Who Owns Nature? โJugnumaโ and the Politics of Ecological MemoryOctober 9, 2025 Prerna Chatterjee
Between Surnames and Silences: The Unflinching World of Neeraj Ghaywanโs โHomeboundโย (2025)October 4, 2025 Rhea Raj Shinde
The Last Frontier Is Us: What โEddingtonโ and โOne Battle After Anotherโ Say about Survival in the Current Global OrderOctober 3, 2025 Aryan Vyas
Essay Summer of Superman: How James Gunnโs โSupermanโ (2025) Reminds Us of The Man of Tomorrowโs Power Ollie Wheaton October 2, 2025October 4, 2025
Column A Humanistic Mirror to Indiaโs Fault Lines: Neeraj Ghaywanโs โHomeboundโ Shivani Muralikrishna October 2, 2025October 3, 2025
Essay The Poetics of Broken Hearts: Intimacy and Identity in โQueerโ Kabir Deb September 26, 2025September 26, 2025
Column โKing & Conquerorโ and the Long Shadow of โGame of Thronesโย Ollie Wheaton October 9, 2025October 9, 2025
Column Who Owns Nature? โJugnumaโ and the Politics of Ecological Memory Prerna Chatterjee October 9, 2025October 9, 2025
ColumnNate vs Ted Lasso: Evaluating the role of mentorship & leadership, and navigating its rootsMarch 16, 2023 Akash Deshpande
Essay50 Years of Nirmalyam (1973): Timeless, Introspective, and RadicalMarch 9, 2023 Krishnanunni Padinjassery
ColumnBardo, False Chronicle of a Handful of Truths (2022): A Visual Feast on Humanityโs Unsolvable ProblemsMarch 8, 2023 Pouya Aghelizadeh
EssayMinari (2020) as More than Just a Family Drama: An Interpretation of the Film’s Marxist ThemesMarch 2, 2023 Shivani Muralikrishna
Essay‘EO’: Reimagining ‘Au Hasard Balthazar’ To Study Human Nature Five Decades LaterFebruary 27, 2023 Aryan Vyas
EssayCelebrating Secularism With Shahrukh Khan’s Pathaan (2023)February 22, 2023 Balaganesh Kothapalli
ColumnAction, Horror, and More: Inside the Colorful World of Timo TjahjantoFebruary 22, 2023 Josรฉphine des Aulnois
EssayDiscovering Steven Spielberg’s Magic: Why The Fabelmans and Close Encounters of the Third Kind Should be a Double BillFebruary 22, 2023 Rob Jones
EssayAnalysing the โNewโ in Malayalamโs New-Generation Buddy Movies: Rani Padmini (2015) and Super Sharanya (2022)February 21, 2023 Krishnanunni Padinjassery
EssayFrom DDLJ to Rab Ne: How Aditya Chopra Created & Dismantled The On-Screen Persona of SRK’s RajFebruary 15, 2023 Aryan Vyas
Article · Essay A Study of Fragmentation in the Aftermath of World War II in Christian Petzoldโs Phoenix (2014) Ahendrila Goswami August 24, 2021
Article · Essay Raw (2016) – Julia’s fascination with Human body and Cannibalism Sandeep Sreelekha July 10, 2024
Article · Essay · Prime Video Shershaah and Why the Formulaic Biopic Works Ankita Rathour February 13, 2022
Article · Essay Conflicting Resolutions and the Metaphor of the Aged People in Kieลlowskiโs Three Colors Trilogy Atreyo Palit September 17, 2021
Essay · Great Films Salt of the Earth [1954] โ A Landmark American Independent Cinema on the Working Class Arun Kumar July 31, 2021
![Salt of the Earth [1954] โ A Landmark American Independent Cinema on the Working Class](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/07/Salt-of-the-Earth-1954-768x432.jpg)
High On Films
