Films This Week · Review Edgar Allan Poe’s “The Oval Portrait” (2025) Movie Review: A Lovecraftian slow-burn with a stoic love for all things old Shikhar Verma October 29, 2025
Films This Week · Review The Long Walk (2025) Movie Review: An Unflinchingly Brutal, Emotionally Punishing Stephen King Adaptation Liam Gaughan October 25, 2025
Films This Week · Review Param Sundari (2025) Movie Review: Janhvi Kapoor & Sidharth Malhotra’s cross-cultural rom-com is dead on arrival Shikhar Verma September 9, 2025
Featured · Film Festivals · IFFI · Review Pescador (2025) ‘IFFI’ Movie Review: A Meditative and Magical Tale Set on the Coasts and Jungles of Costa Rica Shivam Pota December 13, 2025December 16, 2025
Film Festivals · Review Flophouse America (2025) ‘DOC NYC’ Documentary Review: An Unfiltered Visceral Look into America’s Housing Crisis Akash Deshpande December 6, 2025December 17, 2025
Film Festivals · Review My Mother’s Wedding (2023) ‘WIFF’ Movie Review: A Great Actress Makes an Enjoyable Directorial Debut Andrew Kidd November 30, 2025December 1, 2025
Featured · Film Festivals · Review Arrest the Midwife (2025) ‘DOC NYC’ Documentary Review: A Critical but Moving Illustration of Present-Day Threats to Reproductive Rights Akash Deshpande November 28, 2025December 1, 2025
Featured · Film Festivals · IFFI · Review Atropia (2025) ‘IFFI’ Movie Review: A Sharp Premise Undone by a Wandering Narrative Utsha Sarkar November 24, 2025November 25, 2025
Featured · Film Festivals · IFFI · Review Woman and Child (2025) ‘IFFI’ Movie Review: A Mother’s Love and Anguish Over Lost Child and Navigating Pain Utsha Sarkar November 24, 2025November 25, 2025
Explainer · Netflix · Review · Streaming NowA Time For Bravery (2025) Movie Review & Ending Explained: Do Mariano and Diaz Expose the NIA Mastermind?December 21, 2025 Debanjan Dhar
Featured · ReviewThe Piano Accident (2025) Movie Review: A Razor-Sharp Satire about Fame in the Age of Social MediaDecember 21, 2025 Akash Deshpande
Featured · ReviewThe Wolves Always Come at Night (2024) Movie Review: A Visually Arresting and Transportive Swansong about Lives Erased by Ecological CrisesDecember 21, 2025 Akash Deshpande
A Time For Bravery (2025) Movie Review & Ending Explained: Do Mariano and Diaz Expose the NIA Mastermind?
The Wolves Always Come at Night (2024) Movie Review: A Visually Arresting and Transportive Swansong about Lives Erased by Ecological Crises
Avatar: Fire and Ash (2025) Movie Review: James Cameron’s Endless Mining Through the Riches of Pandora Finally Reaches Creative Bankruptcy
Film Festivals · NBFF · Review Tailgate [2021]: ‘NBFF’ Review – Dutch Thriller Offers Ample Chills If not Novelty Suvo Pyne July 28, 2021
Netflix · Review Kingdom: Ashin of the North [2021] Netflix Review – An Entertaining Spin-Off and an Origin Story Arun Kumar July 28, 2021
Films This Week · Review Lorelei [2021] Review: A striking fairytale interconnected by fate and burning desires Reubyn Coutinho July 26, 2021
Cannes · Film Festivals · Review The Employer and the Employee [2021]: ‘Cannes’ Review – A Modest, Bleak Portrait of Class Privilege and Indifference Debanjan Dhar July 26, 2021
MUBI · Review First Cow [2020] Review: Cerebral Food flick talks Cake & Capitalism Merryn Haller July 25, 2021
Review Limbo [2020] Review – An Uneven yet Captivating Dramedy about Asylum-Seekers Arun Kumar July 23, 2021
Review Trust [2021] Review: A formulaic infidelity tale about rich, white Americans Shikhar Verma July 23, 2021
Film Festivals · NBFF · Review Ayar [2021]: ‘NBFF’ Review – Bold attempt at Pandemic infused cocktail of meta and narrative filmmaking Suvo Pyne July 22, 2021
Review Meat me Halfway [2021] Review – An insightful documentary about reducetarian habit of food consumption Shikhar Verma July 21, 2021
![Tailgate [2021]: ‘NBFF’ Review – Dutch Thriller Offers Ample Chills If not Novelty](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/07/Tailgate-Review-768x432.jpg)
![Kingdom: Ashin of the North [2021] Netflix Review – An Entertaining Spin-Off and an Origin Story](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/07/Ashin-of-the-North-2021-768x512.jpeg)
![Lorelei [2021] Review: A striking fairytale interconnected by fate and burning desires](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/07/LORELEI-2021-Review-768x413.jpg)
![The Employer and the Employee [2021]: ‘Cannes’ Review – A Modest, Bleak Portrait of Class Privilege and Indifference](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/07/The-Employer-and-the-Employee-768x402.jpg)
![First Cow [2020] Review: Cerebral Food flick talks Cake & Capitalism](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/01/First-Cow-768x384.jpg)
![Limbo [2020] Review – An Uneven yet Captivating Dramedy about Asylum-Seekers](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/07/Limbo-2020-768x561.jpg)
![Trust [2021] Review: A formulaic infidelity tale about rich, white Americans](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/07/Trust-1-highonfilms-768x512.jpg)
![Ayar [2021]: ‘NBFF’ Review – Bold attempt at Pandemic infused cocktail of meta and narrative filmmaking](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/07/Ayar-North-Bend-FF-highonfilms-1-768x322.jpg)
![Meat me Halfway [2021] Review – An insightful documentary about reducetarian habit of food consumption](https://79468c92.delivery.rocketcdn.me/wp-content/uploads/2021/07/Meat-Me-Halfway-white-oak1-768x432.jpg)
High On Films
