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Buddhadeb Dasgupta’s ‘Swapner Din’ and the Politics of Vanishing IdentitiesNovember 30, 2025 Gourab Saha
Radical Solidarities in Dan Trachtenberg’s ‘Predator: Badlands’: Posthuman Bonds at the Edge of the GalaxyNovember 26, 2025 Sourav Chatterjee
Essay Into the Heart of Darkness: A Trio of Hollywood’s Beautiful Catastrophes Adam Page November 24, 2025November 25, 2025
Column The Physics of Grief in Clint Bentley’s ‘Train Dreams’ Ben Bogdan November 21, 2025November 24, 2025
Column Creating an Ashoke Ganguli of his Own: Irrfan Khan in “The Namesake” Ahendrila Goswami November 20, 2025November 23, 2025
Column The Existential Horror Hidden in Eternity’s Rom-Com Glow Christopher Rhoten December 3, 2025December 3, 2025
Column Stitched Souls: Identity and Emotion in Guillermo del Toro’s ‘Frankenstein’ (2025) Shivangi Thakur December 1, 2025December 2, 2025
Column Blood in Eden: The Ideological Origins of Ryan Coogler’s ‘Sinners’ Dan Flattery December 1, 2025December 2, 2025
EssayMichael Corleone: The Tragic Transformation of Cinema’s Most Complex Anti-HeroJuly 8, 2023 Çisemnaz Çil
ColumnHow Teamwork On and Off the Screen Transformed the Mission: Impossible Franchise July 7, 2023 Joséphine des Aulnois
EssayHow “Spider-Man Across the Spider-Verse” challenges the very identity of Spider-Man and its intersectionalityJune 22, 2023 Amartya Acharya
EssaySuccession & The Brilliant Execution of Inevitability: How This Prestige Drama’s Overarching Themes Came Full Circle in Its Final EpisodeJune 9, 2023 Aryan Vyas
EssayTangled in Nostalgia’s Embrace: Boys Over Flowers’ Struggles Against Sands Of TimeMay 28, 2023 Sanghavi P.S
Article · Essay The Human Scale (2012): An Urban Planning Documentary That Questions City Design Priya Singh October 6, 2021
Article · Essay The Suicide Squad (2021): A Satire on America’s Advocacy of Violence for Peace & Need To Maintain Power Krishnanunni Padinjassery January 26, 2022
Article · Essay Under The Silver Lake (2018) and the Depth Superficiality of Hollywood Isabelle Cubas February 13, 2022
Article · Essay · Netflix · Review The Witch Wears Prada: Krysten Ritter’s Miranda Priestley-esque Witch Makes Nightbooks Special Atreyo Palit September 23, 2021
Article · Essay The Warm Embrace of CODA (2021), Which Renews Love For Music Atreyo Palit September 17, 2021
Article · Essay Ankur (1974): ‘We’ll Go On Forever, Pa, Because We’re The People.’ Shahim Sheikh September 9, 2021
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