What The Law Cannot Hold: Cinema, Trans Lives, and the Limits of Recognition in Contemporary India March 28, 2026 Bipasha Bhattacharyya
Apu’s Women: Reading the Novels and the Film Trilogy Against their Historical Canvas March 23, 2026 Sree
Column What Lady Bird Teaches Us About the Cost of Economic Class and Independence? Puja Sinha March 20, 2026March 23, 2026
Column ‘If I Had Legs I’d Kick You’ and the Loneliness of Being a Mother Prapti Alam March 17, 2026March 19, 2026
Column A Žižekian Reading of ‘Assi’: Rape, Spectacle and Systemic Violence in Contemporary India Soumalya Chatterjee March 17, 2026March 19, 2026
Column ‘Didn’t Die’ and the Anatomy and Tone of a Modern Zombie Horror Film Akash Deshpande March 28, 2026March 28, 2026
Column Treasure Planet, or the Refusal to Give Up on the Lost Guilherme Quireza March 26, 2026March 26, 2026
Column How ‘Father Mother Sister Brother’ Finds Intimacy in Distance Bipasha Bhattacharyya March 24, 2026March 24, 2026
Article · Essay Here’s why the cynical re-examination of Fight Club (1999) is lame David Morgan Brown August 20, 2024
Article · Essay 31 years of The Shawshank Redemption: A Film About ‘Hanging In There’ Reubyn Coutinho November 9, 2025
Article · Fan Theory Batman in Cinema: Extremely Black yet Incredibly Colorful Ashwani Kumar July 15, 2024
Article · Essay How the Burden of Dreams can take man deep into the Heart of Darkness Jeremie Richards February 22, 2021
Article · Fan Theory Metacritic needs to replace Rotten Tomatoes David Morgan Brown February 22, 2021
Article · Essay A Lookback at The Unofficial Oliver Stone US Presidents Trilogy Lakshmi Muthiah August 1, 2021
Article · Fan Theory How The Face of Another (1966) Finds Its Right Audience in 2019 High on Films February 27, 2021
