Eternal Recurrence: Love and Memory in the Philosophy of Living through ‘Eternal Sunshine of the Spotless Mind’March 1, 2026 Bipasha Bhattacharyya
When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’February 26, 2026 Bipasha Bhattacharyya
‘Kennedy’ and the Spectacle of Violence: Cop Cinema, Catharsis, and the Politics of BloodFebruary 24, 2026 Manav
Column On The Functional Intimacy Of Shruti And Bittoo In ‘Band Baaja Baaraat’ (2010) Tanay Shrotriy February 22, 2026February 26, 2026
Column Black Honey (Molasses, 2010) and the Idea of Conditional Nostalgia in an Unequal Homeland Masa Awartani February 22, 2026February 26, 2026
Column Who Writes Reality? Narrative, Madness, and the Fragile Architecture of Truth in ‘In the Mouth of Madness’ Guilherme Quireza February 21, 2026February 24, 2026
Column Bruges as Purgatory: A Moral Landscape for the Damned Adam Page February 26, 2026March 1, 2026
Column Model Minority: How ‘America’s Next Top Model’ Policed Blackness Aja Haymore February 26, 2026March 1, 2026
Column When Reason Becomes a Voice: Masculinity and Power in ‘Alphaville’ Bipasha Bhattacharyya February 26, 2026March 1, 2026
ColumnMaybe we should let Women Filmmakers just be Filmmakers: Thoughts on ‘Barbie’ DiscourseSeptember 3, 2023 Gauri
EssayRevelation as Paradox: Oppenheimer and the Criticality of Scientific ReasonSeptember 2, 2023 Shaswata Ray
EssayWhere the Crawdads Sing (2022): Embark On A Scenic Trip Into The Marshland With KyaAugust 31, 2023 Poonam Vaze
ColumnHow the Depiction of Trauma Humanizes One Killer and Villainizes the Other in ‘Por Thozhil’?August 25, 2023 Pramila Tripathi
Column‘Taali’ (2023) Offers a Heart-Wrenching and Empowering Look into the Life of a Trans ActivistAugust 22, 2023 Srilekha Mitra
EssayAmerican Prometheus: The Triumph of Oppenheimer’s (2023) Screenplay is in Exposing the Failure of Dr. OppenheimerAugust 19, 2023 Ashwani Kumar
Column’Hiroshima Mon Amour’ is a Poignant Intermixture of History with Memories of Love, Loss, and SufferingAugust 18, 2023 Srilekha Mitra
Article Clint Eastwood’s Most Underrated Western Is Now on Netflix – And You’ll Regret Not Watching It This Weekend Naveed Zahir January 7, 2026
Column How Wag the Dog (1997) Predicted Our Age of Manufactured Wars and Media Spectacle? Arijit Paul June 3, 2025
Essay Paul Thomas Anderson’s Psychological Prowess through the Lens of his Most Problematic Picture Hector Levya June 9, 2025
Column The Birth of the Blonde Femme Fatale of Cinema in Billy Wilder’s ‘Double Indemnity’ Bharat Bhoite June 6, 2025
Column The Pearl Necklace in ‘When Life Gives You Tangerines’: An Ode to the Enduring Spirit of Mothers, Seen Through the Eyes of a Daughter —and One Day, a Mother Herself Sanjida Samrin Rahman May 6, 2025
Essay The Avenging Woman: The Politics and Aesthetics of Female Rage in Rape-Revenge Cinema Anju Devadas October 29, 2025
Column Hal Ashby’s Enduring Legacy: How ‘The Holdovers’ Echoes the Spirit of a 1970s Master Bharat Bhoite May 5, 2025
