ganguli of his Own: Irrfan Khan in “The Namesake”November 20, 2025 Ahendrila Goswami
EssayRevisiting ‘Taare Zameen Par’ after reading Carl Honoré’s ‘In Praise of Slowness’November 20, 2025 Ayan Dawn
ColumnStrong Women, Strong Stories: How Female Characters Can Captivate AudiencesNovember 19, 2025 Kay A. Oliver
EssayThe Woman Who Wasn’t There: Her Memory, Her Geography, and the Ghost of Her, in the Cold War (2018)November 12, 2025 Bipasha Bhattacharyya
ColumnThe Magic and Meaning of ‘The Milagro Beanfield War (1988)’: Rediscovering Robert Redford’s Overlooked Masterpiece November 12, 2025 Kay A. Oliver
Essay The Woman Who Wasn’t There: Her Memory, Her Geography, and the Ghost of Her, in the Cold War (2018) Bipasha Bhattacharyya November 14, 2025
Essay The Murder We Witnessed, The Life We Must Invoke: A Critical Analysis Of Shamya Dasgupta’s ‘Unmechanical’ Kabir Deb November 10, 2025
Essay The Strange Thing About Johnsons, Hereditary, and Midsommar: An Analysis of Family Horror in Ari Aster’s Filmography Beatrice Gangi November 13, 2025
High On Films
