Stitched Souls: Identity and Emotion in Guillermo del Toro’s ‘Frankenstein’ (2025)December 1, 2025 Shivangi Thakur
Buddhadeb Dasgupta’s ‘Swapner Din’ and the Politics of Vanishing IdentitiesNovember 30, 2025 Gourab Saha
Radical Solidarities in Dan Trachtenberg’s ‘Predator: Badlands’: Posthuman Bonds at the Edge of the GalaxyNovember 26, 2025 Sourav Chatterjee
Column The Physics of Grief in Clint Bentley’s ‘Train Dreams’ Ben Bogdan November 21, 2025November 24, 2025
Column Creating an Ashoke Ganguli of his Own: Irrfan Khan in “The Namesake” Ahendrila Goswami November 20, 2025November 23, 2025
Essay Revisiting ‘Taare Zameen Par’ after reading Carl Honoré’s ‘In Praise of Slowness’ Ayan Dawn November 20, 2025November 23, 2025
Column Stitched Souls: Identity and Emotion in Guillermo del Toro’s ‘Frankenstein’ (2025) Shivangi Thakur December 1, 2025December 1, 2025
Column Blood in Eden: The Ideological Origins of Ryan Coogler’s ‘Sinners’ Dan Flattery December 1, 2025December 1, 2025
Column · JioHotstar · Streaming Now Buddhadeb Dasgupta’s ‘Swapner Din’ and the Politics of Vanishing Identities Gourab Saha November 30, 2025December 1, 2025
ColumnThe Pain of Being Unloved: An Empathetic Study on Siddharthan’s Self in ‘Aham’ (1992)October 24, 2025 Rugmini Dinu
ColumnThe Evolution of the Unreliable Narrator: From Film Noir to Contemporary Psychological ThrillersOctober 22, 2025 Adam Page
ColumnArchitects of the State: Political Allegory and Allegiance in ‘The Brutalist’ October 18, 2025 Dan Flattery
ColumnThe Curse of Conformity: The Quiet Rebellion of Radha in ‘Holy Curse’October 17, 2025 Bipasha Bhattacharyya
ColumnThe Smashing Machine: The Many Faces of Dwayne ‘The Rock’ JohnsonOctober 17, 2025 Charlie Gaskell
EssayOne Battle After Another’s Fight in the Graveyard of the WesternOctober 15, 2025 Charlie Gaskell
EssayControl, Possession and Murder: The Power-Dynamics in Hitchcock’s Rope (1948)October 15, 2025 Bella Madge
ColumnHong Kong in Transit: Love, Loss, and Belonging in ‘Chungking Express’October 14, 2025 Sayantani Datta
ColumnDehumanization, Fear, and Power: Unpacking Xenophobia in Scorsese’s ‘Gangs of New York’ October 14, 2025 Subhankar Das
ColumnWho Owns Nature? ‘Jugnuma’ and the Politics of Ecological MemoryOctober 9, 2025 Prerna Chatterjee
Radical Solidarities in Dan Trachtenberg’s ‘Predator: Badlands’: Posthuman Bonds at the Edge of the Galaxy
Essay Beyond Bloodlines: Reimagining Kinship And Childhood In Hirokazu Kore-eda’s Cinema Anju Devadas August 30, 2025
Essay Haunting Silences And Moral Reckonings: Gender, Guilt, And Redemption In G. Aravindan’s ‘Chidambaram’ (1985) Anju Devadas August 30, 2025
Essay Lolita’s Daughters: Innocence, Eroticism, And Cinematic Obsession With The Nymphet Anju Devadas September 9, 2025
Essay The Fangs of Fear: Exploring Horror and Dread in ‘Jaws’ (1975) Krishnanunni Padinjassery July 16, 2025
Essay Fragments of the Forgotten: Memory Loss and the Mystique of Identity in Indian Cinema Anju Devadas August 30, 2025
Essay Destination Moon at Seventy-Five: Reassessing a Pioneering Vision of Space, Science, and Enterprise Andrew Kidd June 29, 2025
Essay The French Dispatch: or All Great Beauties Withhold Their Deepest Secrets Hector Levya July 4, 2025
Essay From A-Listers to Crew Women, How Hindi Film Industry’s Feminism Rings Hollow Without Basic Dignity Sakshi Salil Chavan June 22, 2025
High On Films
