Stitched Souls: Identity and Emotion in Guillermo del Toroโs โFrankensteinโ (2025)December 1, 2025 Shivangi Thakur
Blood in Eden: The Ideological Origins of Ryan Cooglerโs โSinnersโDecember 1, 2025 Dan Flattery
Buddhadeb Dasguptaโs โSwapner Dinโ and the Politics of Vanishing IdentitiesNovember 30, 2025 Gourab Saha
Radical Solidarities in Dan Trachtenbergโs โPredator: Badlandsโ: Posthuman Bonds at the Edge of the GalaxyNovember 26, 2025 Sourav Chatterjee
Into the Heart of Darkness: A Trio of Hollywoodโs Beautiful CatastrophesNovember 24, 2025 Adam Page
Column The Physics of Grief in Clint Bentleyโs โTrain Dreamsโย Ben Bogdan November 21, 2025November 24, 2025
Column Creating an Ashoke Ganguli of his Own: Irrfan Khan in โThe Namesakeโ Ahendrila Goswami November 20, 2025November 23, 2025
Essay Revisiting ‘Taare Zameen Par’ after reading Carl Honorรฉโs ‘In Praise of Slowness’ Ayan Dawn November 20, 2025November 23, 2025
Column Stitched Souls: Identity and Emotion in Guillermo del Toroโs โFrankensteinโ (2025) Shivangi Thakur December 1, 2025December 1, 2025
Column Blood in Eden: The Ideological Origins of Ryan Cooglerโs โSinnersโ Dan Flattery December 1, 2025December 1, 2025
Column · JioHotstar · Streaming Now Buddhadeb Dasguptaโs โSwapner Dinโ and the Politics of Vanishing Identities Gourab Saha November 30, 2025December 1, 2025
ColumnThe Autonomy of Sound in Ghatak โ Part II: Sound, Liberation, and Unity in โKomal GandharโNovember 7, 2025 Sree
ColumnThe Autonomy of Sound in Ghatak – Part I: Sound, Silence, and Partition in โSubarnarekhaโNovember 7, 2025 Sree
ColumnThe Burden of Grandeur: Revisiting Baahubaliโs Idea of a โMagnum OpusโNovember 7, 2025 Lakshmi Muthiah
ColumnBreaking the Cage in โGirls Will Be Girlsโ: Shuchi Talatiโs Feminist Lens on Womenโs Emotional and Sexual Psyche in South Asian Cinemaย November 6, 2025 Poddo Alam
Column30 Years Later: Why โWaterworldโ Was Never the Bomb Critics Claimed It To Be?November 6, 2025 Kay A. Oliver
EssayThe Razor-Sharp Critique of Capitalism in Lanthimosโs โBugoniaโย November 5, 2025 Dhruv Jogdand
ColumnA Temple of Idleness: Why Mallrats (1995) is the Most Sincere Film Among the Slacker CinemaNovember 1, 2025 Sebastian Sommer
ColumnThe Haunting That Lingers: Revisiting the Horror of ‘Lake Mungo’ (2008)October 31, 2025 Christopher Rhoten
ColumnFrom Slumber to Wakefulness: An Analysis of Sleep and Being Awakeย in Adoor Gopalakrishnanโs โKodiyettamโ (โAscent,โ 1978)October 29, 2025 Jubin Abraham
ColumnSeeing โSirโ Through Dalit Feminist Gaze: Love Amid Inequalityย October 29, 2025 Priyanca Ambalvi
EssayThe Strange Thing About Johnsons, Hereditary, and Midsommar: An Analysis of Family Horror in Ari Aster’s FilmographyOctober 28, 2025 Beatrice Gangi
Radical Solidarities in Dan Trachtenbergโs โPredator: Badlandsโ: Posthuman Bonds at the Edge of the Galaxy
Essay One Battle After Anotherโs Fight in the Graveyard of the Western Charlie Gaskell October 22, 2025
Essay Control, Possession and Murder: The Power-Dynamics in Hitchcock’s Rope (1948) Bella Madge October 22, 2025
Essay Summer of Superman: How James Gunnโs โSupermanโ (2025) Reminds Us of The Man of Tomorrowโs Power Ollie Wheaton October 4, 2025
Essay Beyond The Vamp: Silk Smitha, Stardom, And The Politics Of Desire Anju Devadas September 5, 2025
Essay The Rajinikanth Effect: How Thalaivarโs Meteoric Charm Forged A Cultural Phenomenon Anju Devadas August 30, 2025