Beyond Bloodlines: Reimagining Kinship And Childhood In Hirokazu Kore-edaโs Cinemaย July 31, 2025 Anju Devadas
Why do all the Contemporary Villains Sound Like They’ve Read Camus?ย July 30, 2025 Bipasha Bhattacharyya
The Pain of Silent Departures and the Turmoil That Lingers Within: Thoughts on G.Aravindhanโs Pokkuveyil (1982, Twilight)July 30, 2025 Rugmini Dinu
Haunting Silences And Moral Reckonings: Gender, Guilt, And Redemption In G. Aravindanโs โChidambaramโ (1985)July 28, 2025 Anju Devadas
Column The Horror of the Unseen: How the 1999 Movie โThe Blair Witch Projectโ Redefined Fear Em Stonham July 24, 2025August 1, 2025
Column Through the Lens of Love and Longing: Revisiting Kieลlowskiโs โA Short Film About Loveโ Rugmini Dinu July 21, 2025August 1, 2025
Column โThe Ugly Stepsisterโ (2025) and the Cost of Becoming โBeautiful Enoughโ Aja Haymore July 21, 2025August 1, 2025
Column Why do all the Contemporary Villains Sound Like They’ve Read Camus?ย Bipasha Bhattacharyya July 30, 2025July 30, 2025
Column Of Guns and Guilt: The Postmodern Antiheroย and His Mirrorย Subhashree Paul July 30, 2025July 30, 2025
Column The Pain of Silent Departures and the Turmoil That Lingers Within: Thoughts on G.Aravindhanโs Pokkuveyil (1982, Twilight) Rugmini Dinu July 30, 2025July 30, 2025
EssaySexual Violence and the Objectification of Women in Hindi CinemaFebruary 18, 2025 Santosh Kumar Mamgain
EssayRobert Eggersโ โNosferatuโ (2024): Changes and Continuity in Vampiric TraditionsJanuary 20, 2025 Kalpa Jyoti Bhuyan
EssaySex, Power, and Representation: Analyzing Sean Baker’s ‘Anora’ Through Feminist and Auteur LensesDecember 23, 2024 Ritesh Sharma
EssayWatchmen: The Often-Overlooked Differences Between Zack Snyder’s Movie and Alan Moore’s Graphic NovelDecember 3, 2024 Mohan Kumar
EssayโGirls Will Be Girlsโ Is an Intimate Love Letter to Girlhood & Those Who Missed Out on TheirsOctober 25, 2024 Sakshi Salil Chavan
EssayโMelancholiaโ (2011) and the End of Everything: Exploring Depression, Despair, and the Human ConditionOctober 1, 2024 Mohan Kumar
EssayMaddening Ambiguity & โThe Heiressโ (1949): An Inspiration for Scorseseโs โKillers of the Flower Moonโย September 24, 2024 Emily Holland
The Pain of Silent Departures and the Turmoil That Lingers Within: Thoughts on G.Aravindhanโs Pokkuveyil (1982, Twilight)
Essay Why Women Centric Films in Hindi Cinema are not Necessarily Feminist Films? Santosh Kumar Mamgain March 20, 2025
Essay I Speak in Three Languages, Write in Two, Love in One: โLooteraโ and Romance in Vernacularย Damayanti Ghosh March 15, 2025
Essay Sexual Violence and the Objectification of Women in Hindi Cinema Santosh Kumar Mamgain March 8, 2025
Essay Robert Eggersโ โNosferatuโ (2024): Changes and Continuity in Vampiric Traditions Kalpa Jyoti Bhuyan March 2, 2025
Essay Sex, Power, and Representation: Analyzing Sean Baker’s ‘Anora’ Through Feminist and Auteur Lenses Ritesh Sharma March 2, 2025
Essay Watchmen: The Often-Overlooked Differences Between Zack Snyder’s Movie and Alan Moore’s Graphic Novel Mohan Kumar December 3, 2024
High On Films
