Featured · Films This Week · Review Kuberaa (2025) Movie Review: Dhanush Shines in This Decent Crime Thriller Drama Ajay Rahul Raja July 7, 2025
Films This Week · Review Sorry, Baby (2025) Movie Review: A Remarkably Personal and Pointed Study Of Trauma and Survival Liam Gaughan July 7, 2025
Featured · Films This Week · Review Sitaare Zameen Par (2025) Movie Review: Aamir Khan’s Latest Film is Political but Lacks the Poetry of its Predecessor Soumalya Chatterjee July 7, 2025
Featured · Film Festivals · Review Splitsville (2025) ‘KVIFF’ Movie Review: A Comedic Proof of Polyamorous Dysfunctions Sofia Topi July 13, 2025July 13, 2025
Featured · Film Festivals · Review Sand City (2025) ‘Karlovy Vary’ Movie Review: Mahde Hasan’s Strange and Beguiling City-Portrait Marks a Visually Arresting Debut Debanjan Dhar July 8, 2025July 11, 2025
Featured · Film Festivals · Review Redlight To Limelight (2025) ‘Sheffield DocFest’ Movie Review: Bipuljit Basu’s Doc Entwines Community And Creative Assertion Debanjan Dhar June 25, 2025July 7, 2025
Featured · Film Festivals · Review Tape (2025) “Raindance Film Festival London” Movie Review: A Hong Kong Reimagination of Linklater’s Indie Classic Ajay Rahul Raja June 22, 2025July 7, 2025
Featured · Film Festivals · Review Our Happy Place (2024) Movie Review: Psychological Horror About a Woman in the Woods Struggles to Flesh Out Its Central Mystery Akash Deshpande June 22, 2025June 27, 2025
Featured · Film Festivals · Review Welded Together (2025) ‘Sheffield DocFest’ Movie Review: A Heart Wrenching Portrait of Resilience Shifts Between Believing and Receding Debanjan Dhar June 20, 2025July 4, 2025
Featured · Film Festivals · ReviewSplitsville (2025) ‘KVIFF’ Movie Review: A Comedic Proof of Polyamorous DysfunctionsJuly 13, 2025 Sofia Topi
Featured · Netflix · Review · Streaming NowAap Jaisa Koi (2025) ‘Netflix’ Movie Review: Generic Story, Stylish StorytellingJuly 11, 2025 Suvo Pyne
Featured · ReviewSuperman (2025) Movie Review: A Joyously Geeky, Albeit Overstuffed Return To Form For DCJuly 9, 2025 Liam Gaughan
Review Welcome, Or No Trespassing [1964] Review – A Marvelous Soviet Camp Comedy Arun Kumar July 22, 2024
Review West Michigan [2021] Review – Brother-Sister road-trip hits familiar beats Shikhar Verma March 17, 2021
Netflix · Review Errementari [2017] Netflix Review – A Simplistic yet Wildly Entertaining Folk Horror Arun Kumar March 14, 2021
Berlinale · Film Festivals · Review Tina [2021]: ‘Berlinale’ Review – The inspirational true story occasionally thrills but ultimately feels rushed Santanu Das March 13, 2021
Review Spring on Zarechnaya Street [1956] Review – An Enjoyable Romantic Melodrama of Thaw-Era Cinema Arun Kumar March 12, 2021
Films This Week · Review 15 Killings Review: A Mind-numbingly Tedious Study Of A Serial Killer Santanu Das March 13, 2021
Films This Week · Netflix · Review Murder Among the Mormons [2021] Netflix Review– New True-Crime Docuseries, Same Algorithm Arun Kumar March 13, 2021
Berlinale · Film Festivals · Review The Girl and the Spider [2021]: ‘Berlinale’ Review – A powerfully choreographed exploration of alienation Shikhar Verma March 10, 2021
Berlinale · Film Festivals · Review Come Here [2021]: ‘Berlinale’ Review – Vague Thai diversion explores cinema that denies a definition Shikhar Verma March 9, 2021
![Welcome, Or No Trespassing [1964] Review – A Marvelous Soviet Camp Comedy](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/03/Welcome-Or-No-Trespassing-1964-768x432.jpg)
![West Michigan [2021] Review – Brother-Sister road-trip hits familiar beats](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/03/West-Michigan-1-highonfilms-768x431.png)
![Errementari [2017] Netflix Review – A Simplistic yet Wildly Entertaining Folk Horror](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/03/Errementari-2017-768x432.jpg)
![Tina [2021]: ‘Berlinale’ Review – The inspirational true story occasionally thrills but ultimately feels rushed](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/03/Tina-1-highonfilms-768x509.jpg)
![Spring on Zarechnaya Street [1956] Review – An Enjoyable Romantic Melodrama of Thaw-Era Cinema](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/03/Spring-on-Zarechnaya-Street-1956-768x553.jpg)
![Murder Among the Mormons [2021] Netflix Review– New True-Crime Docuseries, Same Algorithm](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/03/Murder-among-the-Mormons-2021-768x432.jpg)
![The Girl and the Spider [2021]: ‘Berlinale’ Review – A powerfully choreographed exploration of alienation](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/03/The-Girl-and-the-Spider-1-highonfilms-768x463.jpg)
![Come Here [2021]: ‘Berlinale’ Review – Vague Thai diversion explores cinema that denies a definition](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/03/Come-Here-1-highonfims-768x576.jpg)
High On Films
