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Column Of Guns and Guilt: The Postmodern Antihero and His Mirror Subhashree Paul July 30, 2025July 30, 2025
EssayThe Crime Behind The Curtain: Looking Back at ‘Yavanika,’ a Cinematic Masterpiece June 16, 2025 Vaishnavi S
EssayPopular Cinema in India: A Socio-Cultural Analysis of the Indian Cinema and Its Cinematic TropesJune 7, 2025 Santosh Kumar Mamgain
EssayPaul Thomas Anderson’s Psychological Prowess through the Lens of his Most Problematic PictureMay 15, 2025 Hector Levya
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The Pain of Silent Departures and the Turmoil That Lingers Within: Thoughts on G.Aravindhan’s Pokkuveyil (1982, Twilight)
Essay The Crime Behind The Curtain: Looking Back at ‘Yavanika,’ a Cinematic Masterpiece Vaishnavi S June 24, 2025
Essay Popular Cinema in India: A Socio-Cultural Analysis of the Indian Cinema and Its Cinematic Tropes Santosh Kumar Mamgain June 8, 2025
Essay Paul Thomas Anderson’s Psychological Prowess through the Lens of his Most Problematic Picture Hector Levya June 9, 2025
Essay · Featured The Avenging Woman: The Politics and Aesthetics of Female Rage in Rape-Revenge Cinema Anju Devadas May 31, 2025
Essay Unpacking ‘A Minecraft’ Movie: Nostalgia, the Sad State of Modern Blockbusters and Corporate Consolidation Shivam Pota May 6, 2025
Essay Superboys Of Malegaon (2025): Faiza Ahmad Khan & Nasir Shaikh’s Cinephilic Legacy Finds Home In Bollywood & Beyond Sakshi Salil Chavan April 24, 2025
Essay The Fear of Loneliness and End of Reason in Kiyoshi Kurosawa’s ‘Cure’ Andrew Kidd April 14, 2025
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