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How Quentin Tarantino Subverts World War II Narratives through a Postmodern Lens in ‘Inglourious Basterds’?September 3, 2025 Abirbhab Maitra
Fourth Wall Break in Cinema and Its Relationship with Brechtian Dramaturgy September 2, 2025 Subhankar Das
Column Parallel Cinema Is Having a Moodboard Moment Bipasha Bhattacharyya September 2, 2025September 2, 2025
Column Beyond Statistics: How Ray’s ‘Ashani Sanket’ Resurrects the 1943 Bengal Famine Sumedha Chatterjee August 31, 2025August 31, 2025
Column The Optical Residue of a Nation: Fragments from Route One USA (1989) Pulkit Sharma August 29, 2025August 30, 2025
Column In ‘Lokah,’ Malayalam Cinema Finally Lets a Woman Wear the Cape Akhila Krishnan September 12, 2025September 12, 2025
Column The North–South Divide in Indian Cinema: Tropes, Stereotypes, and Cultural Missteps Santosh Kumar Mamgain September 6, 2025September 7, 2025
Column How Does Tarantino’s ‘Pulp Fiction’ (1994) Condemn American Nihilism? Georgia May September 5, 2025September 6, 2025
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ColumnMemory as Resistance: How ‘Hirak Rajar Deshe’ and ‘Chorus’ Speak for the SilencedJune 17, 2025 Ishani Routh
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EssayThe Crime Behind The Curtain: Looking Back at ‘Yavanika,’ a Cinematic Masterpiece June 16, 2025 Vaishnavi S
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ColumnCharacterising the Space: The Cinematic Space as the Protagonist in ‘Laila Aur Satt Geet’ (2020)June 15, 2025 Sahil
EssayPopular Cinema in India: A Socio-Cultural Analysis of the Indian Cinema and Its Cinematic TropesJune 7, 2025 Santosh Kumar Mamgain
ColumnDreams on a Train: Psychoanalysis and the Subconscious Journey in Satyajit Ray’s ‘Nayak’ (1966)June 7, 2025 Shivani Muralikrishna
ColumnAnatomy of ‘A War’: Tobias Lindholm’s Unflinching Dissection of WarJune 4, 2025 Soumalya Chatterjee
ColumnQueering the Routes and Roots in the ‘Sancharram’ (The Journey, 2004)June 4, 2025 Dr. Aparna Ajith
How Quentin Tarantino Subverts World War II Narratives through a Postmodern Lens in ‘Inglourious Basterds’?
Essay Anatomy of a Fall: Confronting Ethics as a Consequence of a Decision-Making Avantika Tewari September 16, 2024
Essay The Open Ending of Masaan: Subversive, Unconventional, Endless Shreya Chauhan September 9, 2024
Essay Dali and Surrealism: Art, Aesthetics and Psychoanalysis Shinji Alizeh Majumder December 5, 2024
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