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Why do all the Contemporary Villains Sound Like They’ve Read Camus?ย July 30, 2025 Bipasha Bhattacharyya
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Column Why do all the Contemporary Villains Sound Like They’ve Read Camus?ย Bipasha Bhattacharyya July 30, 2025July 30, 2025
Column Of Guns and Guilt: The Postmodern Antiheroย and His Mirrorย Subhashree Paul July 30, 2025July 30, 2025
Column The Pain of Silent Departures and the Turmoil That Lingers Within: Thoughts on G.Aravindhanโs Pokkuveyil (1982, Twilight) Rugmini Dinu July 30, 2025July 30, 2025
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EssayBaba Yaga’s Bullet Ballet: John Wick and the Rebirth of Modern Action CinemaJuly 15, 2024 Aadesh Gupta
EssayChandu Champion: Kartik Aaryan Transforms Himself in This Tale of Indian SisyphusJuly 8, 2024 Naina Rathi
EssayLost in Translation: How “Anatomy of a Fall” Captures the Difficulty of Representing RealityJune 22, 2024 David Lobzhanidze
The Pain of Silent Departures and the Turmoil That Lingers Within: Thoughts on G.Aravindhanโs Pokkuveyil (1982, Twilight)
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Essay Dali and Surrealism: Art, Aesthetics and Psychoanalysis Shinji Alizeh Majumder December 5, 2024
Article · Essay Ridley Scott’s Gladiator (2000): Hollywood and the Road Always Taken Shahim Sheikh March 2, 2025
Essay Baba Yaga’s Bullet Ballet: John Wick and the Rebirth of Modern Action Cinema Aadesh Gupta July 20, 2024
Essay Chandu Champion: Kartik Aaryan Transforms Himself in This Tale of Indian Sisyphus Naina Rathi July 8, 2024
High On Films
