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The Autonomy of Sound in Ghatak – Part II: Sound, Liberation, and Unity in ‘Komal Gandhar’November 7, 2025 Sree
The Autonomy of Sound in Ghatak – Part I: Sound, Silence, and Partition in ‘Subarnarekha’November 7, 2025 Sree
The Burden of Grandeur: Revisiting Baahubali’s Idea of a ‘Magnum Opus’November 7, 2025 Lakshmi Muthiah
Breaking the Cage in ‘Girls Will Be Girls’: Shuchi Talati’s Feminist Lens on Women’s Emotional and Sexual Psyche in South Asian Cinema November 6, 2025 Poddo Alam
Column 30 Years Later: Why ‘Waterworld’ Was Never the Bomb Critics Claimed It To Be? Kay Oliver November 6, 2025November 6, 2025
Essay The Razor-Sharp Critique of Capitalism in Lanthimos’s “Bugonia” Dhruv Jogdand November 5, 2025November 5, 2025
Essay The Hungry Ghost: Hollywood’s Struggle to Portray Addiction Adam Page November 5, 2025November 5, 2025
Column The Autonomy of Sound in Ghatak – Part II: Sound, Liberation, and Unity in ‘Komal Gandhar’ Sree November 7, 2025November 7, 2025
Column The Autonomy of Sound in Ghatak – Part I: Sound, Silence, and Partition in ‘Subarnarekha’ Sree November 7, 2025November 7, 2025
Column The Burden of Grandeur: Revisiting Baahubali’s Idea of a ‘Magnum Opus’ Lakshmi Muthiah November 7, 2025November 8, 2025
ColumnWho Owns Nature? ‘Jugnuma’ and the Politics of Ecological MemoryOctober 9, 2025 Prerna Chatterjee
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ColumnThe Last Frontier Is Us: What ‘Eddington’ and ‘One Battle After Another’ Say about Survival in the Current Global OrderOctober 3, 2025 Aryan Vyas
EssaySummer of Superman: How James Gunn’s ‘Superman’ (2025) Reminds Us of The Man of Tomorrow’s PowerOctober 2, 2025 Ollie Wheaton
ColumnA Humanistic Mirror to India’s Fault Lines: Neeraj Ghaywan’s ‘Homebound’October 2, 2025 Shivani Muralikrishna
ColumnHow Did Zubeen Garg Become the Heartbeat of Our GenerationSeptember 26, 2025 Kalpa Jyoti Bhuyan
Column‘No Smoking’ and the Politics of Control: Anurag Kashyap’s Unheeded Prophecy September 24, 2025 Soumyajyoti Kar
ColumnA Tribute To Robert Redford: An Icon Of Decency, Compassion, and Service Who Offered An Optimistic Future for HollywoodSeptember 17, 2025 Liam Gaughan
ColumnThe Soundtrack of Privilege: Here’s How Highest 2 Lowest Uses Music to Divide Class and CultureSeptember 14, 2025 Naveed Zahir
ColumnConfluence Of Fractured Existence: The Invisible Thread Connecting Bergman’s “Wild Strawberries” And Ray’s “Nayak” September 14, 2025 Subhankar Das
ColumnOur Girlhood Deserves Better Than ‘The Summer I Turned Pretty’September 14, 2025 Prerna Chatterjee
ColumnLost and Found: Revisiting ‘Kismet’ and the Roots of Indian Social MelodramaSeptember 14, 2025 Manas Banik
ColumnIn ‘Lokah,’ Malayalam Cinema Finally Lets a Woman Wear the Cape September 12, 2025 Akhila Krishnan
ColumnThe North–South Divide in Indian Cinema: Tropes, Stereotypes, and Cultural MisstepsSeptember 6, 2025 Santosh Kumar Mamgain
Breaking the Cage in ‘Girls Will Be Girls’: Shuchi Talati’s Feminist Lens on Women’s Emotional and Sexual Psyche in South Asian Cinema
Essay The Fangs of Fear: Exploring Horror and Dread in ‘Jaws’ (1975) Krishnanunni Padinjassery July 16, 2025
Essay Fragments of the Forgotten: Memory Loss and the Mystique of Identity in Indian Cinema Anju Devadas August 30, 2025
Essay Destination Moon at Seventy-Five: Reassessing a Pioneering Vision of Space, Science, and Enterprise Andrew Kidd June 29, 2025
Essay The French Dispatch: or All Great Beauties Withhold Their Deepest Secrets Hector Levya July 4, 2025
Essay From A-Listers to Crew Women, How Hindi Film Industry’s Feminism Rings Hollow Without Basic Dignity Sakshi Salil Chavan June 22, 2025
Essay The Crime Behind The Curtain: Looking Back at ‘Yavanika,’ a Cinematic Masterpiece Vaishnavi S June 24, 2025
Essay Popular Cinema in India: A Socio-Cultural Analysis of the Indian Cinema and Its Cinematic Tropes Santosh Kumar Mamgain August 4, 2025
Essay Paul Thomas Anderson’s Psychological Prowess through the Lens of his Most Problematic Picture Hector Levya June 9, 2025
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