When Horror Hurts: Violence, Realism, and Responsibility in ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023) July 10, 2025 Hannah John
How Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s ‘The Phoenician Scheme’ July 10, 2025 Gourab Saha
The Conflict of Reason and Ruin: A Marxist-Psychoanalytic Reading of Ritwik Ghatak’s ‘Jukti Takko Aar Gappo’ Through an Absurdist LensJuly 8, 2025 Ishani Routh
Column The Stars of Aamir Khan: A Comparative Reflection on ‘Taare Zameen Par’ and ‘Sitaare Zameen Par’ Kalpa Jyoti Bhuyan July 7, 2025July 10, 2025
Column Guru Dutt: The Lonely Artist Who Spoke Through Shadows Nishtha Ranjan July 7, 2025July 10, 2025
Essay Fragments of the Forgotten: Memory Loss and the Mystique of Identity in Indian Cinema Anju Devadas July 7, 2025July 10, 2025
Column When Horror Hurts: Violence, Realism, and Responsibility in ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023) Hannah John July 10, 2025July 10, 2025
Column How Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s ‘The Phoenician Scheme’ Gourab Saha July 10, 2025July 10, 2025
Article · EssayCreating an Ashoke Ganguli of his Own: Irrfan Khan in “The Namesake”May 13, 2021 Ahendrila Goswami
Article · EssayHow Nayattu (2021) Is An Unrealistic and Misleading Anti-Dalit MovieMay 12, 2021 Gokul KP
Article · EssayHere’s Why The Oscars Need To Start Recognizing Horror MoviesApril 30, 2021 Jebidiah Pinnell
When Horror Hurts: Violence, Realism, and Responsibility in ‘Funny Games’ (1997) and ‘When Evil Lurks’ (2023)
How Faith Ironically Becomes the Real Revolution Against Capitalist Excess in Wes Anderson’s ‘The Phoenician Scheme’
Essay Why “Hungama Hai Kyon Barpa” is a Near-Perfect Tribute to Its Inspiration Ahendrila Goswami May 8, 2024
Article · Essay Phoenix (2014): “If I Do What You Tell Me, Will You Love Me?” Shahim Sheikh July 14, 2021
Article · Essay Yugant (1995) – Looking at Eco Feminism through the Prism of an Estranged Marriage Debanjan Dhar July 12, 2021
Article · Essay Directors From Parallel Cinema Entering Mainstream Bollywood Devraj Kalsi August 14, 2021
High On Films
