Chris Sanders’ The Wild Robot (2024) Tenderly Explores The Power Of Found FamilyMay 27, 2025 Sakshi Salil Chavan
How Wag the Dog (1997) Predicted Our Age of Manufactured Wars and Media SpectacleMay 23, 2025 Arijit Paul
Paul Thomas Anderson’s Psychological Prowess through the Lens of his Most Problematic PictureMay 15, 2025 Hector Levya
The Birth of the Blonde Femme Fatale of Cinema in Billy Wilder’s ‘Double Indemnity’May 11, 2025 Bharat Bhoite
Column The Pearl Necklace in ‘When Life Gives You Tangerines’: An Ode to the Enduring Spirit of Mothers, Seen Through the Eyes of a Daughter —and One Day, a Mother Herself Sanjida Samrin Rahman May 6, 2025May 6, 2025
Essay · Featured The Avenging Woman: The Politics and Aesthetics of Female Rage in Rape-Revenge Cinema Anju Devadas May 5, 2025May 31, 2025
Column Hal Ashby’s Enduring Legacy: How ‘The Holdovers’ Echoes the Spirit of a 1970s Master Bharat Bhoite April 30, 2025May 5, 2025
Column · Featured Chris Sanders’ The Wild Robot (2024) Tenderly Explores The Power Of Found Family Sakshi Salil Chavan May 27, 2025May 30, 2025
Column How Wag the Dog (1997) Predicted Our Age of Manufactured Wars and Media Spectacle Arijit Paul May 23, 2025
Column The Birth of the Blonde Femme Fatale of Cinema in Billy Wilder’s ‘Double Indemnity’ Bharat Bhoite May 11, 2025May 11, 2025
EssayAnatomy of a Fall: Confronting Ethics as a Consequence of a Decision-MakingSeptember 16, 2024 Avantika Tewari
Essay Maddening Ambiguity & ‘The Heiress’ (1949): An Inspiration for Scorsese’s ‘Killers of the Flower Moon’ Emily Holland September 24, 2024
Essay Anatomy of a Fall: Confronting Ethics as a Consequence of a Decision-Making Avantika Tewari September 16, 2024
Essay The Open Ending of Masaan: Subversive, Unconventional, Endless Shreya Chauhan September 9, 2024
High On Films
